Een hecht team van FBI onderzoekers, Ray (Chiwetel Ejiofor) en Jess (Julia Roberts), raakt verscheurd wanneer ze ontdekken dat de tienerdochter van Jess op brute en onverklaarbare wijze is vermoord. Dertien jaar later, na iedere dag obsessief op zoek te zijn naar de ongrijpbare moordenaar, heeft Ray eindelijk een nieuw spoor ontdekt waarvan hij zeker is dat hij de zaak kan oplossen. Niemand is echter voorbereid op hetgeen dat vervolgens zal gaan gebeuren.
Nee, helaas is Secret in Their Eyes nog niet beschikbaar op Netflix in Nederland.
| Writing | Billy Ray | Screenplay |
| Production | Steven Squillante | Co-Executive Producer |
| Production | Russell Levine | Executive Producer |
| Directing | Billy Ray | Director |
| Production | Matt Berenson | Executive Producer |
| Writing | Eduardo Sacheri | Screenplay |
| Production | Mark Johnson | Producer |
| Camera | Daniel Moder | Director of Photography |
| Writing | Juan José Campanella | Screenplay |
| Art | Andrea Joel | Set Decoration |
| Art | Colin De Rouin | Art Direction |
| Costume & Make-Up | Shay Cunliffe | Costume Design |
| Sound | Emilio Kauderer | Original Music Composer |
| Editing | Jim Page | Editor |
| Production | Sharon Bialy | Casting |
| Art | Nelson Coates | Production Design |
| Crew | Gabrielle McKenna-Elliott | Scenic Artist |
| Sound | Peter Staubli | Sound Designer |
| Camera | Matt Horochowski | Dolly Grip |
| Crew | Craig Hosking | Pilot |
| Crew | Tim Garris | Utility Stunts |
| Lighting | Mark Carlile | Lighting Technician |
| Sound | Ann Scibelli | Sound Designer |
| Lighting | Thomas M. Dangcil | Lighting Technician |
| Art | Michael Allen Glover | Assistant Art Director |
| Visual Effects | John Heller | Visual Effects Supervisor |
| Camera | Karen Ballard | Still Photographer |
| Production | Jeremiah Samuels | Unit Production Manager |
| Sound | Ron Bartlett | Sound Re-Recording Mixer |
| Sound | Chris Navarro | ADR Mixer |
| Crew | Dennis Fitzgerald | Stunt Coordinator |
| Crew | Alisa Hensley | Stunt Double |
| Production | Jules Carideo | Production Coordinator |
| Sound | Tony Negrete | Foley Editor |
| Visual Effects | Michael Lantieri | Special Effects Supervisor |
| Lighting | Jason Hindman | Electrician |
| Costume & Make-Up | Teressa Hill | Hair Department Head |
| Directing | Tom Davies | First Assistant Director |
| Art | Martin Charles | Graphic Designer |
| Art | Brent Rice | Leadman |
| Art | Timothy Vierra | Construction Foreman |
| Sound | Jonathan Jost | ADR Mixer |
| Sound | Anna MacKenzie | Supervising ADR Editor |
| Art | Michael C. Biddle | Set Designer |
| Crew | Creighton Larson | Propmaker |
| Camera | Chris Cuevas | Camera Operator |
| Camera | Benjamin Spek | Steadicam Operator |
| Art | Hope M. Parrish | Property Master |
| Art | Kathleen Walker | Art Department Coordinator |
| Camera | John Janusek | Key Grip |
| Directing | Adam Cuthbert | Second Second Assistant Director |
| Directing | Aaron C. Fitzgerald | Second Assistant Director |
| Crew | Neil Gahm | Propmaker |
| Sound | Shelley Roden | Foley Artist |
| Sound | Elliot Tyson | Sound Re-Recording Mixer |
| Visual Effects | Sarah McMurdo | Visual Effects Producer |
| Crew | Elizabeth Himelstein | Dialect Coach |
| Costume & Make-Up | Terry Baliel | Key Hair Stylist |
| Art | Robert J. Carlyle | Construction Coordinator |
| Art | Ellen King | Graphic Designer |
| Sound | Michael Miller | ADR Mixer |
| Sound | Frederick H. Stahly | Dialogue Editor |
| Costume & Make-Up | Valerie Laven-Cooper | Key Costumer |
| Sound | Alyson Dee Moore | Foley Artist |
| Lighting | Michael Bauman | Gaffer |
| Lighting | John Beran | Rigging Grip |
| Lighting | Mike Bonnaud | Best Boy Electric |
| Camera | Diego Mariscal | Dolly Grip |
| Sound | Thomas S. Drescher | Music Editor |
| Sound | David Schulhof | Music Supervisor |
| Costume & Make-Up | Lesa Nielsen | Key Makeup Artist |
| Production | Gohar Gazazyan | Casting Associate |
| Costume & Make-Up | Katie Saunders | Costume Supervisor |
| Editing | Matt Willard | First Assistant Editor |
| Production | George 'Skip' Henfling | Production Accountant |
| Sound | Karen Baker Landers | Supervising Sound Editor |
| Sound | Nick Jimenez | ADR Recordist |
| Sound | Mary Jo Lang | Foley Mixer |
| Crew | Mark Miscione | Stunt Double |
| Camera | Andy DePung | First Assistant Camera |
| Production | Samuel Yeunju Ha | Associate Producer |
| Art | Michael A. Casey | Assistant Property Master |
| Sound | Chris Jargo | ADR Editor |
| Art | Paul Sonski | Set Designer |
| Sound | D. Chris Smith | Sound Effects Editor |
| Camera | Chloe Weaver | First Assistant "A" Camera |
| Production | Ralph Coleman | Location Manager |
| Directing | Wilma Garscadden-Gahret | Continuity |
| Crew | Tim W. Walker | Set Medic |
| Crew | Jeffrey D. Stevens | Set Medic |
| Crew | Spooky Stevens | Unit Publicist |
| Sound | Robert Jackson | Boom Operator |
| Production | Matt Jackson | Producer |
| Production | Stuart Ford | Executive Producer |
| Production | Deborah Zipser | Executive Producer |
| Production | Lee Jae Woo | Executive Producer |
| Production | Robert Simonds | Executive Producer |
| Production | Jeremiah Samuels | Executive Producer |
| Production | Juan José Campanella | Executive Producer |
| Production | John Ufland | Co-Producer |
| Production | Sherry Thomas | Casting |
| Production | Juan Antonio García Peredo | Co-Producer |
| Production | Cari-Esta Albert | Co-Producer |
| Crew | Gui DaSilva-Greene | Stunts |
