Er breekt opnieuw een verkiezingstijd aan voor de triades en de zittende grote man, Lok, krijgt het ditmaal aan de stok met zijn vijf peetzonen. Zij azen op de hoogste positie binnen het misdaadsyndicaat, maar Lok is goed op hen voorbereid. In de tussentijd doet Jimmy Li zijn best om uit met de misdaad te breken, maar ook als hij een goede, legale zakenman wil zijn blijkt af en toe inmenging van de triades onontkoombaar.
Nee, helaas is Hak Se Wui Yi Wo Wai Kwai nog niet beschikbaar op Netflix in Nederland.
| Writing | 葉天成 | Writer |
| Directing | 杜琪峰 | Director |
| Writing | 游乃海 | Writer |
| Production | 趙志誠 | Unit Manager |
| Sound | Lee Sin-Kwok | Sound Recordist |
| Crew | Catherine Chan Dao-Ho | Production Controller |
| Production | 罗守耀 | Producer |
| Sound | Robert Ellis-Geiger | Original Music Composer |
| Writing | 游乃海 | Characters |
| Production | 陳嵐 | Administration |
| Production | 向華強 | Executive Producer |
| Editing | Jeff Cheung Ka-Kit | Editor |
| Production | Elos Gallo | Consulting Producer |
| Costume & Make-Up | Joe Kwong Yiu-Chung | Hairstylist |
| Costume & Make-Up | 朱惠芳 | Makeup Artist |
| Production | 鞠觉亮 | Line Producer |
| Costume & Make-Up | 張世傑 | Costume Design |
| Production | 杜琪峰 | Producer |
| Writing | 葉天成 | Characters |
| Camera | 鄭兆強 | Director of Photography |
| Costume & Make-Up | Kit Ling Chan | On Set Dresser |
| Costume & Make-Up | Rachel Kong Tak-Yen | Hairstylist |
| Art | 區永基 | Property Master |
| Sound | Sona Balam | Sound Re-Recording Mixer |
| Sound | 莫美華 | Sound Designer |
| Directing | Jeff Cheung Ka-Kit | Assistant Director |
| Art | Brian Lau Shui-Yin | Assistant Art Director |
| Sound | Man Keung Ngai | Boom Operator |
| Lighting | 鄺庭晃 | Best Boy Electric |
| Sound | Tony Cheng Yiu-Chung | Location Sound Recordist |
| Writing | Po Sang Sie | Story Consultant |
| Production | Ding Yuin-Shan | Production Supervisor |
| Visual Effects | Siu Lun Leung | Animation |
| Costume & Make-Up | 文潤鈴 | Makeup Artist |
| Editing | 朱淑儀 | Project Manager |
| Art | Kwok-On Lau | Property Master |
| Crew | Cathy Lau Wai-Fong | Post Production Assistant |
| Directing | 羅永昌 | Assistant Director |
| Sound | Tommy Yu Ka-Luk | Foley Artist |
| Crew | Calmen Lui Lai-Wah | Post Production Consulting |
| Visual Effects | 馬文現 | Visual Effects Supervisor |
| Camera | Hirotake Okazaki | Still Photographer |
| Sound | Charles C.W. Chan | Music Editor |
| Directing | Andy Ma Kun Wai | Continuity |
| Crew | Lu Ching-Ting | Set Runner |
| Crew | 羅大佑 | Thanks |
| Directing | 陳偉雄 | Assistant Director |
| Art | Ko Kin-Wah | Property Master |
| Sound | 莫美華 | Sound Mixer |
| Editing | Simon Fung | Assistant Editor |
| Visual Effects | Pak Chung Kwan | Animation |
| Visual Effects | 林碧雯 | Visual Effects Coordinator |
| Crew | Ling Chun-Pong | Stunt Coordinator |
| Sound | Charlie Lo Pak-Yue | Sound Editor |
| Production | 夏澤信 | Production Manager |
| Sound | Charlie Lo Pak-Yue | Sound Designer |
| Sound | 黃俊明 | Boom Operator |
| Camera | 陶鴻武 | Second Unit Director of Photography |
| Lighting | 胡國超 | Gaffer |
| Editing | 羅永昌 | Editor |
| Art | Tony Yu | Art Direction |
| Production | 罗守耀 | Executive Producer |
