Chili Palmer herinnert mensen aan schulden bij maffia-figuren in Miami en komt via een aantal opdrachten in Hollywood omdat een regisseur zich niet aan zijn afspraken houdt. Hij raakt echter geïnteresseerd in het vak en wil het nieuwste project van de regisseur gaan produceren. De vriendin van de regisseur is de ex-vrouw van een populaire kleine acteur Martin Weir en deze trekt ook zijn interesse. Samen met haar wil hij Martin Weir overtuigen om de hoofdrol te gaan spelen.
Nee, helaas is Get Shorty nog niet beschikbaar op Netflix in Nederland.
| Camera | Donald Peterman | Director of Photography |
| Art | Peter S. Larkin | Production Design |
| Directing | Barry Sonnenfeld | Director |
| Production | Danny DeVito | Producer |
| Writing | Scott Frank | Screenplay |
| Writing | Elmore Leonard | Novel |
| Production | Michael Shamberg | Producer |
| Sound | John Lurie | Original Music Composer |
| Production | Stacey Sher | Producer |
| Sound | Karyn Rachtman | Music Supervisor |
| Costume & Make-Up | Betsy Heimann | Costume Design |
| Production | David Rubin | Casting |
| Production | Debra Zane | Casting |
| Art | Steve Arnold | Art Direction |
| Costume & Make-Up | Audrey Futterman-Stern | Hairstylist |
| Costume & Make-Up | Sabrina Rosen | Assistant Costume Designer |
| Costume & Make-Up | Lori Stilson | Set Costumer |
| Costume & Make-Up | Ron Scott | Key Hair Stylist |
| Art | Robby Green | Art Department Coordinator |
| Art | Jim Ondrejko | Construction Coordinator |
| Costume & Make-Up | David Rawley | Costume Supervisor |
| Costume & Make-Up | Ellen Wong | Makeup Department Head |
| Editing | Suzanne Pillsbury | First Assistant Editor |
| Costume & Make-Up | Natalie Wood | Makeup Artist |
| Art | Leslie E. Rollins | Set Decoration |
| Sound | Skip Lievsay | Supervising Sound Editor |
| Editing | Jim Miller | Editor |
| Sound | Gary Holland | Production Sound Mixer |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Sound | Steven Visscher | Foley Editor |
| Camera | Linda R. Chen | Still Photographer |
| Sound | Jeff Wexler | Production Sound Mixer |
| Sound | Juno J. Ellis | ADR Editor |
| Sound | Don Coufal | Production Sound Mixer |
| Sound | Gail Showalter | ADR Supervisor |
| Sound | Frank Kern | Foley Editor |
| Sound | Philip Stockton | Supervising Sound Editor |
| Sound | Eliza Paley | Dialogue Editor |
| Sound | Kam Chan | Foley Editor |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Sound | Eugene Gearty | Sound Effects Editor |
| Sound | Lewis Goldstein | Sound Effects Editor |
| Crew | Jophery C. Brown | Stunts |
| Crew | Oscar Dillon | Stunts |
| Crew | Doc Duhame | Stunts |
| Crew | Brian Smrz | Stunt Coordinator |
| Crew | Carl Ciarfalio | Stunts |
| Production | Barry Sonnenfeld | Executive Producer |
| Costume & Make-Up | Michelle Bühler | Makeup Artist |
| Costume & Make-Up | Jene Fielder | Makeup Artist |
| Crew | Gary D. Bierend | Special Effects Coordinator |
| Crew | Robert DeVine | Special Effects |
| Crew | Danny Gill | Special Effects Coordinator |
| Crew | Dane Farwell | Stunts |
