Een speciale chip is gestolen van de Russen en is identiek aan een Brits design, die bestand is tegen de straling van een nucleaire ontploffing. De Britse geheime dienst verdenkt Max Zorin van het stelen van de chip. James Bond wordt gestuurd om het uit te zoeken. Hij ontdekt dat Zorin vele chips produceert en een duivels plan heeft bedacht om de totale chipproductie in handen te krijgen.
Ja! de film A View to a Kill is nu beschikbaar om te kijken op Netflix in Nederland.
| Writing | Richard Maibaum | Screenplay |
| Editing | Peter Davies | Editor |
| Directing | John Glen | Director |
| Sound | John Barry | Original Music Composer |
| Camera | Alan Hume | Director of Photography |
| Production | Debbie McWilliams | Casting |
| Art | Crispian Sallis | Set Decoration |
| Production | Tom Pevsner | Producer |
| Costume & Make-Up | Emma Porteous | Costume Design |
| Production | Michael G. Wilson | Producer |
| Production | Albert R. Broccoli | Producer |
| Writing | Michael G. Wilson | Screenplay |
| Art | Peter Lamont | Production Design |
| Art | John Fenner | Art Direction |
| Art | Maurice Binder | Main Title Designer |
| Directing | Barbara Broccoli | Assistant Director |
| Crew | Dick Ziker | Stunt Double |
| Art | Jim Morahan | Assistant Art Director |
| Directing | Willy Bogner | Action Director |
| Crew | Daniel Breton | Stunts |
| Production | Ron Quelch | Production Assistant |
| Writing | Ian Fleming | Novel |
| Crew | Frank Henson | Stunts |
| Crew | Jean Coulter | Stunt Double |
| Crew | Eddie Hice | Stunts |
| Crew | Bob Simmons | Stunt Coordinator |
| Crew | Rémy Julienne | Stunt Coordinator |
| Crew | Pat Banta | Stunt Double |
| Directing | Arthur Wooster | Second Unit Director |
| Crew | Chris Webb | Stunts |
| Crew | M. James Arnett | Stunt Coordinator |
| Crew | Jason White | Stunts |
| Crew | François Nadal | Stunts |
| Crew | Greg Powell | Stunts |
| Crew | Bill Weston | Stunts |
| Crew | Elaine Ford | Stunts |
| Crew | Michael Runyard | Stunts |
| Crew | Claude Carliez | Stunt Coordinator |
| Crew | Tracey Eddon | Stunts |
| Crew | Michel Julienne | Stunt Driver |
| Crew | Jean-Claude Houbart | Stunt Driver |
| Sound | John Taylor | Theme Song Performance |
| Sound | Simon Le Bon | Theme Song Performance |
| Sound | Nick Rhodes | Theme Song Performance |
| Crew | Eddie Powell | Stunts |
| Art | Jille Azis | Assistant Set Decoration |
| Sound | Andy Taylor | Theme Song Performance |
| Sound | Roger Taylor | Theme Song Performance |
| Production | Leonhard Gmür | Production Manager |
| Production | Jón Þór Hannesson | Production Manager |
| Production | Philip Kohler | Production Manager |
| Production | Ned Kopp | Production Supervisor |
| Production | Serge Touboul | Production Manager |
| Production | Iris Rose | Unit Manager |
| Production | Anthony Waye | Production Supervisor |
| Art | Ted Ambrose | Assistant Art Director |
| Art | Michael Boone | Assistant Art Director |
| Sound | Colin Miller | Sound Editor |
| Editing | John Nuth | Assistant Editor |
| Editing | Henry Richardson | Additional Editor |
| Editing | John S. Smith | Additional Editor |
| Production | Steph Benseman | Location Manager |
| Production | Nick Daubeny | Location Manager |
| Production | Jean-Marc Deschamps | Location Manager |
| Production | Rory Enke | Location Manager |
| Production | Stefan Zürcher | Location Manager |
| Sound | Alan Killick | Music Editor |
| Directing | June Randall | Continuity |
| Production | May Capsaski | Production Coordinator |
| Production | Nathalie Farjon | Production Coordinator |
| Production | Norma Garment | Production Coordinator |
| Production | Sally Hayman | Production Coordinator |
| Production | Maureen Murphy | Production Coordinator |
