Max (Gibson) wordt beroofd van al zijn bezittingen en kan nog net de stad Bartertown bereiken, die gerund wordt door Aunt Entity (Turner). Hij sluit een deal met Entity en vecht namens haar in de Thunderdome, een kooi waarin gevechten op leven en dood worden gehouden. Entity belazert hem en gooit hem de woestijn in. Met hulp van een groep kinderen die hij bij een oase vindt, gaat Max weer terug naar Bartertown, om met Entity af te rekenen.
Nee, helaas is Mad Max 3 nog niet beschikbaar op Netflix in Nederland.
| Production | Alison Barrett | Casting |
| Art | Graham 'Grace' Walker | Production Design |
| Writing | George Miller | Screenplay |
| Sound | Maurice Jarre | Original Music Composer |
| Writing | Terry Hayes | Screenplay |
| Editing | Richard Francis-Bruce | Editor |
| Camera | Dean Semler | Director of Photography |
| Production | George Miller | Producer |
| Directing | George Ogilvie | Director |
| Directing | George Miller | Director |
| Crew | Spike Cherrie | Stunts |
| Crew | Marijke Rikki van Gyen | Stunts |
| Crew | Zenda Graves | Stunts |
| Crew | Rangi Nikora | Stunts |
| Crew | Ian Lind | Stunts |
| Costume & Make-Up | Norma Moriceau | Costume Design |
| Production | Doug Mitchell | Co-Producer |
| Directing | Stuart Freeman | First Assistant Director |
| Production | Steve Amezdroz | Associate Producer |
| Directing | Ian Kenny | Second Assistant Director |
| Production | Terry Hayes | Co-Producer |
| Sound | Bruce Lamshed | Sound Designer |
| Sound | Roger Savage | Sound Supervisor |
| Directing | Chris Webb | Second Assistant Director |
| Directing | Steve E. Andrews | First Assistant Director |
| Production | Su Armstrong | Executive In Charge Of Production |
| Art | Anni Browning | Art Direction |
| Directing | Murray Robertson | Third Assistant Director |
| Production | Antonia Barnard | Production Manager |
| Production | Marcus D'Arcy | Associate Producer |
| Sound | Joe Spinelli | Boom Operator |
| Sound | Tim Jordan | Dialogue Editor |
| Costume & Make-Up | Rosalina Da Silva | Makeup Artist |
| Sound | Annabelle Sheehan | Dialogue Editor |
| Sound | Lloyd Carrick | Sound Recordist |
| Costume & Make-Up | Cheryl Newton | Wigmaker |
| Sound | Frank Lipson | Sound Effects Editor |
| Camera | Pat Nash | Grip |
| Editing | Louise Innes | First Assistant Editor |
| Crew | Billy Malcolm | Key Scenic Artist |
| Directing | Daphne Paris | Script Supervisor |
| Production | George Mannix | Location Manager |
| Costume & Make-Up | Julie Frankham | Seamstress |
| Camera | Jim Sheldon | Still Photographer |
| Editing | Claire O'Brien | First Assistant Editor |
| Sound | Karin Whittington | Dialogue Editor |
| Crew | Grant Page | Stunt Coordinator |
| Sound | Tim Chau | Sound Effects Editor |
| Costume & Make-Up | Elizabeth Ann Fardon | Key Makeup Artist |
| Sound | Craig Carter | Sound Effects Editor |
| Art | Martin O'Neill | Set Decoration |
| Directing | Ian Freeman | Third Assistant Director |
| Production | Mike Fenton | Casting |
| Costume & Make-Up | Helen Evans | Makeup Artist |
| Crew | Marcus D'Arcy | Post Production Supervisor |
| Crew | Steve Courtley | Special Effects Coordinator |
| Crew | Ray Pedler | Scenic Artist |
| Camera | Irvine G. McLaughlin | Key Grip |
| Visual Effects | Michael Wood | Special Effects Supervisor |
| Crew | Scott J. Ateah | Stunts |
| Sound | Tina Turner | Songs |
| Crew | Brian Wood | Special Effects Assistant |
