Sebastian Caine, de ingenieuze leider van een team wetenschappers, wil een middel om onzichtbaar te worden, beslist op zichzelf testen en hij wordt inderdaad onzichtbaar. Dan blijkt het tegenmiddel om hem weer zichtbaar te maken niet te werken en zit hij gevangen in zijn onzichtbare lichaam. Terwijl zijn collega's hard op zoek gaan naar het juiste tegenmiddel, ontdekt Caine de ongekende macht die hij nu heeft.
Nee, helaas is Hollow Man nog niet beschikbaar op Netflix in Nederland.
| Directing | Paul Verhoeven | Director |
| Writing | Andrew W. Marlowe | Screenplay |
| Production | Alan Marshall | Producer |
| Production | Marion Rosenberg | Executive Producer |
| Production | Douglas Wick | Producer |
| Sound | Jerry Goldsmith | Original Music Composer |
| Editing | Mark Goldblatt | Editor |
| Editing | Ron Vignone | Editor |
| Camera | Jost Vacano | Director of Photography |
| Production | Howard Feuer | Casting |
| Costume & Make-Up | Ellen Mirojnick | Costume Design |
| Production | Stacy Lumbrezer | Co-Producer |
| Production | Kenneth Silverstein | Associate Producer |
| Writing | Gary Scott Thompson | Story |
| Writing | Andrew W. Marlowe | Story |
| Art | Allan Cameron | Production Design |
| Art | Dale Allen Pelton | Art Direction |
| Art | John M. Dwyer | Set Decoration |
| Art | Katherine Lambert | Art Department Coordinator |
| Art | Sue Chan | Assistant Art Director |
| Art | Miles Teves | Conceptual Design |
| Art | Jim Wardell | Greensman |
| Art | Joseph Martin | Location Scout |
| Art | Mike Larrabee | Painter |
| Art | Don Lanning | Sculptor |
| Art | Daniel R. Jennings | Set Designer |
| Camera | John Trapman | Camera Operator |
| Camera | Gregory Irwin | First Assistant Camera |
| Camera | Gary Dagg | Key Grip |
| Camera | Jim Gordon | Grip |
| Camera | Michael Douglas Middleton | Still Photographer |
| Costume & Make-Up | James W. Tyson | Costume Supervisor |
| Costume & Make-Up | Luisa Abel | Makeup Artist |
| Costume & Make-Up | Barry R. Koper | Makeup Department Head |
| Costume & Make-Up | Alec Gillis | Makeup Designer |
| Costume & Make-Up | Carrie Bauer | Set Costumer |
| Costume & Make-Up | Jim Husbands | Set Dressing Artist |
| Crew | Mark Schouten | Carpenter |
| Crew | Jim Berney | CG Supervisor |
| Crew | Scott Stokdyk | Digital Effects Supervisor |
| Crew | Ken Bellanca | Driver |
| Crew | Daniel C. McFadden | Loader |
| Crew | Todd Bates | Makeup Effects |
| Crew | Kevin Flatow | Post Production Assistant |
| Crew | Edward Bellafiore | Production Office Assistant |
| Crew | Craig T. Currie | Propmaker |
| Art | Teri Anne Kopp | Property Master |
| Crew | Brian Feeney | Set Production Assistant |
| Crew | Chris Allen | Software Engineer |
| Crew | Michael Haboush | Stand In |
| Crew | Gary Combs | Stunt Coordinator |
| Crew | Greg Brickman | Stunts |
| Crew | Gerardo De La Cruz | Systems Administrators & Support |
| Crew | Joel Renfro | Transportation Coordinator |
| Crew | Stanley Brossette | Unit Publicist |
| Crew | Matt Byrne | Utility Stunts |
| Crew | Aaron Katz | Video Assist Operator |
| Crew | Peter S. Elliot | Visual Effects Editor |
| Directing | Louis D'Esposito | First Assistant Director |
| Directing | Haley McLane | Script Supervisor |
| Editing | Jim Passon | Color Timer |
| Editing | Catherine Chase | First Assistant Editor |
| Lighting | Benny McNulty | Best Boy Electric |
| Lighting | Shane D. Kelly | Gaffer |
| Lighting | Ken W. Ballantine | Lighting Technician |
| Lighting | Rell Putt | Rigging Grip |
| Production | Chris Silver Finigan | Production Accountant |
| Production | Mitchell Bell | Production Coordinator |
| Production | Robert Latham Brown | Production Manager |
| Sound | Raul A. Bruce | Boom Operator |
| Sound | Carmen Flores De Tanis | Assistant Sound Editor |
| Sound | Darrell Hall | Music Editor |
| Sound | Alexander Courage | Orchestrator |
| Sound | Joseph Geisinger | Production Sound Mixer |
| Sound | Jason W. Jennings | Sound Effects Editor |
| Sound | Scott A. Hecker | Supervising Sound Editor |
| Visual Effects | Carol Ashley | 3D Artist |
| Visual Effects | Tom Gibbons | Animation Supervisor |
| Visual Effects | Kenneth Au | Digital Compositors |
| Visual Effects | David Rosenthal | I/O Supervisor |
| Visual Effects | Hans Metz | Special Effects Supervisor |
| Visual Effects | Mitch Deoudes | Visual Effects |
| Visual Effects | Kandece Brown | Visual Effects Coordinator |
| Visual Effects | B.Z. Petroff | Visual Effects Producer |
| Visual Effects | Craig Hayes | Visual Effects Supervisor |
| Crew | Colin Epstein | Sequence Leads |
| Crew | Tony Aylett | Machinist |
| Crew | John P. Fasal | Special Sound Effects |
| Visual Effects | Krystin Johnson | CG Painter |
| Visual Effects | Todd Vaziri | CG Artist |
| Costume & Make-Up | Edward Gould | Costumer |
| Costume & Make-Up | Dawn Y. Line | Key Costumer |
| Costume & Make-Up | Whitney James | Makeup Supervisor |
| Directing | Juanma Fernández París | Second Assistant Director |
| Directing | Steve Lonano | Second Second Assistant Director |
| Directing | Scott E. Anderson | Second Unit Director |
| Art | Craig T. Shordon | Decorator |
| Art | Giacomo G. Ghiazza | Storyboard Artist |
| Sound | Linda Folk | ADR Editor |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Sound | David Lucarelli | ADR Recordist |
| Sound | Jeena M. Phelps | Assistant Dialogue Editor |
| Sound | Matthew Dettmann | Foley Artist |
| Sound | Richard Duarte | Foley Mixer |
| Sound | Susan Dudeck | Supervising ADR Editor |
| Sound | Michael J. Benavente | Supervising Dialogue Editor |
| Sound | Yvette Marxer | Utility Sound |
| Crew | Donn Markel | Special Effects Assistant |
| Crew | Gary D. Bierend | Special Effects Technician |
| Visual Effects | Uel Hormann | 2D Supervisor |
| Visual Effects | Scott E. Anderson | Senior Visual Effects Supervisor |
| Visual Effects | Ralph Sevazlian | VFX Artist |
| Visual Effects | Andrew Schwartz | Visual Effects Compositor |
| Visual Effects | David Stump | VFX Director of Photography |
| Visual Effects | Andy King | Visual Effects Technical Director |
| Crew | Laura Lee Connery | Stunt Double |
| Crew | Lester Speight | Stunt Driver |
| Camera | Brian Mussetter | Assistant Camera |
| Camera | Todd Durboraw | Camera Loader |
| Camera | David Nims | Dolly Grip |
| Camera | Mike Gentile | Second Assistant Camera |
| Visual Effects | Elizabeth Hitt | Animation Coordinator |
| Visual Effects | Erik Lee | CG Animator |
| Visual Effects | Jordu Schell | Character Designer |
| Visual Effects | Eric Reynolds | Lead Animator |
| Production | Terri Douglas | ADR Voice Casting |
| Editing | Charlotte Spencer | Assistant Editor |
| Editing | John Nicolard | Digital Color Timer |
| Editing | Mo Henry | Negative Cutter |
| Production | J. Chan Claggett | Assistant Location Manager |
| Production | Paul-Michel Pierre-Benoist | Location Production Assistant |
| Sound | Jerry Goldsmith | Conductor |
| Sound | Nick Vidar | Music Programmer |
| Production | Tish Johnson | Assistant Accountant |
| Production | Sissy Grover | Assistant Production Coordinator |
| Visual Effects | Wayne Kennedy | Character Modelling Supervisor |
| Visual Effects | Greg Derochie | Compositing Lead |
| Visual Effects | Brennan Doyle | Compositing Supervisor |
| Production | Alonzo Ruvalcaba | Head of Production |
| Visual Effects | Dennis Webb | I/O Supervisor |
| Production | David Hickey | Payroll Accountant |
| Production | Jennifer Juen | Production Assistant |
| Production | Stephani Hunter | Production Secretary |
| Crew | Richard L. Hill | Pyrotechnician |
| Visual Effects | Etienne Andlau | Rotoscoping Artist |
| Production | Kenny Gallagher | Second Assistant Accountant |
| Visual Effects | Brian Keeney | Digital Effects Producer |
| Visual Effects | Stan Parks | Special Effects Supervisor |
| Writing | H.G. Wells | Novel |
| Crew | Gilbert B. Combs | Stunt Coordinator |
| Crew | Lisa Hoyle | Stunt Double |
