Nick Wells, een professionele crimineel, besluit het criminele leventje achter zich te laten. Zijn goede vriend Max komt met een plan dat Nick niet kan afslaan: een historisch Frans object is ontdekt terwijl het het land werd ingesmokkeld.
Nee, helaas is The Score nog niet beschikbaar op Netflix in Nederland.
| Writing | Lem Dobbs | Screenplay |
| Writing | Scott Marshall Smith | Screenplay |
| Directing | Frank Oz | Director |
| Production | Lee Rich | Producer |
| Production | Gary Foster | Producer |
| Writing | Kario Salem | Screenplay |
| Camera | Rob Hahn | Director of Photography |
| Sound | Howard Shore | Original Music Composer |
| Editing | Richard Pearson | Editor |
| Art | Jackson De Govia | Production Design |
| Directing | Rebecca Robertson | Script Supervisor |
| Costume & Make-Up | Aude Bronson-Howard | Costume Design |
| Production | Margery Simkin | Casting |
| Art | Tom Reta | Art Direction |
| Crew | Patrice Jacques | Prop Maker |
| Costume & Make-Up | Francine Gagnon | Key Makeup Artist |
| Art | Ray Légaré | Greensman |
| Art | Genevieve Ferderber | Art Department Coordinator |
| Art | Céline Lampron | Set Designer |
| Camera | Phillip V. Caruso | Still Photographer |
| Crew | Matthew W. Mungle | Makeup Effects |
| Editing | Richard Friedlander | First Assistant Editor |
| Crew | Julie Coulombe | Armorer |
| Art | Denis Hamel | Property Master |
| Camera | Maarten Kroonenburg | First Assistant Camera |
| Camera | Tony Rivetti Sr. | First Assistant Camera |
| Production | Michèle St-Arnaud | Location Manager |
| Crew | George Lakes | Production Controller |
| Crew | Bud Davis | Stunt Coordinator |
| Art | Alain Brochu | Construction Coordinator |
| Sound | Paul Urmson | Sound Effects Editor |
| Crew | Brent Radford | Armorer |
| Sound | Ron Bochar | Supervising Sound Editor |
| Sound | Lewis Goldstein | Sound Effects Editor |
| Art | K.C. Fox | Set Decoration |
| Art | Claude Paré | Art Direction |
| Sound | Fred Rosenberg | Dialogue Editor |
| Art | Claude Lafrance | Set Designer |
| Art | Charlotte Rouleau | Set Designer |
| Art | Lucie Tremblay | Set Designer |
| Sound | Marissa Littlefield | Supervising ADR Editor |
| Writing | Daniel E. Taylor | Story |
| Art | Michel Bouchard | Art Department Coordinator |
| Art | Félix Larivière-Charron | Set Designer |
| Sound | Kam Chan | Foley Editor |
| Visual Effects | Louis Craig | Special Effects Supervisor |
| Camera | Nathalie Moliavko-Visotzky | Camera Operator |
| Sound | Suzana Peric | Music Editor |
| Production | Alain Gagnon | Production Manager |
| Directing | David Sardi | First Assistant Director |
| Camera | Alain Masse | Dolly Grip |
| Sound | Frank Kern | Foley Editor |
| Sound | Nicholas Renbeck | Dialogue Editor |
| Sound | Markus Wade | Boom Operator |
| Art | Michelle Drolet | Art Department Coordinator |
| Crew | Jean Frenette | Stunt Coordinator |
| Production | Victorine Tamafo | Production Coordinator |
| Costume & Make-Up | Corald Giroux | Key Hair Stylist |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Sound | Nathalie Piche | Boom Operator |
| Lighting | Alain Brouillette | Rigging Grip |
| Camera | Angelo Colavecchia | Steadicam Operator |
| Lighting | Jean Courteau | Chief Lighting Technician |
| Writing | Kario Salem | Story |
| Crew | Budd Carr | Executive Music Producer |
| Production | Adam Platnick | Executive Producer |
| Production | Bernard Williams | Executive Producer |
| Crew | David Leitch | Stunt Coordinator |
