Met charme, humor en zelfverzekerdheid kruipt Roger Moore voor de eerste keer in de huid van de minzame, wereldwijze - en dodelijke - Agent 007. Hij moet zich direct in een allesbeslissende strijd storten tegen een beruchte drugsbaron die ten doel gesteld heeft om Bond uit de weg te ruimen en de wereld te veroveren.
Nee, helaas is Live and Let Die nog niet beschikbaar op Netflix in Nederland.
| Editing | Raymond Poulton | Editor |
| Art | Peter Lamont | Art Direction |
| Writing | Ian Fleming | Novel |
| Production | Harry Saltzman | Producer |
| Art | Robert W. Laing | Art Direction |
| Sound | George Martin | Original Music Composer |
| Art | Stephen Hendrickson | Art Direction |
| Camera | Ted Moore | Director of Photography |
| Editing | Bert Bates | Editor |
| Directing | Guy Hamilton | Director |
| Writing | Tom Mankiewicz | Screenplay |
| Production | Albert R. Broccoli | Producer |
| Editing | John Shirley | Editor |
| Production | Weston Drury Jr. | Casting |
| Costume & Make-Up | Julie Harris | Costume Design |
| Camera | David Wynn-Jones | First Assistant Camera |
| Sound | Paul McCartney | Theme Song Performance |
| Costume & Make-Up | Colin Jamison | Hairstylist |
| Camera | Bob Kindred | Camera Operator |
| Directing | Derek Cracknell | Assistant Director |
| Art | Syd Cain | Supervising Art Director |
| Production | Bernard Hanson | Location Manager |
| Crew | Geoffrey Holder | Choreographer |
| Directing | Elaine Schreyeck | Continuity |
| Costume & Make-Up | Laurel Staffell | Wardrobe Supervisor |
| Sound | Ken Barker | Sound Recordist |
| Art | Maurice Binder | Title Designer |
| Costume & Make-Up | Paul Rabiger | Makeup Artist |
| Sound | John W. Mitchell | Sound Recordist |
| Art | Leon Davis | Construction Manager |
| Crew | Derek Meddings | Special Effects |
| Production | Claude Hudson | Production Supervisor |
| Crew | Bob Minor | Stunts |
| Crew | Vic Armstrong | Stunt Double |
| Crew | Jophery C. Brown | Stunts |
| Crew | Henry Kingi | Stunts |
| Crew | Eddie Powell | Stunts |
