In het jaar 1825 zit de jonge Ierse Clare, een veroordeelde vrouw, een Britse officier achterna in Tasmanië. Ze zweert wraak voor de gruwelijke misdaad die hij pleegde op haar familie. Ze wordt vergezeld door de jager Billy, afkomstig van de Aboriginalgemeenschap.
Nee, helaas is The Nightingale nog niet beschikbaar op Netflix in Nederland.
| Crew | Brittany Morris | Stunt Double |
| Writing | Lynne Vincent McCarthy | Script Editor |
| Directing | Susie Struth | Script Supervisor |
| Costume & Make-Up | Lyn Askew | Costume Supervisor |
| Sound | Glenn Finnan | Sound Recordist |
| Production | Alison Cohen | Executive Producer |
| Costume & Make-Up | Cassie O'Brien Pollard | Makeup Artist |
| Art | Brian Nickless | Set Designer |
| Sound | Will Sheridan | Sound Recordist |
| Sound | Francis Byrne | Sound Recordist |
| Art | Jocelyn Thomas | Art Department Coordinator |
| Sound | Nicole Lazaroff | Sound Recordist |
| Costume & Make-Up | Liz Goulding | Makeup Artist |
| Production | Jacqueline Lippett | Production Coordinator |
| Costume & Make-Up | Nikki Gooley | Hair Designer |
| Production | Philippa Kennedy | Production Secretary |
| Production | Hannah Andrews | Production Coordinator |
| Production | Peter Hicks | Location Manager |
| Crew | Gabrielle Rogers | Dialect Coach |
| Production | Kelly Graham | Casting Assistant |
| Camera | Ron Coe | First Assistant "A" Camera |
| Camera | Justin Meinesz | Grip |
| Art | Greg Hajdu | Construction Manager |
| Production | Gerard Webb | Extras Casting |
| Camera | Grant Adams | Steadicam Operator |
| Art | Matthew Paynter | Art Department Assistant |
| Art | Matt Jordin | Greensman |
| Crew | Gaetano Lagana | Scenic Artist |
| Camera | Grant Adams | Camera Operator |
| Camera | Zachary Peel-McGregor | Second Assistant "A" Camera |
| Camera | Glenn Arrowsmith | Key Grip |
| Camera | John Regan | Best Boy Grip |
| Camera | Darryl Murphy | Grip |
| Camera | Krzysztof Włodarczyk | Digital Imaging Technician |
| Lighting | Kabir Singh | Best Boy Electric |
| Production | Mark Kraus | Production Accountant |
| Production | Jane Binning | Extras Casting |
| Lighting | Ruru Reedy | Gaffer |
| Sound | Mark Lavery | Boom Operator |
| Art | Mike Patton | Property Master |
| Production | Kristin Kruger | First Assistant Accountant |
| Lighting | Shane Mowday | Best Boy Electric |
| Costume & Make-Up | Demelza Button | Makeup & Hair Assistant |
| Costume & Make-Up | Lauren Widdicombe | Truck Costumer |
| Costume & Make-Up | Jane Howard | Makeup & Hair Assistant |
| Costume & Make-Up | Yolanda Peart-Smith | Costumer |
| Production | Kim Bostock | Unit Manager |
| Costume & Make-Up | Anna Burstall | Key Costumer |
| Camera | Matt Nettheim | Still Photographer |
| Camera | Mark Rodgers | Still Photographer |
| Costume & Make-Up | Loretta Mangan | Makeup & Hair Assistant |
| Costume & Make-Up | Aimée Knight | Costume Assistant |
| Directing | Jennifer Kent | Director |
| Writing | Jennifer Kent | Writer |
| Art | Alex Holmes | Production Design |
| Crew | Tim Riach | Special Effects |
| Crew | Genevieve Bevan-John | Pyrotechnician |
| Production | Bruna Papandrea | Producer |
| Camera | Radek Ładczuk | Director of Photography |
| Production | Kristina Ceyton | Producer |
| Production | Nikki Barrett | Casting |
| Production | Steve Hutensky | Producer |
| Costume & Make-Up | Margot Wilson | Costume Design |
| Production | Jennifer Kent | Producer |
| Art | Christian Petersen | Set Decoration |
| Editing | Simon Njoo | Editor |
| Art | Sophie Nash | Art Direction |
| Crew | Eucla Davies | Special Effects |
| Sound | Jed Kurzel | Original Music Composer |
| Production | Amanda Crittenden | Line Producer |
| Costume & Make-Up | Nikki Gooley | Makeup Designer |
| Production | Aaron L. Gilbert | Executive Producer |
| Costume & Make-Up | Sheldon Wade | Key Hair Stylist |
| Costume & Make-Up | Larry Van Duynhoven | Prosthetic Supervisor |
| Production | Ben Browning | Executive Producer |
| Production | Jason Cloth | Executive Producer |
| Production | Brenda Gilbert | Executive Producer |
| Production | Jim Everett | Associate Producer |
| Production | Andrew Pollack | Executive Producer |
| Costume & Make-Up | Edward Yates | Prosthetic Makeup Artist |
| Crew | Judd Wild | Stunt Coordinator |
| Production | Wade Savage | Production Manager |
| Visual Effects | Marty Pepper | Visual Effects Supervisor |
| Visual Effects | Bree Whitford | Visual Effects Producer |
| Sound | Dean Ryan | Sound Mixer |
| Visual Effects | Srinivas Janapati | Visual Effects Coordinator |
| Crew | Elene Pepper | Post Production Supervisor |
| Sound | Leah Katz | Dialogue Editor |
| Sound | Robert Mackenzie | Sound Designer |
| Sound | Jed M. Dodge | Dialogue Editor |
| Crew | Mark Harmon | Compositor |
| Visual Effects | Michael Majchrzak | Digital Compositor |
| Visual Effects | Paul Wicke | Digital Compositor |
| Crew | Steve Daddow | Stunt Double |
| Visual Effects | Dante Nou | Digital Compositor |
| Directing | Killian Maguire | Second Assistant Director |
| Visual Effects | Philip Fraschetti | Digital Compositor |
| Visual Effects | Marc Purnell | Matchmove Supervisor |
| Visual Effects | David Smith | Visual Effects |
| Visual Effects | Grant Lovering | Digital Compositor |
| Visual Effects | Bryn Bayliss | Digital Compositor |
| Visual Effects | Evans Mark | Visual Effects |
| Visual Effects | Trent Adamczyk | Digital Compositor |
| Crew | Philli Anderson | Stunt Double |
| Directing | Jay Corry | Third Assistant Director |
| Visual Effects | Thomas Maher | Digital Compositor |
| Visual Effects | Steve Sexton | Digital Compositor |
| Visual Effects | Jireh Canlas | Digital Compositor |
| Costume & Make-Up | Nikki Gooley | Makeup & Hair |
| Crew | Luke Davis | Stunt Double |
| Crew | Mick Corrigan | Stunt Double |
| Sound | Tara Webb | Sound Effects Editor |
| Costume & Make-Up | Edward Yates | Prosthetic Designer |
| Directing | Chris Webb | First Assistant Director |
| Sound | Danielle Adams | ADR Recordist |
| Production | Breanna Geer | Location Coordinator |
