Jaren 30, Parijs. Als de jonge actrice Madeleine wordt beschuldigd van moord op een beroemde filmproducent, lijkt haar carrière al voorbij nog voordat het echt begonnen is. Met de hulp van haar beste vriendin en advocate Pauline kan ze echter bewijzen dat ze uit zelfverdediging handelde. Het blijkt het begin van een nieuw en zeer succesvol hoofdstuk in haar leven. Tot de waarheid aan het licht komt…
Nee, helaas is Mon crime nog niet beschikbaar op Netflix in Nederland.
| Directing | François Ozon | Director |
| Camera | Manuel Dacosse | Director of Photography |
| Production | Eric Altmayer | Producer |
| Production | Nicolas Altmayer | Producer |
| Editing | Laure Gardette | Editor |
| Art | Philippe Cord'homme | Set Decoration |
| Costume & Make-Up | Marie Messien | Makeup Artist |
| Costume & Make-Up | Joran Muratori | Additional Hairstylist |
| Costume & Make-Up | Nathalie Tabareau | Key Makeup Artist |
| Production | Robin Reze | Assistant Unit Manager |
| Directing | Marion Dehaene | First Assistant Director |
| Directing | Richard Elmosnino | Assistant Director |
| Directing | Thibault Frey | Third Assistant Director |
| Directing | Christophe Gomes | Assistant Director |
| Directing | Grégoire Jeudy | Second Assistant Director |
| Art | Emilie Ferrenq | Property Master |
| Art | Julia Fimat | Props |
| Art | Clément Jolivet | Graphic Designer |
| Art | Louise Pichon | Assistant Set Decoration |
| Art | Yann Ricordeau | Property Master |
| Art | Barthelemy Thomas | Set Dresser |
| Art | Baptiste Tordeux | Assistant Art Director |
| Sound | Jean-Marie Blondel | Sound Mixer |
| Sound | Dominique Eyraud | Boom Operator |
| Sound | Jean-Philippe Marin | Boom Operator |
| Visual Effects | Ayelen Camiña | Visual Effects Coordinator |
| Camera | Adrien Anquetil | Grip |
| Camera | Victoire Bonin | Second Assistant Camera |
| Camera | Isabelle Brégeaud | Additional First Assistant Camera |
| Camera | Stephane Canda | Grip |
| Camera | Thomas Caselli | First Assistant Camera |
| Camera | Julien Chassaignon | Additional Grip |
| Lighting | Stanislas Etenaille | Gaffer |
| Camera | Nathan Meynsbrughen | Additional Grip |
| Camera | Julien Moine | Key Grip |
| Camera | Lara Mzayek | Assistant Camera |
| Camera | Guillaume Quilichini | Steadicam Operator |
| Camera | Giovanni Quéné | Grip |
| Lighting | David Tshiakatumba | Electrician |
| Camera | Sylvain Zambelli | First Assistant Camera |
| Costume & Make-Up | Indiana Sylla | Wardrobe Coordinator |
| Editing | Matis Bros | Assistant Editor |
| Editing | Bertrand Glosset | Colorist |
| Editing | Rémi Paquin | First Assistant Editor |
| Directing | Agathe Grau | Script Supervisor |
| Costume & Make-Up | Justine Fiorito | Makeup Artist |
| Writing | Georges Berr | Theatre Play |
| Writing | Louis Verneuil | Theatre Play |
| Writing | François Ozon | Screenplay |
| Lighting | Louis Zebo | Best Boy Electric |
| Writing | Philippe Piazzo | Script Consultant |
| Sound | Philippe Rombi | Original Music Composer |
| Art | Jean Rabasse | Production Design |
| Costume & Make-Up | Pascaline Chavanne | Costume Design |
| Production | David Bertrand | Casting |
| Production | Anaïs Duran | Casting |
| Production | Geneviève Lemal | Co-Producer |
| Art | Stephanie Laurent Delarue | Art Direction |
| Production | Aude Cathelin | Production Manager |
| Sound | Julien Roig | Sound Editor |
| Sound | Jean-Paul Hurier | Sound Re-Recording Mixer |
| Visual Effects | Guillaume Le Gouez | Visual Effects Supervisor |
