Tim lijkt een normaal en gelukkig leven te leiden in Chicago. Niets is echter minder waar, want hij wordt achterna gezeten door een angstaanjagend verleden dat te maken heeft met het monster uit de slaapkamerkast: de Boogeyman. Wanneer Tims moeder overlijdt, met wie hij geen contact meer had, keert hij terug naar zijn ouderlijk huis op het platteland. Tim moet zijn angsten onder ogen komen en ze zien te overwinnen. De enige manier om dit te bereiken is een nacht alleen door te brengen in het mysterieuze vervallen Victoriaanse huis.
Nee, helaas is Boogeyman nog niet beschikbaar op Netflix in Nederland.
| Production | Sam Raimi | Producer |
| Costume & Make-Up | Jane Holland | Costume Design |
| Production | Marie Adams | Casting |
| Production | Lynn Kressel | Casting |
| Camera | Bobby Bukowski | Director of Photography |
| Production | Miranda Gooch | Casting |
| Production | Gary Bryman | Producer |
| Editing | John Axelrad | Editor |
| Production | Joseph Drake | Executive Producer |
| Directing | Stephen T. Kay | Director |
| Art | Robert Gillies | Production Design |
| Art | Jill Cormack | Set Decoration |
| Art | Philip Ivey | Art Direction |
| Art | Jackie Gilmore | Set Decoration |
| Art | Nick Bassett | Art Direction |
| Art | Jennifer Ward | Art Direction |
| Sound | Tim Prebble | Sound Designer |
| Sound | Peter Mills | Sound Effects Editor |
| Visual Effects | George Port | Visual Effects Supervisor |
| Sound | Gethin Creagh | Sound Re-Recording Mixer |
| Sound | Dave Whitehead | Supervising Sound Editor |
| Sound | Dave Whitehead | Sound Designer |
| Crew | Steve McQuillan | Stunt Coordinator |
| Camera | Kirsty Griffin | Still Photographer |
| Visual Effects | Edward Trost | Visual Effects Producer |
| Production | Clayton Tikao | Location Manager |
| Crew | Jack Schuster | Post Production Supervisor |
| Camera | Gavin Stroud | Additional Camera |
| Production | Karsten Kastelan | Publicist |
| Production | Sue May | Publicist |
| Art | Fraser Harvey | Construction Foreman |
| Sound | Michael Hedges | Sound Re-Recording Mixer |
| Visual Effects | Brent Gilmartin | Visual Effects Supervisor |
| Crew | Sean Button | Stunts |
| Writing | Stiles White | Screenplay |
| Sound | Ray Beentjes | Supervising Dialogue Editor |
| Writing | Juliet Snowden | Screenplay |
| Sound | Joseph LoDuca | Original Music Composer |
| Sound | Chris Todd | Dialogue Editor |
| Sound | Robyn McFarlane | Sound Recordist |
| Art | Viv Kernick | Property Master |
| Directing | Paul Grinder | Second Unit Director |
| Sound | Carrie McLaughlin | Foley |
| Art | Roger Guise | Art Direction |
| Costume & Make-Up | Vanita Thomas | Makeup & Hair Assistant |
| Costume & Make-Up | Susie Glass | Hair Supervisor |
| Costume & Make-Up | Susie Glass | Makeup Supervisor |
| Costume & Make-Up | Marjory Hamlin | Hair Supervisor |
| Costume & Make-Up | Marjory Hamlin | Makeup Supervisor |
| Costume & Make-Up | Deb Watson | Key Hair Stylist |
| Costume & Make-Up | Deb Watson | Key Makeup Artist |
| Directing | Simon Ambridge | First Assistant Director |
| Directing | Terri Kilmartin | Second Unit First Assistant Director |
| Production | Sandy Holt | ADR Voice Casting |
| Production | Caroline Liem | Casting Associate |
| Costume & Make-Up | Hayley May | Costume Assistant |
| Costume & Make-Up | Anna Bosley | Costume Standby |
| Costume & Make-Up | Olivia Dobson | Set Costumer |
| Directing | Dianne Moffatt | Script Supervisor |
| Camera | Evan Pardington | Best Boy Grip |
| Lighting | Ruru Reedy | Electrician |
| Camera | Brenden Holster | First Assistant Camera |
| Camera | Andrew McGeorge | First Assistant Camera |
| Camera | Gareth Robinson | Grip |
| Lighting | John Bell | Lighting Technician |
| Lighting | Scott Harman | Lighting Technician |
| Lighting | Mark Teirney | Lighting Technician |
| Camera | Aaron Morton | Second Unit Director of Photography |
| Camera | Dale Elena McCready | Steadicam Operator |
| Writing | Eric Kripke | Screenplay |
| Production | Eric Kripke | Co-Producer |
| Crew | Hayley Stent | Stunt Double |
