Een hecht team van FBI onderzoekers, Ray (Chiwetel Ejiofor) en Jess (Julia Roberts), raakt verscheurd wanneer ze ontdekken dat de tienerdochter van Jess op brute en onverklaarbare wijze is vermoord. Dertien jaar later, na iedere dag obsessief op zoek te zijn naar de ongrijpbare moordenaar, heeft Ray eindelijk een nieuw spoor ontdekt waarvan hij zeker is dat hij de zaak kan oplossen. Niemand is echter voorbereid op hetgeen dat vervolgens zal gaan gebeuren.
Nee, helaas is Secret in Their Eyes nog niet beschikbaar op Netflix in Nederland.
| Sound | Robert Jackson | Boom Operator |
| Production | Deborah Zipser | Executive Producer |
| Production | Sherry Thomas | Casting |
| Production | Matt Jackson | Producer |
| Production | Stuart Ford | Executive Producer |
| Production | Jeremiah Samuels | Executive Producer |
| Production | John Ufland | Co-Producer |
| Production | Cari-Esta Albert | Co-Producer |
| Production | Robert Simonds | Executive Producer |
| Production | Juan José Campanella | Executive Producer |
| Production | 이재우 | Executive Producer |
| Production | Juan Antonio García Peredo | Co-Producer |
| Writing | Eduardo Sacheri | Screenplay |
| Production | Steven Squillante | Co-Executive Producer |
| Production | Russell Levine | Executive Producer |
| Writing | Billy Ray | Screenplay |
| Directing | Billy Ray | Director |
| Production | Matt Berenson | Executive Producer |
| Camera | Daniel Moder | Director of Photography |
| Production | Mark Johnson | Producer |
| Writing | Juan José Campanella | Screenplay |
| Editing | Jim Page | Editor |
| Art | Andrea Joel | Set Decoration |
| Production | Sharon Bialy | Casting |
| Sound | Emilio Kauderer | Original Music Composer |
| Art | Colin De Rouin | Art Direction |
| Art | Nelson Coates | Production Design |
| Costume & Make-Up | Shay Cunliffe | Costume Design |
| Crew | Gui DaSilva-Greene | Stunts |
| Costume & Make-Up | Terry Baliel | Key Hair Stylist |
| Art | Michael A. Casey | Assistant Property Master |
| Directing | Aaron C. Fitzgerald | Second Assistant Director |
| Costume & Make-Up | Lesa Nielsen | Key Makeup Artist |
| Directing | Adam Cuthbert | Second Second Assistant Director |
| Production | Samuel Yeunju Ha | Associate Producer |
| Art | Michael C. Biddle | Set Designer |
| Directing | Tom Davies | First Assistant Director |
| Art | Martin Charles | Graphic Designer |
| Art | Robert J. Carlyle | Construction Coordinator |
| Costume & Make-Up | Teressa Hill | Hair Department Head |
| Production | Jeremiah Samuels | Unit Production Manager |
| Crew | Neil Gahm | Propmaker |
| Art | Ellen King | Graphic Designer |
| Art | Brent Rice | Leadman |
| Crew | Creighton Larson | Propmaker |
| Art | Hope M. Parrish | Property Master |
| Crew | Gabrielle McKenna-Elliott | Scenic Artist |
| Art | Michael Allen Glover | Assistant Art Director |
| Art | Paul Sonski | Set Designer |
| Art | Timothy Vierra | Construction Foreman |
| Art | Kathleen Walker | Art Department Coordinator |
| Sound | Chris Jargo | ADR Editor |
| Sound | D. Chris Smith | Sound Effects Editor |
| Crew | Tim Garris | Utility Stunts |
| Camera | Andy DePung | First Assistant Camera |
| Sound | Karen Baker Landers | Supervising Sound Editor |
| Lighting | Michael Bauman | Gaffer |
| Sound | Tony Negrete | Foley Editor |
| Crew | Dennis Fitzgerald | Stunt Coordinator |
| Camera | Chris Cuevas | Camera Operator |
| Sound | Michael Miller | ADR Mixer |
| Visual Effects | Michael Lantieri | Special Effects Supervisor |
| Visual Effects | John Heller | Visual Effects Supervisor |
| Sound | Frederick H. Stahly | Dialogue Editor |
| Camera | Karen Ballard | Still Photographer |
| Lighting | Mike Bonnaud | Best Boy Electric |
| Camera | Benjamin Spek | Steadicam Operator |
| Lighting | Mark Carlile | Lighting Technician |
| Sound | Shelley Roden | Foley Artist |
| Visual Effects | Sarah McMurdo | Visual Effects Producer |
| Camera | Diego Mariscal | Dolly Grip |
| Sound | Alyson Dee Moore | Foley Artist |
| Camera | Chloe Weaver | First Assistant "A" Camera |
| Sound | Chris Navarro | ADR Mixer |
| Crew | Mark Miscione | Stunt Double |
| Lighting | Thomas M. Dangcil | Lighting Technician |
| Camera | John Janusek | Key Grip |
| Sound | Ann Scibelli | Sound Designer |
| Sound | Mary Jo Lang | Foley Mixer |
| Sound | Anna MacKenzie | Supervising ADR Editor |
| Camera | Matt Horochowski | Dolly Grip |
| Production | Gohar Gazazyan | Casting Associate |
| Sound | Peter Staubli | Sound Designer |
| Sound | Elliot Tyson | Sound Re-Recording Mixer |
| Crew | Alisa Hensley | Stunt Double |
| Lighting | John Beran | Rigging Grip |
| Lighting | Jason Hindman | Electrician |
| Sound | Ron Bartlett | Sound Re-Recording Mixer |
| Sound | Nick Jimenez | ADR Recordist |
| Sound | Jonathan Jost | ADR Mixer |
| Production | George 'Skip' Henfling | Production Accountant |
| Sound | David Schulhof | Music Supervisor |
| Production | Jules Carideo | Production Coordinator |
| Crew | Tim W. Walker | Set Medic |
| Costume & Make-Up | Katie Saunders | Costume Supervisor |
| Production | Ralph Coleman | Location Manager |
| Directing | Wilma Garscadden-Gahret | Continuity |
| Editing | Matt Willard | First Assistant Editor |
| Crew | Jeffrey D. Stevens | Set Medic |
| Crew | Craig Hosking | Pilot |
| Crew | Elizabeth Himelstein | Dialect Coach |
| Sound | Thomas S. Drescher | Music Editor |
| Costume & Make-Up | Valerie Laven-Cooper | Key Costumer |
| Crew | Spooky Stevens | Unit Publicist |
