'Sweet Country' speelt zich af in 1929 in de buitenwijk van het Northern Territory. Sam is een aboriginal van middelbare leeftijd die werkt voor een vriendelijke predikant, Fred Smith. Harry Marsh keert terug van het westelijk front en wordt aangesteld als de nieuwe stationsoperator.
Nee, helaas is Sweet Country nog niet beschikbaar op Netflix in Nederland.
| Production | Trevor Kennedy | Executive Producer |
| Production | Richard Payten | Executive Producer |
| Production | Craig Deeker | Executive Producer |
| Production | Christina Kennedy | Executive Producer |
| Production | Oliver Lawrance | Executive Producer |
| Production | Andrew Mackie | Executive Producer |
| Production | Scott Otto Anderson | Executive Producer |
| Directing | Warwick Thornton | Director |
| Writing | Steven McGregor | Writer |
| Writing | David Tranter | Writer |
| Camera | Warwick Thornton | Director of Photography |
| Costume & Make-Up | Heather Wallace | Costume Design |
| Editing | Nick Meyers | Editor |
| Art | Tony Cronin | Production Design |
| Costume & Make-Up | Jen Rossiter | Hair Designer |
| Camera | Drew English | First Assistant "B" Camera |
| Camera | Daniel Foeldes | First Assistant "B" Camera |
| Production | Tanith Glynn-Maloney | Extras Casting |
| Crew | Kevin McLean | Unit Publicist |
| Directing | Shannon Crotty | Second Assistant Director |
| Sound | Lachlan Harris | Sound Designer |
| Editing | Trish Cahill | Colorist |
| Production | Greer Simpkin | Producer |
| Sound | Taras Spahic | Assistant Sound Editor |
| Camera | Warwick Baker | Still Photographer |
| Writing | Stephen Cleary | Script Editor |
| Sound | Mick Boraso | Sound Effects Editor |
| Camera | Tamara Dean | Still Photographer |
| Crew | Ningali Lawford | Dialogue Coach |
| Sound | Phil Heywood | Sound Re-Recording Mixer |
| Camera | Dylan River | Second Unit Director of Photography |
| Production | Kim Bostock | Unit Manager |
| Sound | Adrian Medhurst | Foley Artist |
| Camera | Michael Corridore | Still Photographer |
| Camera | Martin Fargher | Key Grip |
| Editing | Miska Mandic | First Assistant Editor |
| Production | Jesse Goninon | Location Manager |
| Production | Emma Marshall | Production Coordinator |
| Art | Theo Benton | Art Direction |
| Sound | Sam Gain-Emery | Supervising Sound Editor |
| Sound | Chris Goodes | ADR Recordist |
| Production | Fiona Lanyon | Line Producer |
| Costume & Make-Up | Olivia Iacobelli | Costume Supervisor |
| Production | Anousha Zarkesh | Casting |
| Costume & Make-Up | Rebecca Buratto | Assistant Makeup Artist |
| Costume & Make-Up | Beverley Freeman | Makeup & Hair |
| Directing | James Dubay | Third Assistant Director |
| Crew | Rachel Higgins | Post Production Supervisor |
| Crew | John Sanderson | Special Effects Coordinator |
| Camera | Jules Wurm | First Assistant "A" Camera |
| Directing | Tom Read | First Assistant Director |
| Sound | Will Sheridan | Boom Operator |
| Camera | Michael Fairbairn | Second Assistant Camera |
| Art | Jennifer Drake | Set Decoration |
| Directing | Dylan River | Second Unit Director |
| Production | David Jowsey | Producer |
| Sound | Michael Yezerski | Original Music Composer |
| Costume & Make-Up | Jen Rossiter | Makeup Designer |
| Sound | James Andrews | ADR & Dubbing |
| Sound | Evan McHugh | ADR Recordist |
| Camera | Matt Coulam | Best Boy Grip |
| Sound | Thom Kellar | Supervising Sound Editor |
| Lighting | Max Gersbach | Electrician |
| Editing | Annie Zhang | Assistant Editor |
| Production | Elspeth Baird | Production Accountant |
| Crew | Kara MacLean | Unit Publicist |
| Crew | Scott Warwick | Armorer |
| Crew | John Haratzis | Scenic Artist |
| Art | Matt Landreth | Construction Manager |
| Crew | Reg Roordink | Stunt Coordinator |
