Een regisseur van natuurdocumentaires genaamd Carl Denham krijgt een kaart in handen met daarop de locatie van het verborgen Skull Island, waar de god Kong zou leven. Na een werkloze vrouw genaamd Ann Darrow van de straat geplukt te hebben voor de hoofdrol vertrekt hij met zijn crew naar Skull Island voor opnames.
Nee, helaas is King Kong nog niet beschikbaar op Netflix in Nederland.
| Camera | J.O. Taylor | Director of Photography |
| Camera | Ernest B. Schoedsack | Camera Operator |
| Production | Merian C. Cooper | Producer |
| Camera | Vernon L. Walker | Director of Photography |
| Writing | Ruth Rose | Screenplay |
| Writing | James Ashmore Creelman | Screenplay |
| Production | Walter Daniels | Producer |
| Directing | Ernest B. Schoedsack | Director |
| Sound | Max Steiner | Original Music Composer |
| Production | David O. Selznick | Executive Producer |
| Directing | Merian C. Cooper | Director |
| Camera | Edward Linden | Director of Photography |
| Lighting | George Marquenie | Best Boy Electric |
| Editing | Ted Cheesman | Editor |
| Production | Ernest B. Schoedsack | Producer |
| Camera | Kenneth Peach | Director of Photography |
| Camera | Ernest Bachrach | Still Photographer |
| Camera | Sam Redding | Key Grip |
| Costume & Make-Up | Sam Kaufman | Makeup Artist |
| Art | Thomas Little | Set Decoration |
| Directing | Doran Cox | Assistant Director |
| Directing | Walter Daniels | Assistant Director |
| Art | Ray Moyer | Set Decoration |
| Writing | Edgar Wallace | Story |
| Costume & Make-Up | Dotha Hippe | Hairstylist |
| Costume & Make-Up | Walter Plunkett | Costume Design |
| Writing | Merian C. Cooper | Story |
| Production | Fred Schuessler | Casting |
| Art | Carroll Clark | Production Design |
| Directing | Ivan Thomas | Assistant Director |
| Crew | Pauline Wagner | Stunt Double |
| Camera | Bert Willis | First Assistant "A" Camera |
| Crew | Buddy Mason | Stunt Double |
| Art | George Gabe | Property Master |
| Sound | Harold E. Stine | Boom Operator |
| Crew | Aline Goodwin | Stunt Double |
| Crew | Cherie May | Stunt Double |
| Crew | Judy Malcolm | Stunt Double |
| Camera | William H. Clothier | First Assistant "B" Camera |
| Crew | Marcella Allen | Stunt Double |
| Directing | Betty Goode | Script Supervisor |
| Crew | Duke Krantz | Pilot |
| Crew | Lillian Jones | Stunt Double |
| Sound | Earl A. Wolcott | Sound Recordist |
| Visual Effects | Willis H. O'Brien | Visual Effects |
| Writing | Merian C. Cooper | Idea |
| Writing | Edgar Wallace | Idea |
| Writing | Leon Gordon | Writer |
| Art | Carroll Clark | Art Direction |
| Art | Alfred Herman | Art Direction |
| Costume & Make-Up | Mel Berns | Makeup Supervisor |
| Art | Carroll Clark | Settings |
| Art | Alfred Herman | Settings |
| Art | John Cerisoli | Sculptor |
| Art | Van Nest Polglase | Supervising Art Director |
| Art | Steve Rez | Paint Coordinator |
| Art | Ernest Smythe | Additional Storyboarding |
| Sound | Murray Spivack | Sound Effects |
| Sound | Murray Spivack | Sound Designer |
| Sound | Eddie Harman | Sound Recordist |
| Sound | Clem Portman | Sound Re-Recording Mixer |
| Sound | Richard Van Hessen | Boom Operator |
| Crew | Harry Redmond Jr. | Special Effects |
| Crew | Harry Redmond Sr. | Special Effects |
| Crew | Frank D. Williams | Special Effects Technician |
