De rijke Charles Moore vergezelt zijn mooie vrouw Mickey bij een photoshoot in Alaska. De shoot wordt gemaakt door Robert Green. Om specifieke indianen te vinden voor de shoot vliegen Green, Moore en nog een fotograaf naar goede locaties toe. Onderweg worden ze door vogels bestormd en storten ze neer in een meer. Om te overleven in de bossen waar een moordlustige beer rondhangt, moeten ze op elkaar kunnen vertrouwen. Moore is de enige met de kennis die hen zou kunnen redden. Moore vermoedt dat Green een affaire heeft met zijn vrouw. Dit zorgt voor complicaties tijdens hun overlevingstocht, waarbij ze constant een gevaarlijke beer tegenkomen.
Nee, helaas is The Edge nog niet beschikbaar op Netflix in Nederland.
| Production | Art Linson | Producer |
| Sound | Jerry Goldsmith | Original Music Composer |
| Directing | Lee Tamahori | Director |
| Camera | Donald McAlpine | Director of Photography |
| Production | Lloyd Phillips | Producer |
| Writing | David Mamet | Screenplay |
| Editing | Neil Travis | Editor |
| Sound | Dave Kulczycki | Sound Editor |
| Editing | Nicolas De Toth | First Assistant Editor |
| Sound | Ted Caplan | Sound Editor |
| Crew | Mike Vézina | Special Effects Coordinator |
| Lighting | Burton 'Joe' Kuchera | Rigging Gaffer |
| Sound | Kenneth Hall | Music Editor |
| Art | Janice Blackie-Goodine | Set Decoration |
| Costume & Make-Up | Julie Weiss | Costume Design |
| Sound | David A. Arnold | Sound Editor |
| Sound | Harry B. Miller III | ADR Supervisor |
| Sound | Paul Urmson | Sound Editor |
| Camera | Richard G. Mason | Underwater Camera |
| Editing | Michael J. Wechsler | Assistant Editor |
| Art | Melodi Petrigo | Art Department Coordinator |
| Production | Rino Pace | Location Manager |
| Production | Yvonne Melville | Production Coordinator |
| Costume & Make-Up | Christine Beveridge | Makeup Designer |
| Costume & Make-Up | Iloe Flewelling | Key Hair Stylist |
| Directing | Philip A. Patterson | First Assistant Director |
| Art | Pierre Bartlette | Construction Foreman |
| Production | Donna Isaacson | Casting |
| Sound | Steve Bissinger | Sound Editor |
| Sound | Jay Wilkinson | Supervising Sound Editor |
| Art | Robert Dawson | Title Designer |
| Sound | Donald Sylvester | Foley |
| Sound | J.D. Ward | Sound Recordist |
| Crew | Betty Thomas Quee | Stunt Coordinator |
| Camera | John Clothier | Camera Operator |
| Costume & Make-Up | Gail Kennedy | Makeup Artist |
| Art | Robert LaPrell | Construction Coordinator |
| Camera | Patrick McArdle | First Assistant Camera |
| Costume & Make-Up | Gail Johns | Seamstress |
| Art | Wolf Kroeger | Production Design |
| Camera | Joseph Lederer | Still Photographer |
| Visual Effects | Kent Houston | Visual Effects Supervisor |
| Camera | Kurt E. Soderling | Aerial Camera |
| Art | Gary Clayton Ripley | Painter |
| Camera | Tim Milligan | Dolly Grip |
| Lighting | Rick Youck | Best Boy Electric |
| Costume & Make-Up | B.J. Rogers | Costume Supervisor |
| Production | Alice Ferrier | Production Coordinator |
| Sound | Alexander Courage | Orchestrator |
| Crew | Smith Wordes | Choreographer |
| Art | Alfred A. Arndt | Construction Foreman |
| Camera | Wayne Goodchild | Key Grip |
| Camera | Pauline Heaton | Underwater Camera |
| Crew | John Dambrauskas | Carpenter |
| Sound | Michael Playfair | Boom Operator |
| Directing | Christine Wilson | Script Supervisor |
| Art | Richard Harrison | Art Direction |
| Directing | Kevin Leslie | Third Assistant Director |
