Achtervolgd door een onderzoek van de dienst Interne Zaken over duistere zaken uit zijn verleden, wordt politiedetective Will Dormer naar een klein dorpje in Alaska gestuurd om de moord op een tienermeisje te onderzoeken. De lokale politie kijkt erg tegen hem op, maar door alle zorgen kost het Dormer moeite om naar die verwachtingen op te leven, zeker als hij door de middernachtzon ook nog eens meer en meer aan slapeloosheid gaat lijden.
Nee, helaas is Insomnia nog niet beschikbaar op Netflix in Nederland.
| Production | George Clooney | Executive Producer |
| Writing | Hillary Seitz | Screenplay |
| Art | Peter Lando | Set Decoration |
| Production | Marci Liroff | Casting |
| Art | Nathan Crowley | Production Design |
| Editing | Dody Dorn | Editor |
| Art | Michael Diner | Art Direction |
| Costume & Make-Up | Tish Monaghan | Costume Design |
| Crew | Lauro David Chartrand-DelValle | Stunt Double |
| Production | Andrew A. Kosove | Producer |
| Production | Steven Soderbergh | Executive Producer |
| Production | Kim Roth | Executive Producer |
| Production | Edward McDonnell | Producer |
| Production | Broderick Johnson | Producer |
| Camera | Wally Pfister | Director of Photography |
| Production | Paul Junger Witt | Producer |
| Production | Charles J.D. Schlissel | Executive Producer |
| Production | Steven P. Wegner | Associate Producer |
| Production | Ben Cosgrove | Associate Producer |
| Sound | David Julyan | Original Music Composer |
| Costume & Make-Up | Sandra Watson | Costume Supervisor |
| Camera | Rob McEwan | Still Photographer |
| Crew | Ken Kirzinger | Stunt Coordinator |
| Crew | Randy Shymkiw | Special Effects Coordinator |
| Sound | Curt Schulkey | Supervising Sound Editor |
| Production | Eva Morgan | Production Coordinator |
| Sound | Myron Nettinga | Sound Re-Recording Mixer |
| Camera | Steven A. Adelson | Steadicam Operator |
| Sound | Aaron Glascock | Supervising Sound Editor |
| Art | Franziska Keller | Art Department Coordinator |
| Lighting | Keith Woods | Rigging Gaffer |
| Sound | Tony Giacinti | Boom Operator |
| Sound | Michael Minkler | Sound Re-Recording Mixer |
| Lighting | Andrew W. Davidson | Gaffer |
| Directing | Kelly Moon | Script Supervisor |
| Costume & Make-Up | Karin Nosella | Assistant Costume Designer |
| Sound | Alex Gibson | Music Editor |
| Sound | Alexandra Gonzales | Dialogue Editor |
| Sound | Alicia Stevenson | Foley Artist |
| Sound | Thom Brennan | Foley Editor |
| Sound | Larry Sutton | Sound Mixer |
| Art | Dan Sissons | Property Master |
| Sound | Marvin Walowitz | Sound Effects Editor |
| Sound | Kira Roessler | Dialogue Editor |
| Writing | Erik Skjoldbjærg | Original Film Writer |
| Production | Stephanie Boeke | Extras Casting |
| Sound | Dawn Fintor | Foley Artist |
| Writing | Nikolaj Frobenius | Original Film Writer |
| Sound | David Betancourt | Foley Mixer |
| Art | Glen Lougheed | Location Scout |
| Production | Susan Taylor Brouse | Local Casting |
| Sound | George Simpson | Sound Effects Editor |
| Production | Lynne Carrow | Local Casting |
| Art | Dan Perri | Title Designer |
| Directing | Christopher Nolan | Director |
