Na veertien jaar houdt Miranda Hillard haar huwelijk voor bekeken. Haar man Daniel ontwijkt zijn verantwoordelijkheden als echtgenoot en vader en gedraagt zich als een groot kind. De rechter wijst haar de kinderen toe. Daniel mag Chris, Lydia en Natalie enkel op zaterdag zien. Voor Daniel is dit een flinke slag in het gezicht.
Nee, helaas is Mrs. Doubtfire nog niet beschikbaar op Netflix in Nederland.
| Writing | Anne Fine | Novel |
| Art | Garrett Lewis | Set Decoration |
| Production | Joan Bradshaw | Producer |
| Art | W. Steven Graham | Art Direction |
| Directing | Chris Columbus | Director |
| Production | Marsha Garces Williams | Producer |
| Costume & Make-Up | Marit Allen | Costume Design |
| Sound | Howard Shore | Original Music Composer |
| Production | Matthew Rushton | Executive Producer |
| Camera | Donald McAlpine | Director of Photography |
| Art | Angelo P. Graham | Production Design |
| Writing | Leslie Dixon | Screenplay |
| Production | Jane Jenkins | Casting |
| Writing | Randi Mayem Singer | Screenplay |
| Production | Mark Radcliffe | Producer |
| Production | Janet Hirshenson | Casting |
| Production | Robin Williams | Producer |
| Editing | Raja Gosnell | Editor |
| Crew | Pat Banta | Stunts |
| Camera | John A. Small | Second Assistant "A" Camera |
| Sound | Gary Summers | Sound Re-Recording Mixer |
| Sound | Sandina Bailo-Lape | Foley Editor |
| Sound | Dennie Thorpe | Foley Artist |
| Sound | Robin Katz | Music Editor |
| Lighting | Frank Helbig | Electrician |
| Camera | Chuck Brown | Dolly Grip |
| Production | Joan Bradshaw | Unit Production Manager |
| Art | Robert C. Goldstein | Set Designer |
| Sound | Clare C. Freeman | Assistant Sound Editor |
| Sound | Tom Barwick | Foley Artist |
| Sound | Christopher Boyes | Foley Recordist |
| Sound | Dan Wallin | Scoring Mixer |
| Camera | Dave Childers | Best Boy Grip |
| Sound | Marian Wilde | Foley Editor |
| Costume & Make-Up | Pamela S. Westmore | Makeup Artist |
| Costume & Make-Up | Virginia G. Hadfield | Hairstylist |
| Production | Mayda Renizzi-Holt | Assistant Accountant |
| Directing | Cherylanne Martin | Second Assistant Director |
| Art | Mark Woods | Leadman |
| Crew | Ellen Pasternack | Unit Publicist |
| Production | Mary Duann | Assistant Production Coordinator |
| Sound | Robert Shoup | Sound Effects Editor |
| Sound | Ewa Sztompke | Dialogue Editor |
| Sound | Kevin Rose-Williams | Assistant Sound Editor |
| Production | Ken Ryan | Production Accountant |
| Art | Harold Fuhrman | Set Designer |
| Sound | Patti Tauscher | Assistant Sound Editor |
| Sound | Ellen Segal | Supervising Music Editor |
| Sound | Claire Sanfilippo | Dialogue Editor |
| Crew | Robert Neilson | Transportation Coordinator |
| Lighting | Tom Cloutier | Electrician |
| Art | John Zemansky | Property Master |
| Crew | Leon Delaney | Stunts |
| Camera | Kim Marks | "B" Camera Operator |
| Art | Steven Wolff | Set Designer |
| Editing | Tim Silano | First Assistant Editor |
| Sound | Tom Johnson | Sound Re-Recording Mixer |
| Directing | Stephen Lee Davis | Second Second Assistant Director |
| Production | Jacqueline A. Shea | Production Coordinator |
| Sound | Dianna Stirpe | Assistant Sound Editor |
| Costume & Make-Up | Yolanda Toussieng | Key Hair Stylist |
| Costume & Make-Up | Deirdre N. Williams | Costume Supervisor |
| Art | Kristen Ross | Art Department Coordinator |
| Sound | Gary Rydstrom | Sound Re-Recording Mixer |
| Sound | Scott Guitteau | Assistant Sound Editor |
| Sound | Fred Runner | Boom Operator |
| Costume & Make-Up | Ve Neill | Key Makeup Artist |
| Crew | Troy Brown | Stunt Coordinator |
| Directing | Geoffrey Hansen | First Assistant Director |
| Sound | Lora Hirschberg | Assistant Sound Designer |
| Costume & Make-Up | Christine Peters | Costume Supervisor |
| Costume & Make-Up | Nancy Servin | Seamstress |
| Camera | Robin Alan Knight | Key Grip |
| Art | Steve Saklad | Set Designer |
| Camera | Patrick McArdle | First Assistant "B" Camera |
| Sound | C.J. Appel | ADR Editor |
| Lighting | Steven R. Mathis | Gaffer |
| Lighting | Rod M. Janusch | Rigging Grip |
| Art | James J. Murakami | Assistant Art Director |
| Sound | Gloria S. Borders | Supervising Sound Editor |
| Sound | Sara Bolder | Dialogue Editor |
| Directing | Carol DePasquale | Script Supervisor |
| Lighting | Brett Laumann | Best Boy Electric |
| Directing | Carol Bawer | Additional Second Assistant Director |
| Camera | Douglas Ryan | "A" Camera Operator |
| Art | Richard W. Clot | Construction Coordinator |
| Crew | John McLeod | Special Effects |
| Production | Michael Hirshenson | Casting Associate |
| Visual Effects | Bill Littlejohn | Animation |
| Visual Effects | Barrie Nelson | Animation |
| Visual Effects | Tom Ray | Animation |
| Camera | Paul Sanchez | Second Assistant "B" Camera |
| Crew | Maylon Houston | Transportation Co-Captain |
| Visual Effects | Tom Roth | Animation |
| Editing | Dennis McNeill | Color Timer |
| Sound | Nelson Stoll | Sound Mixer |
| Crew | Bonnie Hudson | Studio Teacher |
| Camera | Phil Bray | Still Photographer |
| Sound | Gary Rydstrom | Sound Designer |
| Editing | Gary Burritt | Negative Cutter |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Production | Debra A. Girard | Assistant Location Manager |
| Production | Bruce Devan | Location Manager |
| Crew | David Draves | Stunts |
| Crew | Pat Banta | Stunt Double |
| Costume & Make-Up | Greg Cannom | Special Effects Makeup Artist |
| Crew | Conrad Slater | Cableman |
| Crew | Kate O'Neill | Loader |
| Costume & Make-Up | James P. Cullen | Costume Supervisor |
| Lighting | Kevin A. Thompson | Electrician |
| Camera | Michael Whitehurst | Grip |
| Production | Cyndi McHale Margolis | Producer's Assistant |
| Production | Jay Roberts | Payroll Accountant |
| Camera | Philip Ho | Grip |
| Lighting | John Schoening | Rigging Grip |
| Production | Rebecca Erwin Spencer | Producer's Assistant |
| Lighting | William Hampton | Electrician |
| Camera | Robert 'Boomer' McCann | Dolly Grip |
| Crew | Ron Fode | Projection |
| Editing | Tara McKinley | Assistant Editor |
| Art | Eugene M. Texeira | Swing |
| Art | Emilio R. Aramendia | Swing |
| Art | Don Watson | Swing |
| Crew | James C. Taylor | Transportation Captain |
| Art | George Zimninsky | Greensman |
| Crew | Cindy M. Ichikawa | Set Production Assistant |
| Crew | Darin Rivetti | Set Production Assistant |
| Crew | Jonathan Doff | Video Assist Operator |
| Art | Lisa M. Devlin | Standby Painter |
| Visual Effects | Marty Brenneis | 24 Frame Playback |
| Production | Schuyler Kent | Casting Assistant |
| Editing | Alexandra Fitzpatrick | Editorial Production Assistant |
| Production | Randol Perelman-Taylor | Location Assistant |
| Production | Cynthia LaPointe | Location Assistant |
| Crew | Bill Powers | Catering |
| Production | Susannah Greason | Location Assistant |
| Crew | John Halko | Catering |
| Crew | Steve Watson | Catering |
| Production | Oscar Briones | Location Assistant |
| Crew | Dirk Q. Long | Catering |
| Crew | James J. Wilhelm | Craft Service |
| Crew | Curtis Hamlin | Catering |
| Visual Effects | Duane Gretsky | Animation |
| Crew | Myra Rosenthal | Studio Teacher |
| Production | Paula DuPré Pesmen | Associate Producer |
| Crew | Frank W. Tarantino | Special Effects |
| Crew | Leo Loverro | Special Effects |
| Crew | Geoff Heron | Special Effects |
| Lighting | Robert E. 'Bobby' Powell | Rigging Gaffer |
| Editing | Kevin D. Ross | Assistant Editor |
| Visual Effects | Ralph Newmann | Animation |
| Visual Effects | Claude Raynes | Animation |
| Sound | Howard Shore | Orchestrator |
| Camera | Vance Piper | First Assistant "A" Camera |
| Crew | Todd McCune Bray | Charge Scenic Artist |
