Een obsessieve psycholoog probeert haar onderbewustzijn te herprogrammeren, maar wanneer haar acties steeds ongebruikelijker worden, vreest ze dat haar experiment gevaarlijk uit de hand loopt.
Nee, helaas is The Holly Kane Experiment nog niet beschikbaar op Netflix in Nederland.
| Directing | Tom Sands | Director |
| Writing | Mick Sands | Writer |
| Production | Phil Harris | Producer |
| Production | Amir S. Moallemi | Executive Producer |
| Production | Mick Sands | Executive Producer |
| Production | Tom Sands | Producer |
| Sound | Richard Morson | Original Music Composer |
| Camera | Haydn West | Director of Photography |
| Editing | Phil Harris | Editor |
| Production | Matt Western | Casting Director |
| Production | Laura Little | Production Designer |
| Costume & Make-Up | Sadie Roberts | Costume Designer |
| Costume & Make-Up | Chloe Edwards | Special Effects Makeup Artist |
| Costume & Make-Up | Chloe Edwards | Makeup Designer |
| Costume & Make-Up | Chloe Edwards | Makeup Artist |
| Costume & Make-Up | Chloe Edwards | Hair Designer |
| Costume & Make-Up | Mackenzie Hodge | Makeup Artist |
| Costume & Make-Up | Mackenzie Hodge | Hair Designer |
| Production | Mark Lacey | Production Manager |
| Directing | Phil Harris | Assistant Director |
| Directing | Paz Limbachia | Second Assistant Director |
| Directing | Lotte Parmley | Second Assistant Director |
| Art | Andrew Dodd | Storyboard Artist |
| Art | Johnny Fate | Graphic Designer |
| Art | Tom Moth | Graphic Designer |
| Art | Meg Nixon | Assistant Art Director |
| Art | Rachel Wallbridge | Assistant Art Director |
| Sound | Dominique Brethes | Sound Editor |
| Sound | Dominique Brethes | Sound Re-Recording Mixer |
| Sound | Joel Carr | Sound Mixer |
| Sound | Rob Davidsson | Boom Operator |
| Sound | Natalie Dodd | Foley Artist |
| Sound | Kirstie Howell | Sound Mixer |
| Sound | Phil Hutchins | Sound Mixer |
| Sound | Phil Hutchins | Sound Editor |
| Sound | Phil Hutchins | Boom Operator |
| Sound | Craig Irving | Sound Re-Recording Mixer |
| Sound | William Miller | Sound Re-Recording Mixer |
| Sound | Thom Undrell | Sound Editor |
| Visual Effects | Josh Biggs | Visual Effects |
| Visual Effects | Christoph Merkel | Visual Effects |
| Visual Effects | Dan Rickard | Visual Effects |
| Crew | Joe Golby | Stunt Coordinator |
| Camera | Jim Banks | Still Photographer |
| Lighting | Ramsay S. James | Gaffer |
| Camera | Pat Pope | Still Photographer |
| Camera | Matthew Prior | First Assistant Camera |
| Camera | Matthew Prior | Assistant Camera |
| Camera | Tom Sands | Camera Operator |
| Camera | Haydn West | Camera Operator |
| Camera | Charlie Wilkins | Key Grip |
| Camera | Charlie Wilkins | Best Boy Grip |
| Writing | David Pope | Script Consultant |
| Directing | Ailsa Tapping | Script Supervisor |
| Editing | Josh Biggs | Colorist |
| Production | Zavier Bailey | Production Assistant |
| Production | Linn Boudin | Production Assistant |
| Production | Samai Chichester | Production Assistant |
| Production | Matt Hayoukane | Production Assistant |
| Production | Tom Holborn | Production Assistant |
| Production | Olivia Larson | Production Assistant |
| Production | Greg Manuel | Production Assistant |
| Production | Amber Rose Morgan | Production Assistant |
| Production | Jack Sambrook | Production Assistant |
| Production | Alice Stansfield | Production Assistant |
| Production | Poppy Stokes | Production Assistant |
| Crew | Sisi Cronin | Unit Publicist |
| Crew | Craig Anthony Flynn | Thanks |
| Crew | Cylvian Flynn | Thanks |
| Crew | Nathan Flynn | Thanks |
| Crew | Simon Flynn | Thanks |
| Crew | Verity Wislocki | Thanks |
