Een veteraan lijdt aan geheugenverlies en keert terug naar zijn geboorteplaats in Vermont. Als hij gearresteerd wordt voor moord en in een gesticht wordt geplaatst, zet een arts hem op een zware kuur van experimentele drugs. Zodra hij het goedje ingespoten krijgt wordt hij in een dwangbuis gestopt en opgesloten in een bewaarlade in een mortuarium.
Nee, helaas is The Jacket nog niet beschikbaar op Netflix in Nederland.
| Directing | John Maybury | Director |
| Production | George Clooney | Producer |
| Production | Ben Cosgrove | Executive Producer |
| Production | Mark Cuban | Executive Producer |
| Production | Jennifer Fox | Executive Producer |
| Production | Andreas Grosch | Executive Producer |
| Production | Peter Guber | Producer |
| Production | Ori Marmur | Executive Producer |
| Production | Timothy J. Nicholas | Executive Producer |
| Production | Christopher Roberts | Executive Producer |
| Production | Steven Soderbergh | Producer |
| Production | Peter E. Strauss | Executive Producer |
| Production | Todd Wagner | Executive Producer |
| Camera | Peter Deming | Director of Photography |
| Editing | Emma E. Hickox | Editor |
| Sound | Brian Eno | Original Music Composer |
| Sound | Peter Burgis | Foley Artist |
| Sound | Ricky Butt | Foley Artist |
| Production | Laray Mayfield | Casting |
| Costume & Make-Up | Tahira Herold | Hairstylist |
| Crew | Louis Craig | Special Effects |
| Crew | Patrick Kerton | Stunts |
| Crew | Charles Jarman | Stunts |
| Crew | Bruce Cain | Stunt Double |
| Sound | Colin Nicolson | Sound Mixer |
| Lighting | Sylvain Bernier | Gaffer |
| Lighting | Bernard April | Best Boy Electric |
| Camera | Roger Tooley | Steadicam Operator |
| Production | Marc Rocco | Co-Producer |
| Production | Marc Frydman | Co-Producer |
| Production | Philip McKeon | Co-Producer |
| Production | Donald C. McKeon | Co-Producer |
| Production | Andreas Schmid | Co-Producer |
| Production | Kia Jam | Co-Producer |
| Production | Peter McAleese | Co-Executive Producer |
| Art | Alan MacDonald | Production Design |
| Production | Nina Gold | Casting |
| Costume & Make-Up | Doug Hall | Costume Design |
| Writing | Massy Tadjedin | Screenplay |
| Writing | Tom Bleecker | Story |
| Writing | Marc Rocco | Story |
| Production | Shellie Smith | Production Supervisor |
| Directing | Karen Richards | First Assistant Director |
| Directing | Raymond Kirk | Second Assistant Director |
| Production | Lloret Dunn | Location Manager |
| Art | Mags Horspool | Supervising Art Director |
| Crew | George Lakes | Production Controller |
| Sound | Colin Nicolson | Production Sound Mixer |
| Costume & Make-Up | Veronica McAleer | Hair Designer |
| Costume & Make-Up | Veronica McAleer | Makeup Designer |
| Directing | Caroline O'Reilly | Script Supervisor |
| Crew | Andy Bradford | Stunt Coordinator |
| Crew | David McKeown | Stunt Coordinator |
| Visual Effects | David Harris | Special Effects Supervisor |
| Sound | Paul Davies | Supervising Sound Editor |
| Sound | Paul Davies | Sound Designer |
| Crew | Jeanette Haley | Post Production Supervisor |
| Production | Donald Sabourin | Production Coordinator |
| Sound | Tony Cook | Boom Operator |
| Crew | Julie Adams | Dialect Coach |
| Crew | Linda Gamble | Unit Publicist |
| Camera | Paul Chedlow | Still Photographer |
| Costume & Make-Up | Anna Lau | Costume Supervisor |
| Costume & Make-Up | Heather Millington | Makeup Artist |
| Costume & Make-Up | Ashley Johnson | Makeup Artist |
| Art | Caireen Todd | Art Direction |
| Art | Stephen Campbell | Art Direction |
| Art | Liz Griffiths | Set Decoration |
| Art | Gordon Fitzgerald | Property Master |
| Sound | Andy Richards | Music Supervisor |
| Sound | Michael Higham | Music Editor |
| Production | Jay Benedict | ADR Voice Casting |
| Production | Phoebe Scholfield | ADR Voice Casting |
| Sound | Keith Marriner | Dialogue Editor |
| Sound | Keith Marriner | ADR Editor |
| Sound | Alex Joseph | Foley Editor |
| Sound | Tim Alban | Sound Re-Recording Mixer |
| Art | Matt Curtis | Title Designer |
