Na de dood van haar moeder trekt de veertienjarige Sarah van Los Angeles naar haar vader Ian in Schotland. Ian heeft zijn gezin verlaten, toen Sarah nog heel jong was, en vader en dochter moeten de banden opnieuw aanhalen. Sarah leert na een ongeluk tijdens het paardrijden de kluizenaar Fergus kennen die strijdt voor het behoud van de natuur. Het landgoed van Fergus blijkt bezocht te worden door een wilde hengst, een dier dat een hoofdrol speelt in een Schotse sage en volgens de overleveringen al eeuwen wacht op zijn prinses.
Nee, helaas is The Princess Stallion nog niet beschikbaar op Netflix in Nederland.
| Directing | Mark Haber | Director |
| Camera | Jim Peters | Director of Photography |
| Writing | Tom Gabbay | Story |
| Writing | Tom Gabbay | Screenplay |
| Writing | Mark Grindle | Screenplay |
| Production | Robert Love | Executive Producer |
| Production | J. Nigel Pickard | Executive Producer |
| Production | Don Reynolds | Producer |
| Sound | Arthur B. Rubinstein | Original Music Composer |
| Crew | Jim Peters | Cinematography |
| Editing | John Gow | Editor |
| Art | Marius Van Der Werff | Production Design |
| Art | Niki Longmuir | Art Direction |
| Art | Stephen Wong | Art Direction |
| Costume & Make-Up | Rhona Russell | Costume Designer |
| Costume & Make-Up | Sarah Fidelo | Makeup Artist |
| Costume & Make-Up | Sara Kramer | Assistant Makeup Artist |
| Production | Val Stephens | Production Manager |
| Directing | Alison Banks | Second Assistant Director |
| Directing | David Brown | First Assistant Director |
| Directing | Jonathan Farmer | Third Assistant Director |
| Art | George Booth | Props |
| Art | Jeffrey Holmes | Property Master |
| Art | Rob McCallum | Storyboard Artist |
| Art | Jim O'Donnell | Standby Painter |
| Sound | Fiona Carlin | Boom Operator |
| Sound | Douglas MacDougall | Sound Editor |
| Sound | Brian Milliken | Sound Recordist |
| Sound | Brian Patterson | ADR & Dubbing |
| Sound | Angela Slaven | Assistant Sound Editor |
| Crew | Derek Langley | Special Effects |
| Crew | Perry Costello | Armorer |
| Crew | Bernard Newton | Special Effects |
| Crew | Paul Heasman | Stunt Coordinator |
| Crew | Andreas Petrides | Stunts |
| Lighting | Robert Allan | Gaffer |
| Lighting | Paul Bates | Electrician |
| Production | Stephen Burt | Grip Production Assistant |
| Camera | Grant Cameron | Camera Operator |
| Camera | Andrew Ford | Focus Puller |
| Camera | John Harper | Clapper Loader |
| Camera | Iain Johnstone | Key Grip |
| Crew | Brian McGhee | Generator Operator |
| Lighting | Garry Thomson | Best Boy Electric |
| Production | Elisa Goodman | Casting |
| Production | Anne Henderson | Casting |
| Costume & Make-Up | Maggie Miller | Costume Assistant |
| Costume & Make-Up | Angela Robertson | Costume Assistant |
| Costume & Make-Up | Susie Will | Costume Supervisor |
| Editing | Laura Wilson | Editor |
| Production | Lloret Dunn | Location Manager |
| Production | Neil McMahon | Location Assistant |
| Production | Fiona Winning | Assistant Location Manager |
| Directing | Mark Grindle | Script Supervisor |
| Crew | Peter Allport | Driver |
| Crew | Steve Dent | Animal Wrangler |
| Production | Deborah Keogh | Production Assistant |
