Wendy en Andy en hun twee dochters wonen vlak buiten Londen. Hun levens lijken enigszins uitzichtloos: Andy is kok van beroep en zijn vrouw Wendy klust bij met verschillende baantjes. Dochter Natalie is loodgieter, haar afstandelijke tweelingzusje Nicola is werkloos en draagt een geheim met zich mee.
Nee, helaas is Life Is Sweet nog niet beschikbaar op Netflix in Nederland.
| Camera | Dick Pope | Camera Operator |
| Lighting | Martin Duncan | Best Boy Electrician |
| Costume & Make-Up | Anthony Black | Wardrobe Supervisor |
| Sound | Sue Baker | Sound Editor |
| Sound | Peter Maxwell | Sound Re-Recording Mixer |
| Production | Sue Whatmough | Casting Director |
| Crew | Peter Brayham | Stunt Coordinator |
| Production | James Bloom | Production Runner |
| Camera | Jay Williams | Grip |
| Art | David Balfour | Property Master |
| Crew | Phil Allchin | Driver |
| Camera | Lucy Bristow | Clapper Loader |
| Art | Debbie Wilson | Art Department Assistant |
| Costume & Make-Up | Debbie Scott | Assistant Costume Designer |
| Lighting | Dave Owen | Electrician |
| Art | Sophie Becher | Art Direction |
| Sound | Penny Woolley | Assistant Sound Editor |
| Art | Ken Marples | Construction Manager |
| Crew | Sandy Garfield | Technical Advisor |
| Art | Chris Allies | Title Designer |
| Directing | David Gilchrist | Third Assistant Director |
| Production | Peter Tullo | Location Manager |
| Crew | Lenny O'Brien | Generator Operator |
| Sound | Dick Lewzey | Sound Engineer |
| Production | Lorraine Goodman | Production Supervisor |
| Editing | Jackie Vance | Assistant Editor |
| Directing | Gus Maclean | First Assistant Director |
| Production | Nicholas Shaw | Production Runner |
| Production | Fiona Walsh | Production Trainee |
| Directing | Hedda Moore | Assistant Director |
| Art | Bob Starrett | Standby Painter |
| Camera | John Gardey | Additional Still Photographer |
| Art | Eve Stewart | Graphic Designer |
| Directing | Heather Storr | Script Supervisor |
| Production | Deborah Harding | Production Coordinator |
| Camera | Gary Turnbull | Focus Puller |
| Editing | Stephen Evans | First Assistant Editor |
| Sound | Julian Rodd | Foley Editor |
| Lighting | John Parsons | Gaffer |
| Production | Jaya Bishop | Production Trainee |
| Directing | Simon Moseley | Second Assistant Director |
| Lighting | Bill Howe | Standby Rigger |
| Sound | Andrew Morris | Boom Operator |
| Crew | Joan Atkinson | Additional Script Supervisor |
| Camera | Simon Mein | Still Photographer |
| Costume & Make-Up | Carolyne Walsh | Makeup & Hair |
| Art | Trisha Edwards | Construction Buyer |
| Costume & Make-Up | Christine Blundell | Makeup & Hair |
| Art | Piero Jamieson | Dressing Prop |
| Art | Pat Harkins | Standby Property Master |
| Production | Lynne Cruddas | Producer's Assistant |
| Production | William Tyler | Production Accountant |
| Production | Juanita Parker | Assistant Accountant |
| Art | Kevin Hoar | Standby Carpenter |
| Sound | Julian Wastall | Music |
| Writing | Mike Leigh | Writer |
| Directing | Mike Leigh | Director |
| Art | Steve Wheeler | Standby Property Master |
| Sound | Malcolm Hirst | Sound Recordist |
| Editing | Jon Gregory | Editor |
| Costume & Make-Up | Lindy Hemming | Costume Design |
| Camera | Dick Pope | Director of Photography |
| Art | Alison Chitty | Production Design |
| Production | Simon Channing Williams | Producer |
| Sound | Rachel Portman | Original Music Composer |
| Sound | David Snell | Conductor |
