Jake Brigance is een getalenteerde advocaat. Op een dag ontfermt hij zich over het dossier van Carl Lee Hailey, wiens tienjarige dochter Tonya op brutale wijze verkracht werd door twee blanke mannen. Carl Lee wil gerechtigheid en in de rechtbank neemt hij het heft in eigen handen.
Nee, helaas is A Time to Kill nog niet beschikbaar op Netflix in Nederland.
| Editing | William Steinkamp | Editor |
| Camera | Peter Menzies Jr. | Director of Photography |
| Production | Arnon Milchan | Producer |
| Writing | Akiva Goldsman | Screenplay |
| Production | Hunt Lowry | Producer |
| Art | Larry Fulton | Production Design |
| Production | Michael G. Nathanson | Producer |
| Directing | Joel Schumacher | Director |
| Production | John Grisham | Producer |
| Writing | John Grisham | Novel |
| Sound | Elliot Goldenthal | Original Music Composer |
| Production | William M. Elvin | Associate Producer |
| Production | Mali Finn | Casting |
| Sound | Joe Divitale | Sound Effects Editor |
| Art | Dorree Cooper | Set Decoration |
| Art | James F. Truesdale | Assistant Art Director |
| Costume & Make-Up | Pamela S. Westmore | Makeup Artist |
| Costume & Make-Up | Wendy M. Craig | Set Costumer |
| Crew | Bonnie Daniels | Production Controller |
| Crew | Ronald Cox | Propmaker |
| Crew | Michael Singer | Unit Publicist |
| Art | Richard Toyon | Art Direction |
| Costume & Make-Up | Marietta Carter-Narcisse | Key Makeup Artist |
| Crew | Nancy Mott | Craft Service |
| Sound | Steven Gerrior | Assistant Sound Editor |
| Crew | Steve Galich | Special Effects Coordinator |
| Production | Julianna Arenson | Production Accountant |
| Camera | Hugh McCallum | Grip |
| Costume & Make-Up | Pamela Wise | Costume Supervisor |
| Editing | Bob Putynkowski | Color Timer |
| Art | Jeffrey McMahon | Construction Foreman |
| Camera | Chris Centrella | Key Grip |
| Costume & Make-Up | Robert L. Stevenson | Hairstylist |
| Costume & Make-Up | Janine Rath-Thompson | Key Hair Stylist |
| Crew | Tim Monich | Dialect Coach |
| Crew | Mickey Gilbert | Stunt Coordinator |
| Crew | Lance Gilbert | Stunts |
| Crew | Ken Nevin | Transportation Co-Captain |
| Sound | Lee Lemont | Foley Editor |
| Art | Lucy Weber | Painter |
| Crew | Matt Byrne | Utility Stunts |
| Production | Scott Elias | Location Manager |
| Sound | Robert Elhai | Orchestrator |
| Crew | Martin Weight | Video Assist Operator |
| Lighting | Kevin Murphy | Gaffer |
| Lighting | Dennis J. Lootens | Rigging Gaffer |
| Sound | Michael Connell | Music Editor |
| Sound | Adam Jenkins | Sound Re-Recording Mixer |
| Costume & Make-Up | Zandra Harding | Seamstress |
| Crew | D. G. Fisher | Cableman |
| Crew | Michael Denering | Scenic Artist |
| Directing | Sharron Reynolds-Enriquez | Script Supervisor |
| Lighting | Rex Anson Rhorer | Rigging Grip |
| Crew | William Hogue | Driver |
| Art | John H. Samson | Construction Coordinator |
| Art | Brad Einhorn | Property Master |
| Art | Keith P. Cunningham | Set Designer |
| Camera | Bill McConnell Sr. | First Assistant Camera |
| Crew | Margaret L. Schlaifer | Studio Teacher |
| Costume & Make-Up | Asahel Cooper | Set Dressing Artist |
| Sound | Petur Hliddal | Sound Mixer |
| Sound | John Leveque | Supervising Sound Editor |
| Crew | Lee Garibaldi | Transportation Captain |
| Crew | Tommy Tancharoen | Transportation Coordinator |
| Editing | Michael T. Wilson | Additional Editor |
| Lighting | Eric Wycoff | Lighting Technician |
| Art | Francis N. 'Lucky' Costello | Standby Painter |
| Camera | Randy Feemster | Camera Operator |
| Crew | Gary Duncan | Picture Car Coordinator |
| Editing | Debra L. Tennant | First Assistant Editor |
| Sound | Roland N. Thai | Sound Designer |
| Costume & Make-Up | Ingrid Ferrin | Costume Design |
| Sound | Robert Bradshaw | Dialogue Editor |
| Visual Effects | Andrew Adamson | Visual Effects Supervisor |
| Camera | Christine M. Loss | Still Photographer |
| Crew | Dominik Dugandzic | Special Effects |
| Directing | William M. Elvin | First Assistant Director |
| Production | Emily Schweber | Casting Associate |
| Production | Bill Daly | Post Production Accountant |
| Sound | Carl Fischer | Boom Operator |
| Sound | John Moses | Musician |
| Art | Anthony Goldschmidt | Title Designer |
| Lighting | Tom Anderson | Assistant Chief Lighting Technician |
| Production | Jo Doster | Local Casting |
| Sound | Jonathan Sheffer | Conductor |
| Production | Bettina Rose | Executive Assistant |
| Camera | Dean M. King | Best Boy Grip |
| Production | Rene Crowe | Production Secretary |
| Sound | Zack Davis | ADR Editor |
| Crew | Steve Wolf | Special Effects Assistant |
| Production | Anna M. Elias | Assistant Location Manager |
| Costume & Make-Up | Ben Nye Jr. | Makeup Supervisor |
| Editing | Robert W. Steinkamp | Assistant Editor |
| Editing | Mo Henry | Negative Cutter |
| Production | John Alfred | First Assistant Accountant |
| Sound | Hilda Hodges | Foley Artist |
| Camera | Suzanne Trucks | Camera Loader |
| Visual Effects | Don Lee | Digital Compositor |
| Sound | Fred Stafford | Supervising ADR Editor |
| Camera | Bill McConnell Jr. | Second Assistant Camera |
| Costume & Make-Up | Joel Voorhies | Wardrobe Assistant |
| Crew | Jerry Lousteau | Animal Wrangler |
| Art | Joel McKee | Assistant Property Master |
| Camera | Michelle Madison | Additional Second Assistant Camera |
| Costume & Make-Up | Fran Allgood | Costumer |
| Directing | Darrell Woodard | Additional Second Assistant Director |
| Crew | Christian J. Fletcher | Stunt Double |
| Production | A. Welch Lambeth | Key Production Assistant |
| Camera | Chuck Brown | Dolly Grip |
| Production | Ash Taylor | Location Assistant |
| Directing | Alan Edmisten | Second Assistant Director |
| Directing | Eric Oliver | Second Second Assistant Director |
| Sound | Mary Jo Lang | Foley Mixer |
| Crew | Scott Mobley | Special Effects Technician |
| Production | Bill Johnson | Unit Production Manager |
| Crew | Troy Gilbert | Stunts |
