Er breekt opnieuw een verkiezingstijd aan voor de triades en de zittende grote man, Lok, krijgt het ditmaal aan de stok met zijn vijf peetzonen. Zij azen op de hoogste positie binnen het misdaadsyndicaat, maar Lok is goed op hen voorbereid. In de tussentijd doet Jimmy Li zijn best om uit met de misdaad te breken, maar ook als hij een goede, legale zakenman wil zijn blijkt af en toe inmenging van de triades onontkoombaar.
Nee, helaas is Hak Se Wui Yi Wo Wai Kwai nog niet beschikbaar op Netflix in Nederland.
| Directing | 杜琪峰 | Director |
| Writing | 游乃海 | Writer |
| Writing | 葉天成 | Writer |
| Production | 趙志誠 | Unit Manager |
| Sound | Lee Sin-Kwok | Sound Recordist |
| Crew | Catherine Chan Dao-Ho | Production Controller |
| Writing | 游乃海 | Characters |
| Writing | 葉天成 | Characters |
| Production | 陳嵐 | Administration |
| Production | Elos Gallo | Consulting Producer |
| Production | 向華強 | Executive Producer |
| Production | 罗守耀 | Producer |
| Production | 杜琪峰 | Producer |
| Production | 鞠觉亮 | Line Producer |
| Sound | Robert Ellis-Geiger | Original Music Composer |
| Camera | 鄭兆強 | Director of Photography |
| Editing | Jeff Cheung Ka-Kit | Editor |
| Costume & Make-Up | 張世傑 | Costume Design |
| Costume & Make-Up | Kit Ling Chan | On Set Dresser |
| Costume & Make-Up | 朱惠芳 | Makeup Artist |
| Costume & Make-Up | Rachel Kong Tak-Yen | Hairstylist |
| Costume & Make-Up | Joe Kwong Yiu-Chung | Hairstylist |
| Costume & Make-Up | 文潤鈴 | Makeup Artist |
| Editing | 朱淑儀 | Project Manager |
| Production | 夏澤信 | Production Manager |
| Production | Ding Yuin-Shan | Production Supervisor |
| Directing | 陳偉雄 | Assistant Director |
| Directing | Jeff Cheung Ka-Kit | Assistant Director |
| Directing | 羅永昌 | Assistant Director |
| Art | 區永基 | Property Master |
| Art | Ko Kin-Wah | Property Master |
| Art | Brian Lau Shui-Yin | Assistant Art Director |
| Art | Kwok-On Lau | Property Master |
| Sound | Sona Balam | Sound Re-Recording Mixer |
| Sound | Tony Cheng Yiu-Chung | Location Sound Recordist |
| Sound | Charlie Lo Pak-Yue | Sound Designer |
| Sound | Charlie Lo Pak-Yue | Sound Editor |
| Sound | 莫美華 | Sound Designer |
| Sound | 莫美華 | Sound Mixer |
| Sound | Man Keung Ngai | Boom Operator |
| Sound | 黃俊明 | Boom Operator |
| Sound | Tommy Yu Ka-Luk | Foley Artist |
| Visual Effects | Pak Chung Kwan | Animation |
| Visual Effects | 林碧雯 | Visual Effects Coordinator |
| Visual Effects | Siu Lun Leung | Animation |
| Visual Effects | 馬文現 | Visual Effects Supervisor |
| Crew | Ling Chun-Pong | Stunt Coordinator |
| Lighting | 鄺庭晃 | Best Boy Electric |
| Camera | Hirotake Okazaki | Still Photographer |
| Camera | 陶鴻武 | Second Unit Director of Photography |
| Lighting | 胡國超 | Gaffer |
| Editing | Simon Fung | Assistant Editor |
| Crew | Cathy Lau Wai-Fong | Post Production Assistant |
| Crew | Calmen Lui Lai-Wah | Post Production Consulting |
| Sound | Charles C.W. Chan | Music Editor |
| Directing | Andy Ma Kun Wai | Continuity |
| Writing | Po Sang Sie | Story Consultant |
| Crew | Lu Ching-Ting | Set Runner |
| Crew | 羅大佑 | Thanks |
| Editing | 羅永昌 | Editor |
| Art | Tony Yu | Art Direction |
| Production | 罗守耀 | Executive Producer |
