Tijdens de Tweede Wereldoorlog werkte hij voor de Britse crypto-analytische dienst, die als doel had onderschepte gecodeerde berichten van de Duitsers te ontcijferen. Turings grootste verwezenlijking bestond erin om als één van de eersten de Duitse Enigma-codes te breken waardoor de Geallieerden de controle over de Atlantische Oceaan kregen en uiteindelijk de oorlog zouden winnen.
Nee, helaas is The Imitation Game nog niet beschikbaar op Netflix in Nederland.
| Directing | Morten Tyldum | Director |
| Writing | Graham Moore | Screenplay |
| Camera | Peter Wignall | Steadicam Operator |
| Sound | Kirsty Whalley | Music Editor |
| Editing | William Goldenberg | Editor |
| Art | Marco Anton Restivo | Art Direction |
| Production | Peter Heslop | Co-Producer |
| Costume & Make-Up | Sammy Sheldon | Costume Design |
| Production | Nora Grossman | Producer |
| Production | Ido Ostrowsky | Producer |
| Production | Teddy Schwarzman | Producer |
| Camera | Óscar Faura | Director of Photography |
| Production | Nina Gold | Casting |
| Art | Rebecca Milton | Art Direction |
| Art | Maria Djurkovic | Production Design |
| Production | Graham Moore | Executive Producer |
| Sound | Alexandre Desplat | Original Music Composer |
| Visual Effects | Angela Barson | Visual Effects Supervisor |
| Production | Richard George | Location Manager |
| Visual Effects | Eran Barnea | Visual Effects Supervisor |
| Sound | Andy Kennedy | Sound Designer |
| Crew | Sarah Shepherd | Dialect Coach |
| Sound | Martin Jensen | Sound Re-Recording Mixer |
| Sound | Joe Beal | Sound Effects Editor |
| Directing | Beverly Winston | Script Supervisor |
| Production | Suzie Shearer | Production Manager |
| Visual Effects | Lucy Ainsworth-Taylor | Visual Effects Producer |
| Camera | Jack English | Still Photographer |
| Costume & Make-Up | Denise Kum | Makeup Artist |
| Art | Nicky Ackland-Snow | Construction Coordinator |
| Sound | Stuart Hilliker | Sound Re-Recording Mixer |
| Costume & Make-Up | Roo Maurice | Makeup Artist |
| Sound | Lee Walpole | Supervising Sound Editor |
| Costume & Make-Up | Amy Riley | Makeup Artist |
| Art | Lauren Briggs-Miller | Assistant Art Director |
| Sound | Peter Burgis | Foley |
| Editing | Jonathan Collard | Digital Intermediate |
| Art | Nick Dent | Supervising Art Director |
| Crew | Robert Messinger | Thanks |
| Sound | John Midgley | Sound Recordist |
| Art | Tatiana Macdonald | Set Decoration |
| Sound | Dan Green | Dialogue Editor |
| Art | Nick Thomas | Property Master |
| Writing | Andrew Hodges | Book |
| Directing | Phil Booth | First Assistant Director |
| Directing | James Manning | Second Assistant Director |
| Camera | Albert Carreras | "A" Camera Operator |
| Camera | Tim Battersby | First Assistant "A" Camera |
| Camera | Simon Surtees | Second Assistant "A" Camera |
| Camera | Marc Gómez del Moral | "B" Camera Operator |
| Camera | Rory Moles | First Assistant "B" Camera |
| Camera | Alexandra Voikou | Second Assistant "B" Camera |
| Camera | Gary Hutchings | Key Grip |
| Directing | Crispin Reece | Second Unit Director |
| Camera | Steven Hall | Second Unit Director of Photography |
