Steven Russell is gelukkig getrouwd met Debbie en werkt bij de lokale politie totdat een dramatisch auto ongeluk een heroverweging van zijn leven oproept. Steven realiseert zich dat hij homo is en besluit alles uit het leven te halen, zelfs als hij daar de wet voor moet overtreden. Stevens nieuwe extravagante levensstijl omvat oplichting en fraude, wat hem uiteindelijk in de gevangenis doet belanden. Hier ontmoet hij de gevoelige Phillip Morris.
Nee, helaas is I Love You Phillip Morris nog niet beschikbaar op Netflix in Nederland.
| Directing | Glenn Ficarra | Director |
| Costume & Make-Up | Ve Neill | Makeup Department Head |
| Directing | John Requa | Director |
| Writing | John Requa | Writer |
| Writing | Glenn Ficarra | Writer |
| Costume & Make-Up | Linda De Andrea | Key Hair Stylist |
| Visual Effects | Cara Buckley | Visual Effects Producer |
| Sound | Eric M. Moorman | Boom Operator |
| Crew | Chris Welcker | Cableman |
| Visual Effects | Lauren Montuori | Visual Effects Production Manager |
| Production | Jeffrey Harlacker | Associate Producer |
| Sound | Loïc Gourbe | Sound Recordist |
| Sound | Jac Rubenstein | Dialogue Editor |
| Sound | Rick Chefalas | First Assistant Sound Editor |
| Visual Effects | Jim Rider | Visual Effects Supervisor |
| Production | Linda Fields Hill | Associate Producer |
| Production | Richard Middleton | Line Producer |
| Directing | Stephen E. Hagen | First Assistant Director |
| Sound | Paul Urmson | Sound Re-Recording Mixer |
| Visual Effects | Marc Steinberg | Visual Effects Designer |
| Production | Bethany Bilsky | Co-Producer |
| Crew | Camille Geier | Executive Visual Effects Producer |
| Production | Miri Yoon | Co-Producer |
| Costume & Make-Up | Joel Harlow | Key Makeup Artist |
| Sound | Michael Miller | ADR Mixer |
| Crew | Yuval Levy | CG Supervisor |
| Costume & Make-Up | Scott H. Reeder | Hairstylist |
| Sound | Mark Weber | Sound Mixer |
| Sound | Olivier Marlangeon | Assistant Foley Artist |
| Sound | Lidia Tamplenizza | Assistant Sound Editor |
| Sound | Paul Urmson | Supervising Sound Editor |
| Costume & Make-Up | Lana Heying | Hairstylist |
| Sound | Lawrence Zipf | Apprentice Sound Editor |
| Costume & Make-Up | Courtney Lether | Makeup Artist |
| Costume & Make-Up | Rose Librizzi | Makeup Artist |
| Sound | Susan Dawes | Dialogue Editor |
| Sound | François Lepeuple | Foley Artist |
| Sound | Jeff Cannon | Boom Operator |
| Costume & Make-Up | David C. Robinson | Costume Design |
| Art | Cynthia Anne Slagter | Set Decoration |
| Sound | Courtney Bishop | ADR Recordist |
| Sound | Donald Sylvester | Supervising ADR Editor |
| Sound | Paul Urmson | Sound Designer |
| Camera | Xavier Grobet | Director of Photography |
| Production | Luc Besson | Executive Producer |
| Production | Far Shariat | Producer |
| Production | Andrew Lazar | Producer |
| Crew | Russell Towery | Stunts |
| Production | Bernard Telsey | Casting |
| Sound | Gary Calamar | Music Supervisor |
| Sound | Wyatt Sprague | Sound Effects Editor |
| Crew | Tanner Gill | Stunt Coordinator |
| Visual Effects | Neil Stockstill | Special Effects Supervisor |
| Costume & Make-Up | Hartsell Taylor | Costume Supervisor |
| Editing | Thomas J. Nordberg | Editor |
| Crew | Eric Norris | Stunt Coordinator |
| Art | Helen Harwell | Art Direction |
| Costume & Make-Up | Michael Adkins | Costume Supervisor |
| Art | Hugo Luczyc-Wyhowski | Production Design |
| Crew | David Waine | Special Effects Coordinator |
| Sound | Nick Urata | Original Music Composer |
| Crew | Donald Dowd | Production Controller |
| Crew | Chuck Graydon | Driver |
| Art | Richie Adams | Title Designer |
| Camera | Christopher Nash | Grip |
| Lighting | James Trapper McEvoy | Key Rigging Grip |
| Writing | Steve McVicker | Book |
