Een team van elitesoldaten wordt op pad gestuurd om te infiltreren in het wetenschappelijk team van Pine Gap, een uiterst geheim ondergronds militair kamp in Australië. Bij aankomst worden ze echter onder vuur genomen door onbekenden. Dan komen ze in contact met een jonge vrouw die zich niets herinnert over wie ze is of hoe ze daar is gekomen. Terwijl ze proberen te ontsnappen, komen ze er achter dat de faciliteit niet is wat het lijkt, en uitgegroeid is tot een proeftuin voor iets veel ergers.
Nee, helaas is Crawlspace nog niet beschikbaar op Netflix in Nederland.
| Costume & Make-Up | Lulu McClatchy | Assistant Makeup Artist |
| Costume & Make-Up | Jessica Moran | Assistant Makeup Artist |
| Costume & Make-Up | Justin Dix | Makeup Effects Designer |
| Costume & Make-Up | Vaso Babic | Special Effects Makeup Artist |
| Art | Pippa Sheen | Art Department Coordinator |
| Art | Anna O'Donnell | Art Department Assistant |
| Camera | Dan Mitton | Dolly Grip |
| Camera | Jamie Leckie | Key Grip |
| Camera | Jake Hill | Additional Grip |
| Production | Emma Sullivan | Production Assistant |
| Production | Lon Haber | Publicist |
| Visual Effects | Kevin Russell | VFX Artist |
| Visual Effects | David Smith | VFX Artist |
| Directing | Nathan Hart | Second Assistant Director |
| Directing | Justin Dix | Director |
| Writing | Justin Dix | Writer |
| Writing | Eddie Baroo | Writer |
| Writing | Adam Patrick Foster | Writer |
| Production | Justin Dix | Producer |
| Production | John Finemore | Producer |
| Production | Nicholas Sherry | Producer |
| Sound | Jamie Blanks | Music |
| Sound | Jamie Murgatroyd | Music |
| Camera | Simon Ozolins | Director of Photography |
| Editing | Dave Redman | Editor |
| Production | Louise Mitchell | Casting |
| Art | Rolland Pike | Art Direction |
| Art | Justin Dix | Production Design |
| Costume & Make-Up | Polly Smyth | Costume Designer |
| Costume & Make-Up | Mia Kate Russell | Makeup Department Head |
| Art | Dean Norman | Construction Manager |
| Visual Effects | Peter Stubbs | Special Effects Supervisor |
| Visual Effects | Marty Pepper | Visual Effects |
| Visual Effects | Cameron Smith | Visual Effects Supervisor |
| Visual Effects | Mark Holman Harris | Visual Effects Supervisor |
| Lighting | Thom Holt | Best Boy Electric |
| Lighting | Fraser Pilkington | Best Boy Electric |
| Lighting | Morten Boserup | Electrician |
| Lighting | Colin Williams | Gaffer |
| Camera | Steven Bailey | First Assistant Camera |
| Camera | James Puli | Steadicam Operator |
| Production | Peter Rasmussen | Casting Associate |
| Costume & Make-Up | Stacey O'Connor | Costumer |
| Editing | Jon Jorgensen | Assistant Editor |
| Editing | Marty Pepper | Colorist |
| Writing | Regina Lee | Script Consultant |
| Directing | Kelly Hucker | Script Supervisor |
| Crew | Scott Warwick | Armorer |
| Sound | Andrew McGrath | ADR Engineer |
| Sound | Ramsay De Marco | ADR Recordist |
| Sound | Cam Eason | Boom Operator |
| Sound | Leah Katz | Dialogue Editor |
| Sound | Adam Hunt | Sound Assistant |
| Sound | Paul Pirola | Sound Designer |
| Sound | Carlo Cosentino | Sound Editor |
| Sound | Hayden Collow | Sound Effects Editor |
| Sound | Gretchen Thornburn | Sound Recordist |
| Production | Virginia Kay | Production Manager |
| Directing | Nathan Croft | First Assistant Director |
| Production | Janni Alexander | Production Accountant |
