Daniel reist samen met zijn leraar Miyagi naar Okinawa om daar Miyagi's op sterven liggende vader te bezoeken. Tijdens zijn verblijf in z'n geboorteland wordt Miyagi weer geconfronteerd met zijn aartsvijand en de nog altijd aanwezige vete tussen hen. Daniel leert veel over de oude Japanse tradities en de erecodes, wanneer ook hij verwikkeld raakt in deze vendetta.
Nee, helaas is The Karate Kid II nog niet beschikbaar op Netflix in Nederland.
| Directing | John G. Avildsen | Director |
| Production | Jerry Weintraub | Producer |
| Editing | John G. Avildsen | Editor |
| Editing | David Garfield | Editor |
| Editing | Jane Kurson | Editor |
| Directing | Clifford C. Coleman | First Assistant Director |
| Directing | Dennis Maguire | Second Assistant Director |
| Directing | Christine Larson | Second Second Assistant Director |
| Production | Jeannie Jeha | Production Coordinator |
| Production | Diane Bandolas | Production Accountant |
| Production | Jan Foreman | Assistant Accountant |
| Camera | Craig Denault | Camera Operator |
| Camera | Stephen St. John | Steadicam Operator |
| Camera | Alan R. Disler | First Assistant Camera |
| Camera | Brad Edmiston | First Assistant Camera |
| Camera | Mario Zavala | Second Assistant Camera |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Lighting | Ross A. Maehl | Chief Lighting Technician |
| Crew | Linda Arvidson | Stunts |
| Crew | Erik Felix | Stunts |
| Crew | Mike Hassett | Stunts |
| Crew | Roger Ito | Stunts |
| Crew | Lori Lynn Ross | Stunts |
| Crew | Bill M. Ryusaki | Stunts |
| Sound | Brooks Arthur | Music Supervisor |
| Camera | James M. Sheppherd | Key Grip |
| Camera | John Lubin | Best Boy Grip |
| Camera | O.T. Henderson | Dolly Grip |
| Sound | William Randall Jr. | Sound Mixer |
| Sound | David Stafford | Boom Operator |
| Crew | William M. Randall Jr. | Cableman |
| Art | Lee Poll | Set Decoration |
| Art | Mark Hite | Leadman |
| Art | Ronnie Wexler | Swing |
| Art | Sam Gordon | Property Master |
| Art | Richard Leon | Props |
| Art | William James Teegarden | Set Designer |
| Art | Hendrik Wynands | Construction Coordinator |
| Art | Michael Van Dyke | Construction Foreman |
| Art | Mike Wynands | Construction Foreman |
| Art | Danny Wynands | Construction Foreman |
| Crew | Gary Walter Dion | Special Effects |
| Crew | Paul H. Haines Jr. | Special Effects |
| Crew | Al Wininger | Special Effects |
| Art | Glen Cooper | Standby Painter |
| Crew | Alan Falco | Transportation Coordinator |
| Crew | Harry Ueshiro | Transportation Coordinator |
| Crew | Tino Caira | Transportation Captain |
| Editing | Douglas Brumer | Assistant Editor |
| Editing | Karen Kory | Assistant Editor |
| Editing | Penelope Shaw | Assistant Editor |
| Sound | Robert 'Buzz' Knudson | Sound Re-Recording Mixer |
| Sound | Robert Glass | Sound Re-Recording Mixer |
| Sound | Don Digirolamo | Sound Re-Recording Mixer |
| Sound | Tom C. McCarthy | Supervising Sound Editor |
| Sound | Michael P. Redbourn | Sound Editor |
| Sound | Joseph Holsen | Sound Editor |
| Sound | Neil Burrow | Sound Editor |
| Sound | Bob Cornett | Sound Editor |
| Sound | Jim Bullock | Foley Editor |
| Sound | Doreen A. Dixon | Supervising ADR Editor |
| Sound | Richard Friedman | ADR Editor |
| Sound | Jay Kamen | ADR Editor |
| Sound | Blake R. Cornett | Assistant Sound Editor |
| Sound | Martha Burns Holsen | Assistant Sound Editor |
| Sound | Jack Eskew | Orchestrator |
| Sound | Stephen A. Hope | Music Editor |
| Crew | Peter Benoit | Unit Publicist |
| Directing | Marshall Schlom | Script Supervisor |
| Production | Pete Corral | Location Manager |
| Crew | Paul De Rolf | Choreographer |
| Crew | 宮本信子 | Choreographer |
| Crew | Jose De Vega | Choreographer |
| Crew | Zenko Heshiki | Technical Advisor |
| Production | Marge Spencer | Extras Casting |
| Editing | Reid Burns | Color Timer |
| Costume & Make-Up | Eddie Marks | Costume Supervisor |
| Costume & Make-Up | Elizabeth Pine | Costume Supervisor |
| Lighting | Phil Walker | Best Boy Electric |
| Sound | Carly Simon | Songs |
| Writing | Robert Mark Kamen | Writer |
| Sound | Bill Conti | Original Music Composer |
| Art | William F. Matthews | Art Direction |
| Production | Caro Jones | Casting |
| Costume & Make-Up | Mary Malin | Costume Designer |
| Art | William J. Cassidy | Production Design |
| Camera | James Crabe | Director of Photography |
| Production | R.J. Louis | Executive Producer |
| Production | William J. Cassidy | Associate Producer |
| Production | Karen Rosenfelt | Associate Producer |
| Production | Susan Ekins | Associate Producer |
| Production | Howard Pine | Unit Production Manager |
| Crew | Pat E. Johnson | Martial Arts Choreographer |
| Costume & Make-Up | John M. Elliott Jr. | Key Makeup Artist |
| Costume & Make-Up | Cheri Ruff | Key Hair Stylist |
| Costume & Make-Up | Jim Kail | Makeup Artist |
| Costume & Make-Up | Steve Elsbree | Hairstylist |
| Writing | Robert Mark Kamen | Characters |
| Production | Jennifer Erskine | Producer's Assistant |
| Production | Julie Weintraub | Producer's Assistant |
| Production | Jamie Weintraub | Producer's Assistant |
| Production | Jody Weintraub | Producer's Assistant |
| Camera | Stephen St. John | Camera Operator |
| Art | Robert Branham | Production Illustrator |
| Art | David J. Negrón Jr. | Production Illustrator |
| Sound | Dan Wallin | Scoring Mixer |
| Visual Effects | Syd Dutton | Visual Effects |
| Visual Effects | Bill Taylor | Visual Effects |
| Crew | Yasukazu Takushi | Technical Advisor |
| Sound | Peter Cetera | Theme Song Performance |
| Writing | Peter Cetera | Lyricist |
| Writing | David Foster | Lyricist |
| Writing | Diane Nini | Lyricist |
