Tijdens de Tweede Wereldoorlog werkte hij voor de Britse crypto-analytische dienst, die als doel had onderschepte gecodeerde berichten van de Duitsers te ontcijferen. Turings grootste verwezenlijking bestond erin om als één van de eersten de Duitse Enigma-codes te breken waardoor de Geallieerden de controle over de Atlantische Oceaan kregen en uiteindelijk de oorlog zouden winnen.
Nee, helaas is The Imitation Game nog niet beschikbaar op Netflix in Nederland.
| Directing | Morten Tyldum | Director |
| Writing | Graham Moore | Screenplay |
| Camera | Simon Surtees | Second Assistant "A" Camera |
| Camera | Alexandra Voikou | Second Assistant "B" Camera |
| Camera | Tim Battersby | First Assistant "A" Camera |
| Camera | Marc Gómez del Moral | "B" Camera Operator |
| Camera | Steven Hall | Second Unit Director of Photography |
| Directing | James Manning | Second Assistant Director |
| Camera | Gary Hutchings | Key Grip |
| Camera | Rory Moles | First Assistant "B" Camera |
| Directing | Crispin Reece | Second Unit Director |
| Writing | Andrew Hodges | Book |
| Camera | Albert Carreras | "A" Camera Operator |
| Directing | Phil Booth | First Assistant Director |
| Production | Graham Moore | Executive Producer |
| Art | Marco Anton Restivo | Art Direction |
| Art | Maria Djurkovic | Production Design |
| Production | Nina Gold | Casting |
| Editing | William Goldenberg | Editor |
| Production | Nora Grossman | Producer |
| Art | Rebecca Milton | Art Direction |
| Production | Ido Ostrowsky | Producer |
| Camera | Óscar Faura | Director of Photography |
| Costume & Make-Up | Sammy Sheldon | Costume Design |
| Production | Peter Heslop | Co-Producer |
| Production | Teddy Schwarzman | Producer |
| Sound | Alexandre Desplat | Original Music Composer |
| Visual Effects | Eran Barnea | Visual Effects Supervisor |
| Art | Nicky Ackland-Snow | Construction Coordinator |
| Sound | Joe Beal | Sound Effects Editor |
| Directing | Beverly Winston | Script Supervisor |
| Sound | Martin Jensen | Sound Re-Recording Mixer |
| Art | Lauren Briggs-Miller | Assistant Art Director |
| Costume & Make-Up | Denise Kum | Makeup Artist |
| Costume & Make-Up | Roo Maurice | Makeup Artist |
| Sound | Peter Burgis | Foley |
| Costume & Make-Up | Amy Riley | Makeup Artist |
| Sound | Andy Kennedy | Sound Designer |
| Production | Suzie Shearer | Production Manager |
| Visual Effects | Lucy Ainsworth-Taylor | Visual Effects Producer |
| Camera | Peter Wignall | Steadicam Operator |
| Camera | Jack English | Still Photographer |
| Sound | Stuart Hilliker | Sound Re-Recording Mixer |
| Sound | Kirsty Whalley | Music Editor |
| Crew | Sarah Shepherd | Dialect Coach |
| Sound | Lee Walpole | Supervising Sound Editor |
| Editing | Jonathan Collard | Digital Intermediate |
| Production | Richard George | Location Manager |
| Visual Effects | Angela Barson | Visual Effects Supervisor |
| Art | Nick Dent | Supervising Art Director |
| Crew | Robert Messinger | Thanks |
| Sound | John Midgley | Sound Recordist |
| Art | Tatiana Macdonald | Set Decoration |
| Sound | Dan Green | Dialogue Editor |
| Art | Nick Thomas | Property Master |
| Art | Charis Theobald | Graphic Designer |
| Visual Effects | Katie Anna Brady | VFX Artist |
| Crew | Levan Doran | Stunts |
| Art | Matt Curtis | Title Designer |
| Costume & Make-Up | Chris Lyons | Special Effects Makeup Artist |
