Luitenant Pendelton participeert in een experiment waarbij hij tot de grootte van een molecuul wordt gereduceerd. Maar hij wordt gestolen en komt per ongeluk met zijn capsule terecht in de bloedbanen van de slome Jack die zich tot held moet ontwikkelen om Pendelton te redden. Hun enige hoop is de vriendin van Pendelton, die journalist is.
Nee, helaas is Innerspace nog niet beschikbaar op Netflix in Nederland.
| Directing | Joe Dante | Director |
| Writing | Jeffrey Boam | Screenplay |
| Sound | Jerry Goldsmith | Original Music Composer |
| Crew | Pete Kozachik | Special Effects |
| Writing | Chip Proser | Screenplay |
| Crew | Mike Johnson | Stunts |
| Costume & Make-Up | Rob Bottin | Makeup Effects Designer |
| Crew | Corey Michael Eubanks | Stunts |
| Crew | Al Wyatt Sr. | Stunts |
| Crew | Simone Boisseree | Stunts |
| Crew | Cindy Wills | Stunts |
| Crew | Dick Warlock | Stunts |
| Crew | Steven Lambert | Stunt Double |
| Sound | Rod Stewart | Songs |
| Visual Effects | Michael Wood | Special Effects Supervisor |
| Visual Effects | Dennis Muren | Visual Effects Supervisor |
| Camera | Andrew Laszlo | Director of Photography |
| Production | Mike Fenton | Casting |
| Production | Jon Peters | Executive Producer |
| Production | Steven Spielberg | Executive Producer |
| Art | Richard C. Goddard | Set Decoration |
| Sound | James Matheny | Sound Editor |
| Editing | Mark Goldblatt | Additional Editor |
| Sound | Kenneth Hall | Music Editor |
| Art | David Oliver Pfeil | Title Designer |
| Sound | Elliot Tyson | Sound Re-Recording Mixer |
| Crew | Glenn Randall Jr. | Stunt Coordinator |
| Costume & Make-Up | Barbara Lorenz | Hairstylist |
| Art | Wayne Fitzgerald | Title Designer |
| Editing | Kent Beyda | Editor |
| Sound | Robert J. Litt | Sound Re-Recording Mixer |
| Lighting | James Plannette | Gaffer |
| Costume & Make-Up | Joy Zapata | Hairstylist |
| Costume & Make-Up | Rosanna Norton | Costume Design |
| Sound | Teresa Eckton | Sound Editor |
| Art | Gene Nollman | Set Designer |
| Production | Jane Feinberg | Casting |
| Production | Frank Marshall | Co-Executive Producer |
| Production | Peter Guber | Executive Producer |
| Sound | Douglas Vaughan | Boom Operator |
| Production | Chip Proser | Co-Producer |
| Art | James H. Spencer | Production Design |
| Sound | Mark Mangini | Supervising Sound Editor |
| Sound | Wayne Allwine | Sound Editor |
| Sound | Steve Maslow | Sound Re-Recording Mixer |
| Editing | Terry Haggar | Color Timer |
| Art | William F. Matthews | Art Direction |
| Art | Judy Cammer | Set Designer |
| Costume & Make-Up | John Rizzo | Makeup Artist |
| Directing | Pat Kehoe | First Assistant Director |
| Production | Michael Finnell | Producer |
| Sound | Warren Hamilton Jr. | Sound Editor |
| Production | Kathleen Kennedy | Co-Executive Producer |
| Directing | Carol Green | Second Assistant Director |
| Production | Judy Taylor | Casting |
| Art | Michael Muscarella | Construction Coordinator |
| Camera | Ray Kinzer | Key Grip |
| Writing | Chip Proser | Story |
| Production | John C. Broderick | Unit Production Manager |
| Directing | Anne Warner | Script Supervisor |
| Sound | John Pospisil | Sound Editor |
| Sound | Ken King | Production Sound Mixer |
| Art | Craig Raiche | Property Master |
| Costume & Make-Up | Stephen Abrums | Makeup Artist |
| Crew | Julius LeFlore | Stunts |
| Directing | Glenn Randall Jr. | Second Unit Director |
| Crew | Steven Spielberg | Presenter |
