Ellen, dochter van een rijke kopermagnaat, wordt na de zelfmoord van haar tweelingzuster verliefd op de ambitieuze Jonathan. Als zij de zelfmoord van haar zuster onderzoekt, stuit ze op een aantal schokkende feiten. Allen wijzen in de richting van Jonathan die inmiddels haar man is geworden. Nu blijkt pas hoe slecht Ellen hem kent.
Nee, helaas is A Kiss Before Dying nog niet beschikbaar op Netflix in Nederland.
| Directing | James Dearden | Director |
| Writing | James Dearden | Screenplay |
| Crew | G.A. Aguilar | Stunts |
| Crew | Greg Powell | Stunts |
| Crew | Mike Potter | Stunts |
| Writing | Ira Levin | Novel |
| Camera | Mike Southon | Director of Photography |
| Art | Jim Clay | Production Design |
| Production | Suzanne Smith Crowley | Casting |
| Production | Billy Hopkins | Casting |
| Editing | Michael Bradsell | Editor |
| Production | Robert Lawrence | Producer |
| Costume & Make-Up | John Dods | Makeup Artist |
| Camera | Philip Sindall | Camera Operator |
| Sound | Ian Voigt | Sound Recordist |
| Camera | Ian Jackson | Focus Puller |
| Crew | Graeme Crowther | Stunts |
| Crew | Tracey Eddon | Stunts |
| Directing | Tim Lewis | Second Assistant Director |
| Camera | Mark Milsome | Clapper Loader |
| Camera | Malcolm Sheehan | Grip |
| Crew | Cliff Cudney | Stunts |
| Production | Tania Windsor | Production Coordinator |
| Production | Suzanne M. Smith | Casting Associate |
| Directing | Julia Waye | Third Assistant Director |
| Directing | Julie Robinson | Script Supervisor |
| Crew | Martin Grace | Stunts |
| Directing | Patrick Clayton | First Assistant Director |
| Production | Bobbie Johnson | Production Accountant |
| Production | Mary Richards | Production Manager |
| Production | Bill Darby | Assistant Location Manager |
| Costume & Make-Up | Jo Korer | Wardrobe Master |
| Crew | Helen Caldwell | Stunts |
| Crew | Hugh Aodh O'Brien | Stunts |
| Sound | Campbell Askew | Sound Editor |
| Crew | Jery Hewitt | Stunts |
| Production | Guy Tannahill | Location Manager |
| Production | Tarn Harper | Assistant Accountant |
| Lighting | Micky Brown | Gaffer |
| Art | Stephenie McMillan | Set Dresser |
| Costume & Make-Up | Martin Samuel | Hairdresser |
| Costume & Make-Up | Ken Crouch | Wardrobe Supervisor |
| Costume & Make-Up | Hilary Watson | Assistant Costume Designer |
| Crew | Susan d'Arcy | Unit Publicist |
| Sound | Howard Shore | Conductor |
| Art | Jo Graysmark | Art Department Assistant |
| Sound | Gerard McCann | Assistant Sound Editor |
| Camera | David Appleby | Still Photographer |
| Directing | Diana Dill | Continuity |
| Sound | Robert Gavin | Assistant Dialogue Editor |
| Art | Tessa Harrison | Assistant Art Director |
| Editing | Natalie Baker | Assistant Editor |
| Sound | Kevin Brazier | Dialogue Editor |
| Art | Dave Reilly | Property Master |
| Costume & Make-Up | Peter Frampton | Makeup Supervisor |
| Sound | John Hayward | Sound Mixer |
| Lighting | Bill Thornhill | Best Boy Electric |
| Costume & Make-Up | Sue Love | Hairdresser |
| Production | Melissa Wyn Griffith | Production Secretary |
| Sound | Homer Denison | Orchestrator |
| Sound | Graham Sutton | Music Editor |
| Art | Roy Evans | Construction Manager |
| Crew | Donna Evans | Stunts |
| Art | Paul Bradburn | Props |
| Production | Eric Fellner | Executive Producer |
| Production | Paul Raphael | Associate Producer |
| Costume & Make-Up | Marit Allen | Costume Design |
| Art | Catherine Davis | Set Decoration |
| Art | Rod McClean | Art Direction |
| Art | Chris Seagers | Art Direction |
| Production | Chris Thompson | Associate Producer |
| Crew | Eddie Powell | Stunts |
| Sound | Howard Shore | Original Music Composer |
