Najaar 1941, La Rochelle aan de Franse kust: 50 Duitse militairen drinken zich zat en maken plezier in een Franse nachtclub. Voor hen kan dit de laatste keer zijn, aangezien ze de volgende morgen aan boord van een onderzeeër zullen gaan, om zo veel mogelijk vijandelijke schepen tot zinken te brengen.
Nee, helaas is Das Boot nog niet beschikbaar op Netflix in Nederland.
| Directing | Wolfgang Petersen | Director |
| Writing | Lothar-Günther Buchheim | Novel |
| Writing | Wolfgang Petersen | Screenplay |
| Writing | Dean Riesner | Screenplay |
| Production | Günter Rohrbach | Producer |
| Production | Michael Bittins | Producer |
| Sound | Klaus Doldinger | Original Music Composer |
| Camera | Jost Vacano | Director of Photography |
| Editing | Hannes Nikel | Editor |
| Production | Willy Schlenter | Casting |
| Art | Götz Weidner | Art Direction |
| Costume & Make-Up | Monika Bauert | Costume Design |
| Production | Ortwin Freyermuth | Producer |
| Production | Mark Damon Johnson | Executive Producer |
| Production | John W. Hyde | Executive Producer |
| Production | Edward R. Pressman | Executive Producer |
| Costume & Make-Up | Alfred Rasche | Makeup Artist |
| Costume & Make-Up | Ago von Sperl | Makeup Artist |
| Costume & Make-Up | Rüdiger von Sperl | Makeup Artist |
| Art | Walter E. Richarz | Assistant Art Director |
| Art | Philipp von Seil | Assistant Art Director |
| Sound | Peter Horrocks | Sound Effects Editor |
| Sound | Hans-Walter Kramski | Foley |
| Sound | Mel Kutbay | Foley |
| Sound | Karola Storr | Sound Effects Editor |
| Sound | Alan Willis | Music Editor |
| Directing | Isabel Prochnow | Script Supervisor |
| Production | Michael Bittins | Production Manager |
| Crew | Friedrich Thaler | Scenic Artist |
| Camera | Karl-Heinz Vogelmann | Still Photographer |
| Crew | Karsten Ullrich | Sound Recordist |
| Crew | Albrecht von Bethmann | Sound Recordist |
| Crew | Heinz Schürer | Sound Recordist |
| Crew | Werner Böhm | Sound Recordist |
| Crew | William H. Brown | Post Production Supervisor |
| Sound | Stanislav Litera | Sound Recordist |
| Camera | Mike Rutter | Assistant Camera |
| Production | Lutz Hengst | Production Executive |
| Camera | Ernst Wild | Additional Photography |
| Directing | Georg Borgel | First Assistant Director |
| Sound | Mike Le Mare | Sound Editor |
| Sound | Milan Bor | Sound Mixer |
| Sound | Trevor Pyke | Sound Mixer |
| Art | Rolf Zehetbauer | Production Design |
| Directing | Marie-Antoinette Petersen | Second Assistant Director |
| Directing | Hannes Nikel | Second Unit Director |
| Production | Philippe Dussart | Production Manager |
| Art | Monika Moritz | Property Master |
| Art | Rüdiger Wagner | Property Master |
| Art | Peter Dürst | Property Master |
| Visual Effects | Karl Baumgartner | Special Effects Supervisor |
| Crew | Karl-Heinz Bochnig | Special Effects |
| Crew | Max Gretmann | Special Effects |
| Crew | Franz Kirschke | Special Effects |
| Camera | Ludwig Sauermann | Key Grip |
| Lighting | Rudi Denk | Electrician |
| Lighting | Iko Dimitri | Electrician |
| Lighting | Franz Schlammer | Electrician |
| Lighting | Willi Zopf | Electrician |
| Directing | Isabel Goslar | Continuity |
| Crew | Willi Neuner | Special Effects |
| Production | Caroline Perchaud | Production Secretary |
| Production | Ingrid von Anka | Production Secretary |
