Majoor Murphy, een onderzoeker van het Amerikaanse leger, heeft een nieuwe opdracht gekregen. Sergeant Gammon wordt verdacht van het dealen van cocaïne vanuit zijn basis, en Murphy moet genoeg bewijsmateriaal verzamelen om Gammon en zijn hele operatie stop te zetten. Samen met zijn partner, luitenant Andrews, gaat de majoor undercover om de bende te infiltreren en uit te zoeken hoe ver deze activiteiten zich in de commandostructuur bevinden.
Nee, helaas is The Base nog niet beschikbaar op Netflix in Nederland.
| Directing | Mark L. Lester | Director |
| Writing | Hersh Rephun | Screenplay |
| Writing | Jeff Albert | Screenplay |
| Crew | Eddie Perez | Stunts |
| Crew | Richard L. Duran | Stunts |
| Camera | Jacques Haitkin | Director of Photography |
| Crew | Cole S. McKay | Stunts |
| Crew | Warren A. Stevens | Stunts |
| Crew | Rudolf Weber | Stunts |
| Crew | Patrick J. Statham | Stunts |
| Crew | Art Camacho | Stunts |
| Crew | José Ignacio Álvarez | Stunts |
| Crew | Mike Ceballos | Stunts |
| Crew | Jimmy Ortega | Stunts |
| Directing | Rebecca Levinson | Second Assistant Director |
| Art | Jeff Boyce | Leadman |
| Sound | Paul Ratajczak | Sound Re-Recording Mixer |
| Art | Jenny Shimizu | Construction Coordinator |
| Sound | Paul Ratajczak | Supervising Sound Editor |
| Lighting | Shane Buttle | Lighting Technician |
| Sound | Jonathan Wales | Sound Re-Recording Mixer |
| Production | Dana Dubovsky | Producer |
| Crew | David Berlatsky | Post Production Supervisor |
| Art | Frank Lawas | Set Dresser |
| Sound | Brian McGowan | Boom Operator |
| Camera | Charles Lenz | Best Boy Grip |
| Writing | Eric Barker | Writer |
| Production | Jeff Sackman | Executive Producer |
| Production | Mark Tillman | Casting |
| Sound | Susan Pusateri | Foley Artist |
| Directing | Thomas Burke | First Assistant Director |
| Camera | Paul Janossy | First Assistant Camera |
| Art | Harley E. Hebert | Property Master |
| Crew | Errol Sack | Special Effects Assistant |
| Camera | Igor Meglic | Second Unit Director of Photography |
| Sound | Paul Zaza | Music |
| Costume & Make-Up | Suzan Kaminga | Assistant Makeup Artist |
| Crew | Ken Wheatley | Special Effects Assistant |
| Art | Candi Guterres | Production Design |
| Camera | Jason Andrew | Dolly Grip |
| Writing | William C. Martell | Writer |
| Editing | David Berlatsky | Editor |
| Costume & Make-Up | Amanda Carroll | Key Makeup Artist |
| Sound | Greg Mauer | Foley Recordist |
| Sound | Brian S. Tracy | Production Sound Mixer |
| Production | Cheryl Shubin | Location Manager |
| Lighting | Jason Popieniuck | Best Boy Electric |
| Camera | Alec Shepherd | Key Grip |
| Costume & Make-Up | Caroline B. Marx | Costume Design |
| Sound | Bryan Franklin | Dialogue Editor |
| Crew | Chuck Borden | Stunt Coordinator |
| Editing | Bryan M. Horne | Assistant Editor |
| Costume & Make-Up | Kenneth Michael Beck | Key Hair Stylist |
| Production | Thomas Calabrese | Production Manager |
| Art | Laine Abramson | Props |
| Crew | Kevin Beauchamp | Special Effects Assistant |
| Production | Jeffrey Shepherd | Location Manager |
| Camera | Dave Beeler | Grip |
| Camera | Skye Chandler | First Assistant Camera |
| Production | Mark L. Lester | Producer |
| Sound | Smith Craig | Sound Re-Recording Mixer |
| Sound | Greg Louden | Foley Artist |
| Directing | Monica Ochoa | Script Supervisor |
| Lighting | Mike Karasick | Gaffer |
| Camera | Dale Robinette | Still Photographer |
| Writing | Craig J. Nevius | Story |
| Production | Brian R. Etting | Associate Producer |
| Art | Christine Irwin | Set Decoration |
| Costume & Make-Up | Suzan Kaminga | Assistant Hairstylist |
| Sound | Michael Kreple | ADR Supervisor |
| Sound | Greg Mauer | Foley Editor |
| Sound | Paul N.J. Ottosson | Sound Effects Editor |
| Crew | Wayne Beauchamp | Special Effects Coordinator |
