Twee wetenschappers die alles in het werk stellen om de waarschuwingstijd te vergroten van een twister, willen elektronische meetapparatuur in het hart van de tornado brengen om hem zo beter te kunnen bestuderen en de weg die hij aflegt te kunnen voorspellen. Dit kan echter alleen door recht in haar dodelijke pad te gaan staan en te proberen het pas op het allerlaatste moment uit de weg te gaan...
Nee, helaas is Twister nog niet beschikbaar op Netflix in Nederland.
| Directing | Jan de Bont | Director |
| Writing | Michael Crichton | Screenplay |
| Production | Laurie MacDonald | Executive Producer |
| Art | Joseph C. Nemec III | Production Design |
| Writing | Anne-Marie Martin | Screenplay |
| Sound | Mark Mancina | Original Music Composer |
| Crew | Bradley M. Goodman | Post Production Supervisor |
| Production | R. Anthony Brown | Unit Production Manager |
| Production | Gerald R. Molen | Executive Producer |
| Editing | Michael Kahn | Editor |
| Camera | Jack N. Green | Director of Photography |
| Production | Risa Bramon Garcia | Casting |
| Production | Ian Bryce | Producer |
| Production | Kathleen Kennedy | Producer |
| Production | Michael Crichton | Producer |
| Art | Ronald R. Reiss | Set Decoration |
| Costume & Make-Up | Karen Blynder | Makeup Artist |
| Production | Steven Spielberg | Executive Producer |
| Production | Walter F. Parkes | Executive Producer |
| Costume & Make-Up | Ellen Mirojnick | Costume Design |
| Production | Glenn Salloum | Associate Producer |
| Sound | Zigmund Gron | Music Editor |
| Camera | David James | Still Photographer |
| Sound | Budd Carr | Music Supervisor |
| Sound | Stephen Hunter Flick | Supervising Sound Editor |
| Directing | Matthew Carlisle | First Assistant Director |
| Sound | Geoffrey Patterson | Sound Mixer |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Art | Dan Olexiewicz | Supervising Art Director |
| Sound | Steve Maslow | Sound Re-Recording Mixer |
| Art | Carla S. Nemec | Art Department Coordinator |
| Directing | Trudy Ramirez | Script Supervisor |
| Sound | Beau Baker | Boom Operator |
| Sound | Joel Sill | Music Supervisor |
| Sound | Gregg Landaker | Sound Re-Recording Mixer |
| Crew | Mic Rodgers | Stunt Coordinator |
| Camera | David Luckenbach | Steadicam Operator |
| Crew | Mitch Friedman | Driver |
| Crew | Jill McGraw | Scenic Artist |
| Crew | Steven Chambers | Stunts |
| Crew | Sheridan Ross Batson | Transportation Co-Captain |
| Production | Amanda Brand | Publicist |
| Art | Robert L. Thompson | Construction Foreman |
| Art | William S. Maxwell III | Leadman |
| Camera | Ron Cooney | Key Grip |
| Camera | Jeffrey A. Johnson | Grip |
| Costume & Make-Up | Kenneth Sayers | Set Dressing Artist |
| Crew | Raymond Bulinski | Craft Service |
| Crew | Mark Suveg | Video Assist Operator |
| Editing | Bob Putynkowski | Color Timer |
| Lighting | David H. Neale | Electrician |
| Visual Effects | Julie Adrianson-Neary | Digital Compositors |
| Art | John Aldays | Greensman |
| Art | Dave Margolin | Painter |
| Camera | Stephen S. Campanelli | Camera Operator |
| Crew | Ron Poniewaz Jr. | Transportation Captain |
| Production | Michael J. Burmeister | Location Manager |
| Production | Ken Ryan | Production Accountant |
| Sound | William Jacobs | Sound Editor |
| Visual Effects | John Frazier | Special Effects Supervisor |
| Sound | Catherine Calleson | Assistant Sound Editor |
| Crew | Timothy Greenwood | Projection |
| Art | John Zemansky | Property Master |
| Sound | Stephanie Flack | Dialogue Editor |
| Visual Effects | Kim Bromley | Visual Effects Producer |
| Production | Randi Hiller | Casting Associate |
| Sound | Teresa Eckton | Sound Effects Editor |
| Visual Effects | Ken Nielsen | Visual Effects |
| Art | Rory Enke | Location Scout |
| Art | Giacomo G. Ghiazza | Production Illustrator |
| Art | Mark Hudson | Standby Painter |
| Crew | Randy Peters | Transportation Coordinator |
| Lighting | Mark Mele | Rigging Gaffer |
| Visual Effects | Jeanmarie King | Visual Effects Coordinator |
| Camera | Bill Coe | First Assistant Camera |
| Crew | Florian Kainz | Software Engineer |
| Lighting | Emmanuel Vouniozos | Rigging Grip |
| Crew | Guy Hendrix Dyas | Visual Effects Art Director |
| Camera | Robert Mehnert | Aerial Director of Photography |
| Sound | Bruce Fowler | Orchestrator |
| Visual Effects | Stefen Fangmeier | Visual Effects Supervisor |
| Art | Chuck Parker | Assistant Art Director |
| Art | Patrick M. Sullivan | Set Designer |
| Costume & Make-Up | Kim Santantonio | Hairstylist |
| Crew | Timothy Eaton | Visual Effects Editor |
| Art | Steve Callas | Construction Coordinator |
| Crew | Tom Osman | Carpenter |
| Writing | Fireball Tim Lawrence | Storyboard |
| Editing | Richard Byard | Assistant Editor |
| Lighting | Richard Cronn | Chief Lighting Technician |
| Editing | Mo Henry | Negative Cutter |
| Crew | Harold Brooks | Technical Advisor |
| Costume & Make-Up | Nick Scarano | Wardrobe Supervisor |
| Lighting | Kirk Miller | Assistant Chief Lighting Technician |
| Crew | Annie Ellis | Stunt Double |
| Visual Effects | Alia Agha | Rotoscoping Artist |
| Directing | John M. Morse | Second Second Assistant Director |
| Production | Bonnie Bott | Assistant Location Manager |
| Visual Effects | Lori Arnold | Visual Effects Production Assistant |
| Camera | Keith Banks | Second Assistant Camera |
| Production | Ricki Maslar | Location Casting |
| Visual Effects | Ronn Brown | Matte Painter |
| Production | Richard Castro | Payroll Accountant |
| Sound | Beth Bergeron | ADR Editor |
| Sound | Robert Deschaine | ADR Mixer |
| Costume & Make-Up | Brad Wilder | Makeup Supervisor |
| Sound | Linda Yeaney | First Assistant Sound Editor |
| Sound | Mary Jo Lang | Foley Mixer |
| Sound | Amy Dunn | Assistant Music Supervisor |
| Visual Effects | Raul Essig | CG Artist |
| Art | Kyle Cooper | Title Designer |
| Camera | C. Ashley Sudge | Dolly Grip |
| Editing | Alan Cody | Associate Editor |
| Production | Kaylene Carlson | Location Coordinator |
| Sound | Kevin Laffey | Music Consultant |
| Costume & Make-Up | Carolyn Dessert | Costumer |
| Directing | David K. Riebel | Additional Second Assistant Director |
| Art | Daniel R. Bentley | Assistant Property Master |
| Art | Robert Gray | Swing |
| Camera | Adam Colunga | Best Boy Grip |
| Sound | Don L. Harper | Conductor |
| Production | Stacy Layne Kramer | Assistant Accountant |
| Directing | Richard Oswald | Second Assistant Director |
| Crew | Stan Blackwell | Special Effects Technician |
| Costume & Make-Up | Leah Brown | Key Costumer |
| Sound | Tami Treadwell | ADR Recordist |
| Sound | Carolyn Tapp | Foley Recordist |
| Art | Terrie Nettles | Set Painter |
| Sound | Judee Flick | Supervising ADR Editor |
| Production | Melissa Bolton | Production Secretary |
| Sound | Hilda Hodges | Foley Artist |
| Camera | Ralph Mendoza | Assistant Camera |
| Production | Justin Holstein | Production Assistant |
| Directing | Alexander Witt | Second Unit Director |
| Sound | Hans Zimmer | Music Producer |
| Crew | Tommy J. Huff | Stunts |
| Production | Ria Pavia | Casting Associate |
| Crew | Christopher J. Tuck | Stunts |
| Crew | James M. Halty | Stunts |
| Crew | Danny Rogers | Stunts |
| Crew | Annie Ellis | Stunts |
| Crew | Michael Runyard | Stunt Coordinator |
| Crew | Ronnie Rondell Jr. | Stunts |
| Crew | Bill Palmer | Transportation Co-Captain |
| Visual Effects | Henry LaBounta | Visual Effects Designer |
| Visual Effects | Jeanie King | Visual Effects Coordinator |
| Visual Effects | Jeanie King | Visual Effects Producer |
