Na de moord op zijn vrouw verhuist Ray met zijn zoontje naar Lunar, een klein en rustig plaatsje in Area 51. Daar raakt hij bevriend met Hope, de eigenaresse van de lokale herberg. Wanneer Hope een aantal toeristen gaat ophalen, wordt ze op de terugweg bijna van de weg gereden door een truck zonder bestuurder. Terug in Lunar blijkt dat het goed mis is; een convooi trucks heeft de aanval op het dorp en zijn bewoners geopend. Dit is Stephen Kings 'Close Encounter of the Machine Kind.'
Nee, helaas is Trucks nog niet beschikbaar op Netflix in Nederland.
| Directing | Chris Thomson | Director |
| Production | Michael J.F. Scott | Co-Producer |
| Production | Bruce David Eisen | Co-Producer |
| Production | Jonathon Komack Martin | Co-Producer |
| Writing | Brian Taggert | Screenplay |
| Production | Jerry Leider | Executive Producer |
| Production | Richard Reisberg | Executive Producer |
| Production | Cami Winikoff | Executive In Charge Of Production |
| Production | Shaunna O'Brien-Moran | Executive In Charge Of Production |
| Production | Bette Chadwick | Casting |
| Crew | Leigh Bianco | Stunt Driver |
| Crew | David Lawrence Brown | Stunt Driver |
| Crew | Shane Cardwell | Stunt Driver |
| Crew | Chuck Robinson | Stunt Driver |
| Crew | Maurice Santia | Stunt Driver |
| Crew | Geoff Williams | Stunt Driver |
| Crew | Leigh Bianco | Stunts |
| Crew | Shane Cardwell | Stunts |
| Crew | Wayne Downer | Stunts |
| Crew | Jill Herman | Stunts |
| Crew | Gary Rimmer | Stunts |
| Crew | Maurice Santia | Stunts |
| Crew | Ron Van Hart | Stunts |
| Crew | Len Wagner | Stunts |
| Crew | Geoff Williams | Stunts |
| Crew | Helen Young | Stunts |
| Production | Vonnie Von Helmolt | Production Manager |
| Art | Lesley Oswald | Assistant Property Master |
| Directing | Don Granbery | First Assistant Director |
| Directing | Ron Oxley | Second Assistant Director |
| Directing | Danielle Dumesnil | Third Assistant Director |
| Production | Anastasia Geras | Production Coordinator |
| Art | James Phillips | Assistant Art Director |
| Art | Kim Forrest | Set Decoration |
| Art | Ina Hanford | Lead Set Dresser |
| Art | Matt Holm | Set Dresser |
| Costume & Make-Up | Darena Snowe | Costume Designer |
| Costume & Make-Up | Wanda Farian | Costume Supervisor |
| Costume & Make-Up | Pamela M. Athayde | Key Makeup Artist |
| Costume & Make-Up | Rosemarie Diekmann | Key Hair Stylist |
| Sound | Frank H. Griffiths | Production Sound Mixer |
| Sound | Chris Higgins | Boom Operator |
| Camera | David Perkins | First Assistant Camera |
| Camera | Michael Yaremchuk | Second Assistant Camera |
| Camera | Cliff Hokanson | Steadicam Operator |
| Directing | Michael J.F. Scott | Second Unit Director |
| Camera | Charles Konowal | Second Unit Director of Photography |
| Visual Effects | Rory Cutler | Special Effects Supervisor |
| Crew | Darcy Davis | Special Effects Assistant |
| Crew | Peter Harrison | Special Effects Assistant |
| Crew | Burckhard Weiss | Special Effects Assistant |
| Crew | Shane Cardwell | Stunt Coordinator |
| Crew | Lara Mazur | Post Production Supervisor |
| Editing | Neila Benson | Assistant Editor |
| Editing | Elisabeth Pechlaner | Assistant Editor |
| Production | Richard Jordan | Executive In Charge Of Post Production |
| Sound | Gael MacLean | Sound Designer |
| Sound | Michael Colomby | Dialogue Editor |
| Sound | John R.S. Taylor | Dialogue Editor |
| Sound | Gordon Durity | Sound Effects Editor |
| Sound | Patrick Haskill | Sound Effects Editor |
| Sound | Don Harrison | Foley Artist |
| Sound | Philip Hunter | Foley Mixer |
| Directing | Ken Friss | Script Supervisor |
| Camera | Paul Martens | Still Photographer |
| Camera | Paul Michard | Still Photographer |
| Production | William Wesley | Producer |
| Production | David Bradstreet | Producer |
| Production | Moses Theimer | Associate Producer |
| Production | Gary Oberst | Casting Director |
| Production | Moses Theimer | Casting Director |
| Camera | Keith Holland | Director of Photography |
| Editing | Dexter Adriano | Editor |
| Art | Nathan Ogilvie | Production Design |
| Art | Regina Acuna | Production Design |
| Production | Gloria Perretti | Unit Production Manager |
| Directing | David Bradstreet | First Assistant Director |
| Directing | Ingrid Urich-Sass | Script Supervisor |
| Directing | Claude Arnault | Script Supervisor |
| Camera | Richard Haas | First Assistant Camera |
| Camera | Norman Porticella | First Assistant Camera |
| Camera | Jeff Griffith | Second Assistant Camera |
| Camera | Megan Schoenbachler | Assistant Camera |
| Camera | Colin Hudson | Steadicam Operator |
| Costume & Make-Up | Warden Neil | Costume Designer |
| Costume & Make-Up | Julieann Getman | Costume Designer |
| Costume & Make-Up | Maya Vaghan | Costume Assistant |
| Costume & Make-Up | Leslie Shriver | Costume Assistant |
| Costume & Make-Up | Tyson Fontaine | Key Makeup Artist |
| Costume & Make-Up | Tyson Fontaine | Key Hair Stylist |
| Costume & Make-Up | Norman Cabrera | Special Effects Makeup Artist |
| Art | Max Callahan | Art Direction |
| Art | Terry Davis | Art Direction |
| Sound | Reginald Bryant | Sound Mixer |
| Sound | Jason Berlin | Boom Operator |
| Crew | Terence S. Kelley | Stunt Coordinator |
| Crew | Michael Kruzel | Stunt Coordinator |
| Crew | Erich Martin Hicks | Special Effects |
| Crew | Gary F. Bentley | Special Effects |
| Camera | Dan Zaitz | Still Photographer |
| Production | Tom Svab | Additional Post-Production Supervisor |
| Production | Katherine Wilson | Location Casting |
| Production | Mark Amin | Executive Producer |
| Production | Derek Mazur | Executive Producer |
| Sound | Michael Richard Plowman | Original Music Composer |
| Camera | Robert Draper | Director of Photography |
| Editing | Lara Mazur | Editor |
| Production | Ellen Meyer | Casting |
| Art | David Ferguson | Production Design |
| Writing | Stephen King | Short Story |
