Freebie en Bean, twee politierechercheurs in San Francisco, willen naar één ding: Red Meyers, het lokale criminele kopstuk, inrekenen. Als ze denken bewijs te hebben, horen ze dat er een huurmoordenaar op Meyers afgestuurd is en moeten ze hem in leven houden om uiteindelijk in te kunnen rekenen.
Nee, helaas is Freebie and the Bean nog niet beschikbaar op Netflix in Nederland.
| Production | Anthony Ray | Unit Production Manager |
| Directing | Richard Rush | Director |
| Crew | Calvin Brown | Stunts |
| Crew | Kenny Endoso | Stunts |
| Crew | Kevin N. Johnston | Stunts |
| Writing | Floyd Mutrux | Story |
| Production | Floyd Mutrux | Executive Producer |
| Writing | Robert Kaufman | Screenplay |
| Production | Richard Rush | Producer |
| Production | Anthony Ray | Associate Producer |
| Sound | Dominic Frontiere | Original Music Composer |
| Camera | László Kovács | Director of Photography |
| Editing | Fredric Steinkamp | Editor |
| Art | Hilyard M. Brown | Art Direction |
| Editing | Michael S. McLean | Editor |
| Crew | Gene LeBell | Stunts |
| Art | Ruby R. Levitt | Set Decoration |
| Art | Pat Grande | Construction Manager |
| Art | Gary F. Kieldrup | Assistant Property Master |
| Art | Emanuel Rittmiller | Swing |
| Costume & Make-Up | Joan Phillips | Hairstylist |
| Costume & Make-Up | Don Schoenfeld | Makeup Artist |
| Production | Nessa Hyams | Casting |
| Directing | Lorin Bennett Salob | Second Assistant Director |
| Directing | Christopher Seitz | First Assistant Director |
| Art | Moe Larson | Painter |
| Directing | William Saint John | Assistant Director Trainee |
| Art | Jerry Graham | Property Master |
| Art | Bob Hermann | Leadman |
| Sound | Arthur Piantadosi | Sound Re-Recording Mixer |
| Crew | Tim Smyth | Special Effects |
| Crew | Charles Bail | Stunt Coordinator |
| Sound | Barry Thomas | Sound Mixer |
| Crew | Hal Millar | Special Effects |
| Sound | Franklin Jones Jr. | ADR & Dubbing |
| Crew | Phil Adams | Stunts |
| Sound | James Nelson | Sound Effects |
| Crew | Sass Bedig | Special Effects |
| Crew | Ernie Smith | Special Effects |
| Sound | Sam F. Shaw | Sound Effects |
| Sound | Victor Goode | Sound |
| Crew | Dean Jeffries | Stunts |
| Crew | Marvin Walters | Stunts |
| Crew | Peaches Jones | Stunts |
| Crew | Regis Parton | Stunts |
| Crew | Brandon Pender | Stunts |
| Crew | Audrey Saunders | Stunts |
| Crew | Gary Kent | Stunts |
| Crew | Jimmy Nickerson | Stunts |
| Crew | Gray Johnson | Stunts |
| Crew | Frank Orsatti | Stunts |
| Crew | Tom Steele | Stunts |
| Crew | Leonard P. Geer | Stunts |
| Crew | Pamela Bebermeyer | Stunts |
| Crew | Bill Shannon | Stunts |
| Crew | Ted Duncan | Stunts |
| Crew | Minor Mustain | Stunts |
| Crew | Mike Bast | Stunts |
| Crew | Eddy Donno | Stunts |
| Crew | Tommy J. Huff | Stunts |
| Crew | Gwyn Karon | Stunts |
| Crew | Regina Parton | Stunts |
| Crew | Hank Calia | Stunts |
| Crew | Whitey Hughes | Stunts |
| Crew | Paul Schori Jr. | Generator Operator |
| Camera | Peter Sorel | Still Photographer |
| Camera | Ray De La Motte | Assistant Camera |
| Camera | Ronald Vidor | First Assistant Camera |
| Camera | Ray De La Motte | First Assistant Camera |
| Camera | Gene Evans | Camera Operator |
| Camera | Leonard Lookabaugh | Key Grip |
| Camera | Joseph E. Thibo | First Assistant Camera |
| Production | Sheridan Dar Reid | Location Manager |
| Costume & Make-Up | Jerry Alpert | Costumer |
| Art | George Leslie | Location Scout |
| Lighting | Paul Caven | Best Boy Electric |
| Lighting | Richmond L. Aguilar | Electrician |
| Camera | Joseph E. Thibo | Assistant Camera |
| Editing | Don Guidice | Assistant Editor |
| Production | Ann Brebner | Casting |
| Sound | Dan Wallin | Music Arranger |
| Camera | Paul E. Borchardt | Dolly Grip |
| Editing | Ralph Sandler | Assistant Editor |
| Directing | Terry Terrill | Script Supervisor |
| Editing | Randy Roberts | Assistant Editor |
| Costume & Make-Up | Agnes Lyon | Costumer |
| Art | Dan Perri | Title Designer |
| Directing | Charles Ball | Second Unit Director |
