Fred Flintstone en Barney Rubble leven in een moderne versie van het stenen tijdperk. Fred geeft Barney een som geld zodat hij met zijn vrouw Betty een kind kan adopteren. In ruil hiervoor geeft Barney Fred zijn (betere) resultaten bij een test voor een belangrijke promotie. Fred krijgt de baan, maar heeft niet door dat hij gemanipuleerd wordt door Cliff Vandercave om zo als schuldige aangewezen te kunnen worden bij een groot schandaal. Live-action versie van de klassieke tekenfilmserie.
Nee, helaas is The Flinstones in Viva Rock Vegas nog niet beschikbaar op Netflix in Nederland.
| Art | William Sandell | Production Design |
| Art | Christopher Burian-Mohr | Art Direction |
| Sound | Richard Olso | Sound Director |
| Art | Nancy Patton | Art Direction |
| Art | Rosemary Brandenburg | Set Decoration |
| Production | William Hanna | Executive Producer |
| Sound | Marty Paich | Original Music Composer |
| Writing | Steven E. de Souza | Screenplay |
| Directing | Brian Levant | Director |
| Writing | Tom S. Parker | Screenplay |
| Production | Nancy Nayor | Casting |
| Production | Bruce Cohen | Producer |
| Sound | Bill Getty | Sound Director |
| Editing | Kent Beyda | Editor |
| Art | William James Teegarden | Art Direction |
| Writing | Jim Jennewein | Screenplay |
| Camera | Dean Cundey | Director of Photography |
| Production | Steven Spielberg | Executive Producer |
| Costume & Make-Up | Rosanna Norton | Costume Design |
| Production | Joseph Barbera | Executive Producer |
| Production | Gerald R. Molen | Executive Producer |
| Sound | Ted Nichols | Original Music Composer |
| Production | Kathleen Kennedy | Executive Producer |
| Production | David Kirschner | Executive Producer |
| Production | Colin Wilson | Producer |
| Art | Caroline Quinn | Art Department Coordinator |
| Costume & Make-Up | Larry Waggoner | Key Hair Stylist |
| Costume & Make-Up | Cynthia Barr | Key Makeup Artist |
| Costume & Make-Up | William Howard | Hairstylist |
| Sound | Curt Schulkey | Supervising ADR Editor |
| Crew | Alex Gaona | Stunts |
| Editing | Gary Burritt | Negative Cutter |
| Art | Chris L. Spellman | Leadman |
| Art | Cal DiValerio | Construction Coordinator |
| Crew | Pat Romano | Stunts |
| Camera | Raymond Stella | Camera Operator |
| Camera | Ronald Batzdorff | Still Photographer |
| Camera | Sid Lucero | Best Boy Grip |
| Crew | Gary Hymes | Stunt Coordinator |
| Costume & Make-Up | Linle White | Hairstylist |
| Lighting | Michael Orefice | Chief Lighting Technician |
| Crew | Kim Robert Koscki | Stunts |
| Costume & Make-Up | Mary Burton | Makeup Artist |
| Costume & Make-Up | Christina Smith | Makeup Artist |
| Camera | Dave Wachtman | Dolly Grip |
| Crew | Brian Smrz | Stunts |
| Art | Bruce DiValerio | Construction Foreman |
| Sound | Donald Sylvester | ADR Editor |
| Art | Jay Johnson | Title Designer |
| Editing | Jim Passon | Color Timer |
| Camera | Ron Cardarelli | Key Grip |
| Crew | Jeff Jensen | Stunts |
| Visual Effects | Michael Lantieri | Special Effects Supervisor |
| Crew | Norman Fessler | Stand In |
| Sound | Mark Mangini | Supervising Sound Editor |
| Crew | Adam Shankman | Choreographer |
| Crew | Rosine 'Ace' Hatem | Stunt Double |
| Sound | David Newman | Original Music Composer |
| Crew | Geoff Blain | Actor's Assistant |
| Directing | Gary Hymes | Second Unit Director |
| Production | Paul Deason | Unit Production Manager |
| Production | Nancy Sandberg | Production Manager |
| Directing | Annette Haywood-Carter | Script Supervisor |
| Crew | Denny Caira | Transportation Coordinator |
| Crew | Michelle Fandetti | Post Production Supervisor |
| Art | Eloy Lobato | Production Design |
| Production | Allen Tinkley | Location Manager |
| Directing | Dana J. Kuznetzkoff | Second Assistant Director |
| Production | William Plant | Production Supervisor |
| Production | Elizabeth Campbell | Trainee Production Coordinator |
| Directing | Marty P. Ewing | First Assistant Director |
| Directing | Susan Pickett | Second Second Assistant Director |
| Art | Drew Struzan | Art Designer |
