Steve Everett, een ex-alcoholistische, vrouwen versierende reporter krijgt een verhaal onder ogen over een gevangene die om middernacht ter dood gebracht zal worden voor de moord op een zwangere vrouw. Steve ziet meteen dat een getuige gelogen heeft over wat hij heeft gezien, en denkt dat de gevangene onschuldig is.
Nee, helaas is True Crime nog niet beschikbaar op Netflix in Nederland.
| Writing | Andrew Klavan | Novel |
| Camera | Jack N. Green | Director of Photography |
| Directing | Clint Eastwood | Director |
| Production | Clint Eastwood | Producer |
| Production | Richard D. Zanuck | Producer |
| Sound | Lennie Niehaus | Original Music Composer |
| Art | Richard C. Goddard | Set Decoration |
| Costume & Make-Up | Deborah Hopper | Costume Supervisor |
| Production | Phyllis Huffman | Casting |
| Art | Henry Bumstead | Production Design |
| Art | Jack G. Taylor Jr. | Art Direction |
| Production | Lili Fini Zanuck | Producer |
| Writing | Stephen Schiff | Screenplay |
| Editing | Joel Cox | Editor |
| Writing | Paul Brickman | Screenplay |
| Production | Tom Rooker | Executive Producer |
| Writing | Larry Gross | Screenplay |
| Art | Joseph G. Pacelli Jr. | Set Designer |
| Crew | Craig Hosking | Pilot |
| Production | Olivia Harris | Casting Associate |
| Production | Art Levinson | Unit Production Manager |
| Production | Kokayi Ampah | Location Manager |
| Directing | Kerry Lyn McKissick | Script Supervisor |
| Sound | Donald Harris | Music Editor |
| Sound | Karen G. Wilson | Dialogue Editor |
| Sound | Doug Jackson | Sound Effects Editor |
| Sound | Gregg Rudloff | Sound Re-Recording Mixer |
| Sound | Karen Spangenberg | Supervising Dialogue Editor |
| Camera | Michael Santy | Additional Camera |
| Camera | Maurice Freeman | Additional Camera |
| Costume & Make-Up | Patricia DeHaney | Key Hair Stylist |
| Sound | Mike Dobie | Sound Effects Editor |
| Crew | John Frazier | Special Effects Coordinator |
| Sound | Donald Flick | Sound Effects Editor |
| Lighting | Kevin A. Thompson | Chief Lighting Technician |
| Camera | Charles W. Wayt | Dolly Grip |
| Costume & Make-Up | Lynda Foote | Key Costumer |
| Costume & Make-Up | Sybil Gray | Set Costumer |
| Crew | Marco Barla | Unit Publicist |
| Sound | Denise Horta | ADR Editor |
| Sound | Jason King | Sound Effects Editor |
| Sound | David M. Horton | Sound Effects Editor |
| Sound | Juno J. Ellis | Supervising ADR Editor |
| Editing | Mo Henry | Negative Cutter |
| Sound | Scott D. Jackson | Foley Editor |
| Sound | Stephen Janisz | ADR Editor |
| Crew | Mitchell B. Boyce | Cableman |
| Sound | James Matheny | Dialogue Editor |
| Sound | Victoria Martin | Foley |
| Costume & Make-Up | James Lee McCoy | Makeup Artist |
| Art | Clarence Lynn Price | Construction Coordinator |
| Sound | Bub Asman | Supervising Sound Editor |
| Camera | Charles Saldaña | Key Grip |
| Costume & Make-Up | Tania McComas | Key Makeup Artist |
| Sound | David Horton Jr. | Foley Editor |
| Sound | John T. Reitz | Sound Re-Recording Mixer |
| Sound | Adam Johnston | Sound Effects Editor |
| Sound | Gary Krivacek | Sound Effects Editor |
| Camera | Stephen S. Campanelli | Steadicam Operator |
| Art | Michael Sexton | Property Master |
| Sound | Lucy Coldsnow-Smith | Dialogue Editor |
| Sound | Matthew Harrison | Foley Editor |
| Sound | David E. Campbell | Sound Re-Recording Mixer |
| Sound | Flash Deros | Boom Operator |
| Sound | Alan Robert Murray | Supervising Sound Editor |
| Costume & Make-Up | Carol A. O'Connell | Key Hair Stylist |
| Camera | Stewart Barbee | Additional Camera |
| Costume & Make-Up | Ann Culotta | Set Costumer |
| Crew | Debbie Evans | Stunt Driver |
| Crew | Buddy Van Horn | Stunt Coordinator |
| Crew | Larry Holt | Stunts |
| Crew | Steve Kelso | Stunts |
| Crew | LaFaye Baker | Stunts |
| Crew | Andy Gill | Stunt Driver |
| Crew | Jack Gill | Stunts |
| Camera | Sam Emerson | Still Photographer |
