De film, gesitueerd in het pittoreske Savannah in de staat Georgia, analyseert tegelijkertijd de opmerkelijke inwoners van dit stadje en de ontwikkelingen die plaatsvinden nadat een moord is gepleegd. Dit alles gezien door de ogen van een schrijver uit New York die langzaam betrokken raakt bij de gebeurtenissen.
Nee, helaas is Midnight in the Garden of Good and Evil nog niet beschikbaar op Netflix in Nederland.
Production | Arnold Stiefel | Producer |
Sound | Lennie Niehaus | Original Music Composer |
Production | Phyllis Huffman | Casting |
Production | Clint Eastwood | Producer |
Production | Anita Zuckerman | Executive Producer |
Editing | Joel Cox | Editor |
Camera | Jack N. Green | Director of Photography |
Writing | John Lee Hancock | Screenplay |
Directing | Clint Eastwood | Director |
Art | Henry Bumstead | Production Design |
Costume & Make-Up | Julie Callihan | Makeup Artist |
Sound | Bub Asman | Supervising Sound Editor |
Costume & Make-Up | Linda Boykin-Williams | Makeup Artist |
Art | Jack G. Taylor Jr. | Art Direction |
Costume & Make-Up | Tania McComas | Key Makeup Artist |
Costume & Make-Up | Eryn Krueger Mekash | Makeup Artist |
Sound | Adam Johnston | Sound Effects Editor |
Sound | Mike Dobie | Sound Effects Editor |
Sound | Alan Robert Murray | Supervising Sound Editor |
Sound | Jay Wilkinson | Sound Effects Editor |
Sound | Gary Krivacek | Sound Effects Editor |
Sound | Jeffrey J. Haboush | Sound Re-Recording Mixer |
Sound | Doug Jackson | Sound Effects Editor |
Sound | Kevin E. Carpenter | Sound Re-Recording Mixer |
Sound | David E. Campbell | Sound Re-Recording Mixer |
Sound | Jayme S. Parker | Sound Effects Editor |
Production | Tom Rooker | Co-Producer |
Production | Michael Maurer | Associate Producer |
Writing | John Berendt | Book |
Costume & Make-Up | Vivian McAteer | Hairstylist |
Camera | Antonio V. Garrido | Dolly Grip |
Editing | Gary D. Roach | Assistant Editor |
Sound | Marvin E. Lewis | Boom Operator |
Camera | Stephen S. Campanelli | "A" Camera Operator |
Camera | Paul Varrieur | "B" Camera Operator |
Crew | Ken Ebert | Special Effects |
Crew | Francis Pennington | Special Effects |
Directing | Tom Rooker | Second Assistant Director |
Lighting | Frank Helbig | Assistant Chief Lighting Technician |
Directing | Cate Hardman | Script Supervisor |
Sound | Juno J. Ellis | ADR Supervisor |
Costume & Make-Up | Deborah Hopper | Costume Supervisor |
Directing | Robert Lorenz | First Assistant Director |
Sound | Willie D. Burton | Sound Mixer |
Camera | Charles Saldaña | Key Grip |
Camera | Bill McConnell Jr. | First Assistant "B" Camera |
Art | Michael Sexton | Property Master |
Production | Michael Maurer | Production Manager |
Costume & Make-Up | Kate Sawyer | Costumer |
Lighting | Frank R. Jimenez Jr. | Assistant Chief Lighting Technician |
Crew | Joe Pancake | Special Effects Coordinator |
Sound | Lucy Coldsnow-Smith | Supervising Dialogue Editor |
Lighting | Kevin A. Thompson | Chief Lighting Technician |
Crew | Marco Barla | Unit Publicist |
Crew | Jim Jolly | Special Effects |
Camera | Stephen S. Campanelli | Steadicam Operator |
Camera | Jan Gould | Best Boy Grip |
Crew | Steve Riley | Special Effects Coordinator |
Art | Richard C. Goddard | Set Decoration |
Production | Andrew White | Production Secretary |
Editing | Michael Cipriano | Assistant Editor |
Camera | Denise Bailie | Second Assistant "B" Camera |
Costume & Make-Up | Cindy Evans | Set Costumer |
Crew | Tim Moran | Special Effects |
Art | John H. Anderson | Set Decoration |
Crew | David Linton | Cableman |
Camera | Peter N. Green | Second Assistant "A" Camera |
Sound | Donald Harris | Music Editor |
Costume & Make-Up | Sybil Gray | Key Costumer |
Costume & Make-Up | Carol A. O'Connell | Key Hair Stylist |
Art | James J. Murakami | Art Direction |
Editing | Don Roth | Assistant Editor |
Camera | Bill Coe | First Assistant "A" Camera |
Costume & Make-Up | Peggy A. Schnitzer | Set Costumer |
Production | Mika Saito | Assistant Production Coordinator |
Camera | Charles W. Wayt | Dolly Grip |
Crew | Tim Monich | Dialect Coach |
Production | Jason McGatlin | Production Coordinator |
Directing | Dodi Lee Rubenstein | Second Assistant Director |
Crew | Keith Dillin | Transportation Coordinator |
Production | Laura Bryant | Assistant Location Manager |
Editing | Bob Putynkowski | Color Timer |
Production | Bob Hartman | Production Accountant |
Production | John Findley III | Assistant Location Manager |
Art | Frank M. Fleming | Leadman |
Sound | Scott D. Jackson | Foley Editor |
Sound | Butch Wolf | Foley Editor |
Sound | Patrick J. Foley | Dialogue Editor |
Sound | Robb Wilson | Assistant Sound Editor |
Art | Chuck Herrmann | Assistant Property Master |
Sound | Neil Burrow | Foley Editor |
Directing | David M. Bernstein | Second Second Assistant Director |
Sound | Craig Nolan | Assistant Sound Editor |
Crew | George Orrison | Stunts |
Crew | Craig Hosking | Pilot |
Directing | Rosemarie Unite | Second Second Assistant Director |
Sound | Karen Spangenberg | Dialogue Editor |
Production | Antoinette Levine | Location Manager |
Production | Claudia Ramsumair | Casting Assistant |
Sound | Stephen Janisz | ADR Editor |
Sound | Samuel C. Crutcher | Dialogue Editor |
Art | John J. Rutchland Jr. | Construction Coordinator |
Production | Olivia Harris | Casting Associate |
Sound | Scott Burrow | Foley Editor |
Sound | Andy Kopetzky | Foley Editor |
Sound | John F. Reynolds | Dialogue Editor |
Sound | Darrin Martin | Assistant Sound Editor |
Crew | Pete Bianco | Transportation Captain |
Sound | Bruce Richardson | Dialogue Editor |
Art | Sandra Renfroe | Leadman |
Production | Shay Bentley Griffin | Additional Casting |
Sound | Paul C. Warschilka | Assistant Sound Editor |
Sound | Michelle Pleis | Assistant Sound Editor |
Sound | David Horton Jr. | Foley Supervisor |
Editing | Mo Henry | Negative Cutter |
Art | Charles Nixon III | Leadman |
Sound | Denise Horta | ADR Editor |
Art | Ron Ashmore | Standby Painter |
Sound | Constance A. Kazmer | Dialogue Editor |
Sound | Kim Nolan | Assistant Sound Editor |
Camera | Sam Emerson | Still Photographer |