Noord-Australië, de jaren 30. Terwijl een oorlog gaande is koestert de premiejager Travis een laatste hoop op verlossing. Hij kruist het pad van een jonge Aboriginal die alles op het spel zet om de weinige familieleden die hem rest te redden. Samen gaan ze op mensenjacht, waar een geheim de twee mannen lijnrecht tegenover elkaar stelt.
Nee, helaas is High Ground nog niet beschikbaar op Netflix in Nederland.
| Writing | Stephen Johnson | Story |
| Writing | Witiyana Marika | Story |
| Writing | Chris Anastassiades | Story |
| Production | Witiyana Marika | Producer |
| Production | Greer Simpkin | Producer |
| Production | David Jowsey | Producer |
| Writing | Chris Anastassiades | Writer |
| Directing | Stephen Johnson | Director |
| Production | Maggie Miles | Producer |
| Production | Stephanie Westwood | Production Secretary |
| Crew | Heath Baxter | Actor's Assistant |
| Editing | Michael Melis | Assistant Editor |
| Editing | Dee McClelland | Colorist |
| Production | Katherine Gillespie | Production Assistant |
| Crew | Scott Warwick | Armorer |
| Production | Darren McFarlane | Line Producer |
| Production | Carmen Robinson | Production Runner |
| Production | Jannine Barnes | Production Accountant |
| Production | Nathaniel Paterson | Production Runner |
| Production | Nicci Dillon | Location Assistant |
| Production | Chrissy Rosman | Production Coordinator |
| Production | Andrew Perry | Location Manager |
| Production | Kelly Hamilton | Production Assistant |
| Writing | Karin Altmann | Script Editor |
| Costume & Make-Up | Sabrina Santucci | Costumer |
| Production | Micaeley Gibson | Casting Associate |
| Camera | Glenn Arrowsmith | Key Grip |
| Sound | Liesl Pieterse | Dialogue Editor |
| Sound | Alex Francis | Foley Recordist |
| Sound | Will Carroll | ADR Mixer |
| Crew | Katherine Gillespie | Actor's Assistant |
| Writing | Maggie Miles | Script Editor |
| Writing | Andy Cox | Script Editor |
| Crew | Reg Roordink | Stunt Coordinator |
| Writing | Andy Cox | Script Consultant |
| Production | Niki Bazukiewicz | Production Runner |
| Editing | Shaun Smith | Assistant Editor |
| Sound | Ash Cottrell | ADR Coordinator |
| Directing | Benedict Paxton-Crick | Script Supervisor |
| Crew | Reezy Miller | Post Production Scripts |
| Camera | Kristi Gilligan | Second Assistant Camera |
| Sound | Chris Goodes | Sound Re-Recording Mixer |
| Sound | Nick Emond | Sound Recordist |
| Art | Phil Ghys | Construction Manager |
| Production | Gemila Iezzi | Post Producer |
| Costume & Make-Up | Renee Goodman | Costume Standby |
| Lighting | Chris Mitchell | Assistant Electrician |
| Lighting | Crispian Hayler | Lighting Technician |
| Sound | Glenn Newnham | Dialogue Editor |
| Sound | Detlef Halaski | Sound Re-Recording Mixer |
| Art | Marney McKenna | Property Master |
| Camera | Thom Neal | Second Unit Director of Photography |
| Crew | Mark Feltrin | Special Effects Assistant |
| Production | Alexandra Doering | Post Producer |
| Camera | John Regan | Best Boy Grip |
| Sound | Veronica Lynch | Sound Assistant |
| Sound | Chris Goodes | Supervising Sound Editor |
| Sound | Aidan Dykes | ADR Mixer |
| Costume & Make-Up | Madolyn McCarthy | Costume Assistant |
| Costume & Make-Up | Lachy Lang | Costume Standby |
| Camera | Mark Hanneysee | Best Boy Grip |
| Camera | Sarah Enticknap | Still Photographer |
| Camera | Gerard Maher | First Assistant "A" Camera |
| Camera | Matt Bedford | Second Assistant Camera |
| Costume & Make-Up | Michael Davies | Costume Supervisor |
| Crew | Mick Glancy | Stunts |
| Crew | Ross Wallace | Scenic Artist |
| Camera | Pietro Cusimano | "B" Camera Operator |
| Visual Effects | David Redman | Visual Effects Supervisor |
| Visual Effects | Greg Cooper | VFX Artist |
| Sound | Dylan Burgess | Sound Editor |
| Editing | CJ Dobson | Colorist |
| Visual Effects | Leath Mattner | VFX Artist |
| Sound | Liesl Pieterse | ADR Recordist |
| Lighting | Ruru Reedy | Gaffer |
| Crew | Josh Labita | Drone Operator |
| Lighting | Nathan Grant | Assistant Electrician |
| Visual Effects | John Sanderson | Special Effects Supervisor |
| Sound | Glenn Fitzpatrick | Sound Recordist |
| Visual Effects | Rui Li | VFX Artist |
| Sound | Glenn Newnham | Sound Editor |
| Directing | Robert K. Rogers | Second Assistant Director |
| Directing | Mark Boskell | First Assistant Director |
| Art | Tim Disney | Props |
| Art | Ash Cottrell | Art Department Coordinator |
| Directing | David Fraser Young | Second Second Assistant Director |
| Sound | Nick Emond | Sound |
| Sound | Chris Goodes | Sound Designer |
| Art | Ross Wallace | Production Design |
| Costume & Make-Up | Erin Roche | Costume Designer |
| Production | Anousha Zarkesh | Casting |
| Editing | Jill Bilcock | Editor |
| Production | Stephen Johnson | Producer |
| Costume & Make-Up | Marie Kealy | Makeup Artist |
| Camera | Andrew Commis | Director of Photography |
| Directing | Mark Boskell | Assistant Director |
| Production | Darren McFarlane | Production Manager |
