Allerheiligenavond, het griezelige, naoorlogse Venetië. Poirot is met pensioen en leeft in een zelfopgelegde ballingschap in ’s werelds meest glamoureuze stad, tot hij een seance bijwoont in een vervallen en spookachtig palazzo. Wanneer een van de gasten wordt vermoord, belandt de detective in een sinistere wereld van schaduwen en geheimen.
Nee, helaas is A Haunting in Venice nog niet beschikbaar op Netflix in Nederland.
| Directing | Kenneth Branagh | Director |
| Writing | Agatha Christie | Novel |
| Writing | Michael Green | Screenplay |
| Production | Judy Hofflund | Producer |
| Production | Louise Killin | Executive Producer |
| Production | James Prichard | Executive Producer |
| Production | Ridley Scott | Producer |
| Production | Simon Kinberg | Producer |
| Camera | Haris Zambarloukos | Director of Photography |
| Sound | Hildur Guðnadóttir | Original Music Composer |
| Production | Kenneth Branagh | Producer |
| Production | Mark Gordon | Executive Producer |
| Editing | Lucy Donaldson | Editor |
| Production | Lucy Bevan | Casting |
| Art | John Paul Kelly | Production Design |
| Art | Peter Russell | Supervising Art Director |
| Art | Chris Stephenson | Art Direction |
| Art | Celia Bobak | Set Decoration |
| Costume & Make-Up | Sammy Sheldon | Costume Design |
| Directing | Martin Curry | First Assistant Director |
| Directing | Anna Brabbins | Second Assistant Director |
| Sound | Tomas Blazukas | Sound Designer |
| Crew | James O'Donnell | Stunt Coordinator |
| Production | Martin Curry | Associate Producer |
| Production | Liza Carmel | Production Manager |
| Costume & Make-Up | Wakana Yoshihara | Makeup Designer |
| Costume & Make-Up | Wakana Yoshihara | Hair Designer |
| Visual Effects | Artemis Oikonomopoulou | VFX Supervisor |
| Visual Effects | Dave Watkins | Special Effects Supervisor |
| Production | Tom Darby-Evans | Production Supervisor |
| Art | Stephanie Clerkin | Assistant Art Director |
| Art | Emma Ryder | Assistant Art Director |
| Art | Richard Usher | Standby Art Director |
| Sound | Simon Chase | Supervising Sound Editor |
| Sound | Oliver Ferris | Foley Artist |
| Sound | Sophia Hardman | Foley Editor |
| Sound | James Hayday | Sound Effects Editor |
| Sound | Adam Mendez | Foley Mixer |
| Sound | Andy Nelson | Sound Re-Recording Mixer |
| Sound | Colin Nicolson | Production Sound Mixer |
| Sound | Mark Taylor | Sound Re-Recording Mixer |
| Production | Katie Brydon | Casting Associate |
| Costume & Make-Up | Holly Freeman | Costume Supervisor |
| Camera | Andrea Mengoni | Grip |
| Lighting | Dan Lowe | Gaffer |
| Camera | Lorenzo Forense | Grip |
| Crew | Ashleigh Marner | Special Effects Coordinator |
| Visual Effects | Gavin Gregory | Visual Effects Producer |
| Crew | Massimiliano Ubaldi | Stunt Coordinator |
| Art | Callum Haden | Dressing Prop |
| Lighting | Alessio Cianciuolo | Rigging Grip |
| Sound | James Mather | Supervising Sound Editor |
| Sound | Dave Mackie | Foley Editor |
| Sound | Sue Harding | Foley Artist |
| Crew | Pip Cope | Stunts |
| Crew | Peter Alberti | Stunts |
| Crew | Nikita Mitchell | Stunts |
| Crew | Doren John Farmer | Stunts |
| Crew | Christina Petrou | Stunts |
| Art | Matt Curtis | Title Designer |
