Rudy Baylor is een beginnende advocaat die in een zware rechtszaak verzeild raakt. Zijn tegenstanders: een legertje gehaaide juristen. Zijn medestander: Deck Shifflet, een nogal opvliegende media-advocaat die steeds zakt voor zijn rechtbankexamen. Rudy's moet tot het uiterste gaan om het recht te laten zegevieren.
Nee, helaas is The Rainmaker nog niet beschikbaar op Netflix in Nederland.
| Production | Michael Douglas | Producer |
| Writing | John Grisham | Novel |
| Directing | Francis Ford Coppola | Director |
| Editing | Barry Malkin | Editor |
| Writing | Francis Ford Coppola | Screenplay |
| Writing | Michael Herr | Screenplay |
| Production | Fred Fuchs | Producer |
| Production | Steven Reuther | Producer |
| Camera | John Toll | Director of Photography |
| Camera | David Leonard | Grip |
| Production | Jason White | Extras Casting Assistant |
| Production | Katherine E. Beyda | Production Supervisor |
| Crew | Richard Drown | Stunts |
| Camera | Chris Toll | Second Assistant Camera |
| Production | Georgia Kacandes | Co-Producer |
| Production | Georgia Kacandes | Unit Production Manager |
| Crew | Kathy Orloff | Unit Publicist |
| Crew | Steve Picerni | Stunts |
| Directing | David Kelley | Second Assistant Director |
| Art | Brick Mason | Storyboard Artist |
| Costume & Make-Up | Eileen McCahill | Set Costumer |
| Art | Jeffrey Kushon | Leadman |
| Camera | Mike Thomas | First Assistant Camera |
| Directing | Roman Coppola | Second Unit Director |
| Sound | Nelson Stoll | Sound Mixer |
| Crew | Andy Gill | Stunts |
| Production | Gary Marcus | Associate Producer |
| Directing | Gary Marcus | First Assistant Director |
| Sound | Bob Baron | ADR Mixer |
| Sound | Douglas Murray | ADR Recordist |
| Sound | Alicia Stevenson | Foley Artist |
| Lighting | James Plannette | Chief Lighting Technician |
| Art | Jeffrey Paul Johnson | Assistant Property Master |
| Sound | Erich Stratmann | Apprentice Sound Editor |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Mark Berger | Sound Re-Recording Mixer |
| Editing | Melissa Kent | Co-Editor |
| Sound | Scott Kinzey | Boom Operator |
| Crew | Scott Wilder | Stunts |
| Art | Jeffrey D. McDonald | Assistant Art Director |
| Sound | Michael Semanick | Sound Re-Recording Mixer |
| Costume & Make-Up | Susan Thomas | Costume Assistant |
| Editing | Megan B. Agosto | Assistant Editor |
| Sound | E. Larry Oatfield | Dialogue Editor |
| Sound | Dawn Fintor | Foley Artist |
| Production | Scott Elias | Location Manager |
| Sound | David Betancourt | Foley Mixer |
| Sound | Emilie A. Bernstein | Orchestrator |
| Costume & Make-Up | Daniela Moore | Set Costumer |
| Sound | Roy Waldspurger | First Assistant Sound Editor |
| Sound | Paul Zydel | ADR Mixer |
| Sound | David McDonald | ADR Recordist |
| Camera | Ben Beaird | First Company Grip |
| Art | Wayne Fitzgerald | Title Designer |
| Camera | Darryl Wilson | Grip |
| Crew | David Sousa | Animal Wrangler |
| Lighting | Nick Thomas | Assistant Chief Lighting Technician |
| Crew | Dennis W. Milliken | Transportation Coordinator |
| Production | Christopher Gray | Extras Casting |
| Crew | Lee Stepp | Transportation Captain |
| Production | Mads Hansen | Assistant Production Coordinator |
| Camera | Robert D. Yeoman | Second Unit Director of Photography |
| Camera | Jeff Kunkle | Dolly Grip |
| Editing | Phil Hetos | Color Timer |
| Editing | Theresa Repola Mohammed | Negative Cutter |
| Directing | Michael Amundson | Second Unit First Assistant Director |
| Sound | Elmer Bernstein | Original Music Composer |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Sound | Jennifer L. Ware | Sound Effects Editor |
| Art | Phillipa Sledge | Art Department Coordinator |
| Sound | Mark Levinson | Supervising ADR Editor |
| Costume & Make-Up | Lois Burwell | Makeup Artist |
| Costume & Make-Up | Arturo Rojas | Hairstylist |
| Sound | Tim O'Shea | Foley Editor |
| Camera | Phillip V. Caruso | Still Photographer |
| Art | Jeffrey Schlatter | Construction Coordinator |
| Costume & Make-Up | Aggie Guerard Rodgers | Costume Design |
| Art | Scott P. Murphy | Set Designer |
| Art | Thomas Michael Ryan | Construction Foreman |
| Sound | Clare C. Freeman | ADR Editor |
| Crew | Jack Gill | Stunt Coordinator |
| Art | Barbara Munch | Set Decoration |
| Art | Howard Cummings | Production Design |
| Sound | Michael Kirchberger | Supervising Sound Editor |
| Costume & Make-Up | Whitney James | Makeup Artist |
| Art | David Becton | Greensman |
| Sound | Kim B. Christensen | Sound Effects Editor |
| Production | Linda Phillips-Palo | Casting |
| Sound | Bruce Lacey | ADR Editor |
| Camera | Paul C. Babin | Camera Operator |
| Art | Bob Shaw | Art Direction |
| Costume & Make-Up | Patricia Grande | Hairstylist |
| Art | Eugene McCarthy | Property Master |
| Costume & Make-Up | Jennifer Jobst | Key Set Costumer |
| Sound | Kathy Durning | Music Editor |
| Production | Laura Tateishi | Production Coordinator |
| Costume & Make-Up | Winnie D. Brown | Costume Supervisor |
| Crew | Barbara Anne Klein | Stunts |
| Production | Francis Ford Coppola | Producer |
| Crew | Guy Clayton | Special Effects Coordinator |
| Sound | Dianna Stirpe | Dialogue Editor |
| Sound | David A. Cohen | Dialogue Editor |
| Lighting | Joe Crowley | Chief Lighting Technician |
