In februari 1952 wordt de oostkust van New England getroffen door een van de zwaarste stormen uit de geschiedenis. Het zorgt ervoor dat een olietanker voor de kust van Cape Cod letterlijk in tweeën breekt.
Nee, helaas is The Finest Hours nog niet beschikbaar op Netflix in Nederland.
| Lighting | Christopher Ferguson | Lighting Programmer |
| Editing | Jered Zalman | Assistant Editor |
| Crew | Aaron Vexler | Stunts |
| Directing | Craig Gillespie | Director |
| Crew | Tim Trella | Stunt Double |
| Crew | Peter Epstein | Stunts |
| Writing | Scott Silver | Screenplay |
| Writing | Paul Tamasy | Screenplay |
| Writing | Eric Johnson | Screenplay |
| Crew | Jodi Michelle Pynn | Stunt Double |
| Writing | Casey Sherman | Book |
| Production | Dorothy Aufiero | Producer |
| Writing | Michael J. Tougias | Book |
| Costume & Make-Up | Louise Frogley | Costume Design |
| Sound | Carter Burwell | Original Music Composer |
| Art | William Ladd Skinner | Supervising Art Director |
| Art | Michael Corenblith | Production Design |
| Production | Mindy Marin | Casting |
| Production | Jim Whitaker | Producer |
| Editing | Tatiana S. Riegel | Editor |
| Production | Douglas C. Merrifield | Executive Producer |
| Camera | Javier Aguirresarobe | Director of Photography |
| Art | J.M. Hunter | Art Department Coordinator |
| Camera | Jamie Alac | Camera Operator |
| Directing | Diane Durant | Script Supervisor |
| Costume & Make-Up | Mary L. Hart-Mastro | Hair Department Head |
| Art | Susan Benjamin | Set Decoration |
| Costume & Make-Up | Aimee McCue | Set Costumer |
| Costume & Make-Up | Brenda McNally | Hairstylist |
| Camera | Peter Zuccarini | Underwater Camera |
| Production | Kara Lipson | Casting Associate |
| Costume & Make-Up | Donna Casey-Aira | Costume Supervisor |
| Sound | Adam Milo Smalley | Music Editor |
| Costume & Make-Up | Juliet Loveland | Makeup Artist |
| Lighting | Mark J. Casey | Rigging Gaffer |
| Costume & Make-Up | Parrish Kennington | Set Costumer |
| Costume & Make-Up | Linda Kaufman | Makeup Artist |
| Costume & Make-Up | Beau Desmond | Set Costumer |
| Costume & Make-Up | Raul Hernandez | Hairstylist |
| Costume & Make-Up | Desne J. Holland | Makeup Artist |
| Costume & Make-Up | Trish Seeney | Makeup Artist |
| Lighting | Phil Darrell | Gaffer |
| Costume & Make-Up | Paula Dion | Hairstylist |
| Costume & Make-Up | Whitney James | Makeup Department Head |
| Art | Samantha Avila | Assistant Art Director |
| Lighting | Scott D. Davis | Gaffer |
| Costume & Make-Up | Rebecca Woodfork | Hairstylist |
| Camera | Brian Heller | Helicopter Camera |
| Costume & Make-Up | Joe Rossi | Makeup Artist |
| Camera | Claire Folger | Still Photographer |
| Crew | Adriano Rinaldi | CG Supervisor |
| Visual Effects | Paul V. Molles | Visual Effects Producer |
| Sound | Tim Walston | Sound Effects Editor |
| Visual Effects | Aaron Deerfield | Animation |
| Visual Effects | Felix Crawshaw | Visual Effects Producer |
| Sound | John T. Cucci | Foley |
| Sound | Dean A. Zupancic | Sound Re-Recording Mixer |
| Crew | Craig 'Tex' Barnett | Special Effects Coordinator |
| Art | Cameron Matheson | Leadman |
| Art | Lorrie Campbell | Set Designer |
| Art | Steven M. Saylor | Set Designer |
| Visual Effects | Seth Maury | Visual Effects Supervisor |
| Visual Effects | Tom Goodenough | Animation Supervisor |
| Crew | Danny Singh | Visual Effects Editor |
| Editing | Joe Ken | Digital Intermediate |
| Production | Stephani DeLuca | Researcher |
| Editing | Daniel Boccoli | First Assistant Editor |
| Visual Effects | Aaron Weintraub | Visual Effects Supervisor |
| Sound | John Sanacore | Foley |
| Art | Masako Masuda | Set Designer |
| Crew | Steve Bobertz | Visual Effects Editor |
| Sound | Mark P. Stoeckinger | Supervising Sound Editor |
| Visual Effects | Ran Sieradzki | Animation |
| Visual Effects | Kevin T. Hahn | Visual Effects Supervisor |
| Visual Effects | Mark Hawker | Special Effects Supervisor |
| Crew | Paul Wishart | CG Supervisor |
| Crew | Gong Myung Lee | CG Supervisor |
| Visual Effects | Garrett Wilson | VFX Editor |
| Art | Clint Wallace | Set Designer |
| Visual Effects | Tom Driscoll | VFX Editor |
| Art | Robert Andrew Johnson | Set Designer |
| Crew | Chris Ryan | CG Supervisor |
| Editing | Annie Johnson | Digital Intermediate |
| Sound | Andy Koyama | Sound Re-Recording Mixer |
| Sound | Dan O'Connell | Foley |
| Sound | Albert Gasser | Sound Effects Editor |
| Art | Bria Kinter | Set Designer |
| Crew | Chris Kowal | Visual Effects Editor |
| Crew | Thomas MacKenzie | Visual Effects Editor |
| Editing | Stefan Sonnenfeld | Digital Intermediate |
| Art | Joseph Kearney | Construction Coordinator |
| Crew | Dan Marshall | Choreographer |
| Sound | Daniel S. Irwin | Supervising ADR Editor |
| Sound | Daniel Saxlid | Dialogue Editor |
| Sound | Daniel S. Irwin | Dialogue Editor |
| Sound | Luke Gibleon | Foley Editor |
| Art | David Gulick | Property Master |
| Camera | Seacia Pavao | Additional Still Photographer |
| Crew | Edward Gabree | Stunt Double |
| Crew | Thomas La Marche | Stunt Double |
| Crew | Josh Vinyard | Stunt Double |
| Crew | Mariusz Kubicki | Stunt Double |
| Crew | Pete Klein | Stunt Double |
| Crew | Airon Armstrong | Stunt Double |
| Crew | Matt Emig | Stunt Double |
| Crew | Dave Reaves | Stunt Double |
| Crew | Caroline Vexler | Stunt Double |
| Crew | Evan Dane Taylor | Stunt Double |
| Visual Effects | Shaila Tobin | Animation |
| Crew | George B. Colucci Jr. | Stunts |
| Crew | Brian Ricci | Special Effects |
