1963: Jim Garrison neemt de taak op zich om de moord op president John F. Kennedy in Texas te onderzoeken. Garrison staat erg argwanend ten opzichte van het officiële verhaal dat door de FBI verteld wordt.
Nee, helaas is JFK nog niet beschikbaar op Netflix in Nederland.
| Production | Billy Hopkins | Casting |
| Sound | John Williams | Original Music Composer |
| Art | Victor Kempster | Production Design |
| Art | Derek R. Hill | Art Direction |
| Writing | Oliver Stone | Screenplay |
| Production | Arnon Milchan | Executive Producer |
| Production | Risa Bramon Garcia | Casting |
| Production | Clayton Townsend | Producer |
| Writing | Zachary Sklar | Screenplay |
| Production | A. Kitman Ho | Producer |
| Art | Alan Tomkins | Art Direction |
| Art | Crispian Sallis | Set Decoration |
| Camera | Robert Richardson | Director of Photography |
| Editing | Joe Hutshing | Editor |
| Editing | Pietro Scalia | Editor |
| Production | Oliver Stone | Producer |
| Production | Heidi Levitt | Casting |
| Costume & Make-Up | Marlene Stewart | Costume Design |
| Crew | Randy E. Moore | Special Effects Coordinator |
| Crew | Webster Whinery | Stunt Coordinator |
| Crew | Bob Shelley | Special Effects |
| Visual Effects | Miller Drake | Visual Effects |
| Directing | Susan Malerstein | Script Supervisor |
| Camera | J. Michael Muro | Steadicam Operator |
| Camera | Sidney Ray Baldwin | Still Photographer |
| Lighting | John Shoemaker | Rigging Gaffer |
| Sound | Kenneth Wannberg | Music Editor |
| Costume & Make-Up | Wade Daily | Makeup Artist |
| Costume & Make-Up | Cassandra Scott | Makeup Artist |
| Sound | Wylie Stateman | Supervising Sound Editor |
| Costume & Make-Up | Kelvin R. Trahan | Hairstylist |
| Costume & Make-Up | Bonnie Clevering | Hairstylist |
| Costume & Make-Up | Deborah Mills-Whitlock | Hairstylist |
| Costume & Make-Up | Elle Elliott | Key Hair Stylist |
| Costume & Make-Up | Craig Berkeley | Makeup Artist |
| Sound | Jay B. Richardson | Sound Effects Editor |
| Costume & Make-Up | Ron Berkeley | Makeup Artist |
| Sound | Scott Martin Gershin | Sound Effects Editor |
| Costume & Make-Up | Elaine Thomas | Makeup Artist |
| Costume & Make-Up | Ron Scott | Hairstylist |
| Sound | Mark Lanza | Sound Effects Editor |
| Sound | Michael D. Wilhoit | Supervising Sound Editor |
| Costume & Make-Up | Martha Marek Beresford | Hairstylist |
| Crew | Kevin Beard | Utility Stunts |
| Lighting | Michael F. Burke | Electrician |
| Costume & Make-Up | Mark Burchard | Costume Design |
| Visual Effects | Margaret Johnson | Special Effects Supervisor |
| Crew | William H. Brown | Post Production Supervisor |
| Crew | Warren Keillor | Special Effects |
| Editing | Kate Crossley | Assistant Editor |
| Editing | David Orr | Color Timer |
| Sound | Richard Dwan Jr. | Dialogue Editor |
| Sound | Hugo Weng | Dialogue Editor |
| Sound | David A. Arnold | Dialogue Editor |
| Production | Joseph P. Reidy | Associate Producer |
| Sound | Avram D. Gold | ADR Supervisor |
| Camera | Philip C. Pfeiffer | Camera Operator |
| Sound | Dan M. Rich | Dialogue Editor |
| Sound | Mary Andrews | ADR Editor |
| Directing | Joseph P. Reidy | First Assistant Director |
| Directing | Joe Burns | Second Assistant Director |
| Sound | Christopher Assells | Dialogue Editor |
| Sound | Bob Newlan | Dialogue Editor |
| Sound | Alison Fisher | Dialogue Editor |
| Art | J. Grey Smith | Property Master |
| Camera | Jerry G. Callaway | Additional Camera |
| Camera | J. Michael McClary | Additional Camera |
| Sound | Willy Allen | Dialogue Editor |
| Sound | Mark Gordon | Dialogue Editor |
| Sound | Jerelyn J. Harding | ADR Editor |
| Art | Barby Kirk | Props |
| Art | Bill Darrow | Standby Painter |
| Sound | Joseph Holsen | Sound Editor |
| Crew | Tutt Esquerre | Picture Car Coordinator |
| Crew | Charlie French | Set Medic |
| Crew | Daniel Burns | Set Production Assistant |
| Costume & Make-Up | Dan Bronson | Costume Supervisor |
| Crew | Romy Stevenson | Production Intern |
| Production | Clayton Townsend | Production Manager |
| Sound | Mark 'Frito' Long | Sound Recordist |
| Costume & Make-Up | Lisa Lovaas | Assistant Costume Designer |
| Crew | Derek Abernathy | Carpenter |
| Crew | William B. Borges | Transportation Captain |
| Production | Thomas Hayslip | Research Assistant |
| Art | Tana Bishop | Art Department Coordinator |
| Art | Rodney Armanino | Construction Coordinator |
| Crew | Kayla Chaillot | Craft Service |
| Crew | Roger Armstrong | Unit Publicist |
| Production | Juel Bestrop | Casting Associate |
| Production | Dianne E. Collins | Publicist |
| Editing | F. Paul Benz | First Assistant Editor |
| Production | Patricia Anne Doherty | Location Manager |
| Art | Margery Z. Gabrielson | Assistant Art Director |
| Art | Jack Kostelnik | Construction Foreman |
| Sound | Joseph A. Brennan | Sound Engineer |
| Art | Dennis Collins | Painter |
| Art | Mandy Brou | Set Dresser |
| Crew | Budd Carr | Executive Music Producer |
| Crew | John A. Kelly | Scenic Artist |
| Sound | T.J. O'Mara | Boom Operator |
| Costume & Make-Up | Ron Berkeley | Key Makeup Artist |
| Crew | Brooks Baldwin | Dialect Coach |
| Crew | Mark Thomason | Stand In |
| Sound | Robert Batha | Assistant Sound Editor |
| Sound | Tim Morrison | Musician |
| Camera | Chris Centrella | Key Grip |
| Production | Leeann Stonebreaker | Production Coordinator |
| Sound | Sandy Berman | Foley Editor |
| Art | Mary Saisselin | Set Designer |
| Crew | Patrick Hogan | Driver |
| Sound | Tod A. Maitland | Production Sound Mixer |
| Crew | Jamie Dierlam | Stunts |
| Sound | John Neufeld | Orchestrator |
| Camera | Mark A. Hatley | Grip |
| Crew | Alvin L. Milliken Sr. | Transportation Coordinator |
| Sound | Gregg Landaker | Sound Re-Recording Mixer |
| Sound | Dan O'Connell | Foley Artist |
| Production | Liam Finn | Production Secretary |
| Camera | Faires A. Sekiya | Second Assistant Camera |
| Editing | Donah Bassett | Negative Cutter |
| Production | Margaret Lancaster | Assistant Production Coordinator |
| Sound | Greg Orloff | Foley Mixer |
| Camera | Jeff Kluttz | Best Boy Grip |
| Crew | Eddie Perez | Stunt Driver |
| Camera | Michael Off | Assistant Camera |
| Art | Lance Cheatham | Swing |
| Camera | Kenny Davis | Dolly Grip |
| Production | Ann Goulder | Casting Assistant |
| Costume & Make-Up | Fran Allgood | Costumer |
| Crew | Numa V. Bertel Jr. | Technical Advisor |
| Directing | Deborah Lupard | Second Second Assistant Director |
| Sound | David M. Roberts | Utility Sound |
| Camera | Richard Sobin | Camera Loader |
| Lighting | Frank Scheidbach | Assistant Chief Lighting Technician |
| Production | Jonathan M. Abrams | Production Assistant |
| Art | Carl Catanese | Set Buyer |
| Editing | Julie Monroe | Associate Editor |
| Production | Sandra Dawes | Location Casting |
| Directing | Philip C. Pfeiffer | Second Unit Director |
| Sound | Judson Leach | Apprentice Sound Editor |
| Production | Gary Huckabay | Assistant Location Manager |
| Lighting | Reinhart Peschke | Chief Lighting Technician |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Art | Paul Etheredge | Art Department Assistant |
| Writing | Jim Garrison | Book |
| Writing | Jim Marrs | Book |
| Directing | Oliver Stone | Director |
| Production | Michael Johnson | Production Assistant |
| Sound | Bill Daly | Sound Mixer |
| Costume & Make-Up | Andria Litto | Wardrobe Assistant |
| Crew | John Stockwell | Technical Advisor |
| Camera | Donald Carlson | First Assistant Camera |
