The Jackal is een mysterieuze huurmoordenaar die door de Russische maffia wordt ingeschakeld om in een wraakactie de directeur van de FBI om te brengen. De FBI krijgt hier lucht van en ziet zich genoodzaakt de hulp in te roepen van gevangen IRA-terrorist Declan Mulqueen, de enige die The Jackal kan identificeren.
Nee, helaas is The Jackal nog niet beschikbaar op Netflix in Nederland.
| Editing | Jim Clark | Editor |
| Production | Ellen Chenoweth | Casting |
| Directing | Michael Caton-Jones | Director |
| Production | James Jacks | Producer |
| Production | Kevin Jarre | Producer |
| Production | Sean Daniel | Producer |
| Art | Michael White | Production Design |
| Production | Michael Caton-Jones | Producer |
| Camera | Karl Walter Lindenlaub | Director of Photography |
| Writing | Chuck Pfarrer | Screenplay |
| Sound | Carter Burwell | Original Music Composer |
| Production | Terence A. Clegg | Executive Producer |
| Production | Mark Gordon | Executive Producer |
| Production | Sean T. Stratton | Associate Producer |
| Production | Gary Levinsohn | Executive Producer |
| Production | Hal Lieberman | Executive Producer |
| Art | Ray Barrett | Construction Coordinator |
| Directing | Libbie Barr | Script Supervisor |
| Art | Ricky Eyres | Art Direction |
| Camera | Martin Hume | Camera Operator |
| Art | Raymond Dupuis | Art Direction |
| Editing | Eric O. Schusterman | First Assistant Editor |
| Sound | Noah Blough | Sound Effects Editor |
| Sound | Richard King | Supervising Sound Editor |
| Art | Michael R. Clark | Painter |
| Camera | Arwell Roberts | Camera Technician |
| Costume & Make-Up | Kathe Swanson | Key Hair Stylist |
| Crew | Stephen McGregor | Carpenter |
| Production | Leila Kirkpatrick | Unit Production Manager |
| Production | Keith Hatcher | Location Manager |
| Crew | Lisa Banes | Thanks |
| Camera | Larry Blanford | Aerial Director of Photography |
| Crew | Dick Moore | Transportation Coordinator |
| Production | Terence A. Clegg | Executive In Charge Of Production |
| Costume & Make-Up | Pamela M. Rogers | Set Dressing Artist |
| Crew | Howard 'Stick' Baines | Stunts |
| Lighting | Bernard Arseneau | Best Boy Electric |
| Visual Effects | Richard Malzahn | Animation Supervisor |
| Art | Stephanie Wertlake | Art Department Coordinator |
| Costume & Make-Up | Lorraine Z. Calvert | Assistant Costume Designer |
| Costume & Make-Up | Felicity Bowring | Makeup Artist |
| Visual Effects | David S. Williams Jr. | Digital Compositors |
| Art | Dennis Bosher | Assistant Art Director |
| Costume & Make-Up | William A. Campbell | Costume Supervisor |
| Costume & Make-Up | Scheris Shephard | Set Costumer |
| Crew | Ole Dieter Sturm | CG Supervisor |
| Crew | Heidi Gilbert | Set Production Assistant |
| Production | Dorothy Precious | Production Accountant |
| Production | François Sylvestre | Production Manager |
| Sound | Mark Auguste | ADR Supervisor |
| Sound | Paul Gillon | Music Supervisor |
| Sound | Sonny Kompanek | Orchestrator |
| Costume & Make-Up | Albert Wolsky | Costume Design |
| Art | Tom Trigo | Location Scout |
| Crew | Bob Foster | Transportation Captain |
| Crew | Debbie Lane | Stand In |
| Crew | Joe Dunne | Stunt Coordinator |
| Art | Michael D. Harrell | Leadman |
| Crew | Sandy O'Neill | Unit Publicist |
| Art | Philip McDonald | Property Master |
| Sound | Todd Kasow | Music Editor |
| Visual Effects | Tricia Owen | Visual Effects Coordinator |
| Camera | Alf Tramontin | Steadicam Operator |
| Costume & Make-Up | Eithné Fennel | Hairstylist |
| Lighting | Eddie Knight | Gaffer |
| Production | Michel Chauvin | Unit Manager |
| Art | Mark David Kersey | Greensman |
| Art | Charles Cottrell | Standby Painter |
| Camera | Kelly R. Borisy | Key Grip |
| Crew | Barclay Crenshaw | Post Production Assistant |
| Sound | Paul Cridlin | Boom Operator |
| Sound | Catherine Calleson | Assistant Sound Editor |
| Art | John Fenner | Art Direction |
| Art | Bruton Jones | Art Direction |
| Camera | Simon Hume | First Assistant Camera |
| Crew | Tom Moore | Picture Car Coordinator |
| Crew | Lester Dunton | Video Assist Operator |
| Directing | Bill Westley | First Assistant Director |
| Editing | Phil Hetos | Color Timer |
| Art | Kate J. Sullivan | Set Decoration |
| Camera | Michael Adams | Grip |
| Camera | Eli Reed | Still Photographer |
| Crew | Vito G. Balenzano | Driver |
| Crew | Debbie Nolan | Propmaker |
| Lighting | Matthew Brookman | Electrician |
| Production | Pat McCarthy | Production Coordinator |
| Visual Effects | Yves De Bono | Special Effects Supervisor |
| Sound | David John | Production Sound Mixer |
| Lighting | Mark 'Rocky' Evans | Electrician |
| Sound | Michael Haight | Dialogue Editor |
| Sound | William Jacobs | Dialogue Editor |
| Sound | James Matheny | Dialogue Editor |
| Camera | Tom Barrett | Grip |
| Production | Mercedes Kelso | Casting Assistant |
| Art | John Greaves | Storyboard Artist |
| Crew | Tom Delmar | Stunt Driver |
| Editing | Katie Hedrich | Assistant Editor |
| Production | Katie Conkey | Extras Casting Assistant |
| Crew | David Hill | Pyrotechnician |
| Production | Rick Kelly | Key Set Production Assistant |
| Art | Jean Simard | Assistant Property Master |
| Art | Alain Gonzalez | Swing |
| Production | Terri Douglas | ADR Voice Casting |
| Crew | Brendan Gunn | Dialogue Coach |
| Crew | David Gene Gibbs | Pilot |
| Sound | Paul Gillon | Music Consultant |
| Production | Guylaine Boucher | Assistant Production Coordinator |
| Crew | Richard Patterson | Digital Supervisor |
| Crew | Mark Griffin | Special Effects Technician |
| Crew | Terry Jackson | Stunt Double |
| Costume & Make-Up | David Crossman | Wardrobe Assistant |
| Production | Kelly Stultz | Payroll Accountant |
| Costume & Make-Up | Tommy Boyer | Key Set Costumer |
| Art | Simon Taylor | Title Designer |
| Sound | Nerses Gezalyan | Foley Mixer |
| Production | Andrew L. Lanier | Location Assistant |
| Crew | Robin Demetriou | Catering |
| Crew | Emma Ibbetson | Digital Effects Producer |
| Directing | Martin Krauka | Additional Second Assistant Director |
| Art | Peter Menich | Graphic Designer |
| Camera | Mik Allen | Second Assistant Camera |
| Production | Denis Paquette | Assistant Location Manager |
| Production | Michael Beaudin | Assistant Accountant |
| Crew | John Sprague | Weapons Master |
| Sound | Cliff Latimer | ADR Editor |
| Camera | Andreas Crawford | Dolly Grip |
| Art | Jack Dyer | Construction Buyer |
| Directing | Buddy Joe Hooker | Second Unit Director |
| Sound | Weldon Brown | ADR Mixer |
| Directing | Jane Burgess | Third Assistant Director |
| Costume & Make-Up | Minni Härkönen | Costume Assistant |
| Production | Beth-Anne Uston | Production Assistant |
| Directing | Adam Goodman | Second Assistant Director |
| Camera | Ciro Candia | Camera Trainee |
| Sound | Gary Alexander | Additional Sound Re-Recordist |
| Camera | Jamie Lagerhausen | Best Boy Grip |
| Editing | Gary Burritt | Negative Cutter |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Crew | Linda Perlin | Stunts |
| Crew | Erik Stabenau | Stunts |
| Crew | Jodi Michelle Pynn | Stunts |
| Art | Alan Hook | Draughtsman |
