Terry McCabe, een FBI-agent in Los Angeles die weldra met pensioen gaat, wordt na een wilde achtervolging geveld door een hartaanval. Na een harttransplantatie wil hij genieten van een welverdiende rust, maar hij krijgt een zekere Graciella Rivers op bezoek die hem vraagt de moordenaar van haar zus op te sporen.
Nee, helaas is Blood Work nog niet beschikbaar op Netflix in Nederland.
| Directing | Clint Eastwood | Director |
| Writing | Michael Connelly | Novel |
| Writing | Brian Helgeland | Screenplay |
| Production | Clint Eastwood | Producer |
| Production | Robert Lorenz | Executive Producer |
| Sound | Lennie Niehaus | Original Music Composer |
| Camera | Tom Stern | Director of Photography |
| Editing | Joel Cox | Editor |
| Sound | Jason King | Sound Effects Editor |
| Directing | Mable Lawson-McCrary | Script Supervisor |
| Costume & Make-Up | Deborah Hopper | Costume Design |
| Art | Henry Bumstead | Production Design |
| Art | Richard C. Goddard | Set Decoration |
| Art | Jack G. Taylor Jr. | Art Direction |
| Production | Phyllis Huffman | Casting |
| Camera | Merie Weismiller Wallace | Still Photographer |
| Camera | Stephen S. Campanelli | Steadicam Operator |
| Crew | Buddy Van Horn | Stunt Coordinator |
| Sound | Beau Borders | Sound Effects Editor |
| Sound | Eileen Horta | Sound Effects Editor |
| Sound | Howard Neiman | Sound Effects Editor |
| Sound | Paul C. Warschilka | Sound Effects Editor |
| Sound | Steve Mann | Sound Effects Editor |
| Sound | Glenn Hoskinson | Sound Effects Editor |
| Sound | Doug Jackson | Sound Effects Editor |
| Sound | Tom Johnson | Sound Re-Recording Mixer |
| Sound | Christopher Boyes | Sound Re-Recording Mixer |
| Editing | Michael Cipriano | Assistant Editor |
| Editing | Gary D. Roach | Assistant Editor |
| Sound | Gloria D'Alessandro | Dialogue Editor |
| Sound | Karen Spangenberg | Dialogue Editor |
| Sound | Lucy Coldsnow-Smith | Supervising Dialogue Editor |
| Sound | Donald L. Warner Jr. | Dialogue Editor |
| Sound | Juno J. Ellis | ADR Supervisor |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Sound | Denise Horta | ADR Editor |
| Sound | Stephen Janisz | ADR Editor |
| Sound | John T. Cucci | Foley Artist |
| Sound | James Ashwill | Foley Mixer |
| Sound | Shawn Sykora | Foley Editor |
| Sound | Dan O'Connell | Foley Artist |
| Sound | Joe Divitale | Foley Editor |
| Sound | Walt Martin | Sound Mixer |
| Art | Michael Sexton | Property Master |
| Costume & Make-Up | Patricia DeHaney | Key Hair Stylist |
| Costume & Make-Up | Tania McComas | Key Makeup Artist |
| Costume & Make-Up | Carol A. O'Connell | Key Hair Stylist |
| Costume & Make-Up | Francisco X. Pérez | Key Makeup Artist |
| Costume & Make-Up | Juliet Loveland | Makeup Artist |
| Production | Judie Hoyt | Co-Producer |
| Directing | Robert Lorenz | First Assistant Director |
| Directing | Melissa Cummins Lorenz | Second Assistant Director |
| Crew | Steve Riley | Special Effects Coordinator |
| Crew | Todd Bryant | Stunts |
| Crew | Ian Eyre | Stunts |
| Crew | Richard Bucher | Stunts |
| Crew | Sharon Schaffer | Stunts |
| Crew | Buck McDancer | Stunts |
| Crew | Gary J. Wayton | Stunts |
| Lighting | Ross Dunkerley | Chief Lighting Technician |
| Crew | Michelle L. Shuffett | Technical Advisor |
| Visual Effects | Jeff Sutherland | Digital Compositor |
