Een voortvluchtige belandt per toeval op een filmset en doet zich voor als stuntman. De nogal excentrieke regisseur dwingt hem in allerlei netelige posities en ondertussen valt hij voor de hoofdrolspeelster van de film.
Nee, helaas is The Stunt Man nog niet beschikbaar op Netflix in Nederland.
| Writing | Richard Rush | Adaptation |
| Directing | Richard Rush | Director |
| Crew | Kenny Endoso | Stunts |
| Writing | Paul Brodeur | Novel |
| Camera | Mario Tosi | Director of Photography |
| Writing | Lawrence B. Marcus | Screenplay |
| Crew | Deanna Dae Coleman | Stunts |
| Crew | Erik Cord | Stunts |
| Sound | Dominic Frontiere | Original Music Composer |
| Crew | Tom Morga | Stunts |
| Crew | Ted Duncan | Stunts |
| Crew | Whitey Hughes | Stunts |
| Crew | Hank Calia | Stunts |
| Crew | Don Pulford | Stunts |
| Art | Michel Levesque | Assistant Art Director |
| Art | Douglas T. Madison | Property Master |
| Camera | Barry Oiffer | Assistant Camera |
| Crew | Regis Parton | Stunts |
| Camera | Tad Harrier | Best Boy Grip |
| Editing | Dolly Fendel Gordon | Assistant Editor |
| Crew | Dessie Markovsky | Post Production Supervisor |
| Crew | Gary Baxley | Stunts |
| Crew | Norman Blankenship | Stunts |
| Editing | John Carnochan | Assistant Editor |
| Production | Emile Razpopov | Post Production Coordinator |
| Crew | Walter Robles | Stunts |
| Production | Frank Beetson | Unit Production Manager |
| Camera | Peter J. Breen | Dolly Grip |
| Production | Susan Title | Production Coordinator |
| Camera | Joe Harada | Still Photographer |
| Crew | Gray Johnson | Stunt Coordinator |
| Crew | Gary Paulsen | Transportation Captain |
| Lighting | Tim Griffith | Gaffer |
| Lighting | Bob Fillis | Best Boy Electric |
| Crew | A.J. Bakunas | Stunts |
| Crew | Al Jones | Stunts |
| Sound | Cal Marks | Boom Operator |
| Crew | Larry Dunn | Stunts |
| Crew | James Winburn | Stunts |
| Directing | Frank Beetson | First Assistant Director |
| Camera | Jack Palinkas | Key Grip |
| Art | Gary Fettis | Assistant Property Master |
| Crew | Mike Johnson | Stunts |
| Crew | Dick Warlock | Stunts |
| Directing | Terry Terrill | Script Supervisor |
| Camera | Robin Krause | Still Photographer |
| Editing | Robert Leader | Editorial Coordinator |
| Crew | Vicki Hiatt | Post Production Assistant |
| Sound | James M. Tanenbaum | Sound Mixer |
| Editing | Andy Blumenthal | Assistant Editor |
| Sound | Jeff Bushelman | Sound Effects |
| Art | Roger Irvin | Construction Coordinator |
| Camera | Joel King | Camera Operator |
| Camera | Ronald Vidor | Assistant Camera |
| Editing | Diego Alex Borghello | Color Timer |
| Camera | Frank M. Holgate | Underwater Camera |
| Crew | Phil Adams | Stunts |
| Crew | Gray Johnson | Stunts |
| Directing | Paula Marcus | Second Assistant Director |
| Art | Donald Krafft | Leadman |
| Crew | Gregory J. Barnett | Stunts |
| Art | Dan Perri | Title Designer |
| Production | Richard Rush | Producer |
| Production | Paul Lewis | Associate Producer |
| Sound | Michael Minkler | Sound Re-Recording Mixer |
| Editing | Caroline Biggerstaff | Editor |
| Art | James L. Schoppe | Art Direction |
| Costume & Make-Up | Tom Lucas | Makeup Artist |
| Editing | Jack Hofstra | Editor |
| Costume & Make-Up | Rosanna Norton | Costume Design |
| Art | Richard Spero | Set Decoration |
| Sound | Les Fresholtz | Sound Re-Recording Mixer |
| Production | Melvin Simon | Executive Producer |
| Costume & Make-Up | Marina Pedraza | Hairstylist |
| Crew | Milt Rice | Special Effects |
| Costume & Make-Up | Ken Chase | Makeup Designer |
| Sound | Arthur Piantadosi | Sound Re-Recording Mixer |
| Crew | Ross Reynolds | Pilot |
