De tactieken van de Duitse gevechtspiloot luitenant Bruno Stachel tijdens de Eerste Wereldoorlog zijn een belediging voor zijn aristocrate kameraden, maar hierdoor heeft hij wel de befaamde Blue Max medaille in ontvangst mogen nemen.
Nee, helaas is The Blue Max nog niet beschikbaar op Netflix in Nederland.
| Writing | Gerald Hanley | Writer |
| Writing | David Pursall | Writer |
| Writing | Jack Seddon | Writer |
| Directing | John Guillermin | Director |
| Art | Fred Carter | Art Direction |
| Production | Stuart Lyons | Casting |
| Art | Wilfred Shingleton | Production Design |
| Costume & Make-Up | Charles E. Parker | Makeup Department Head |
| Editing | Max Benedict | Editor |
| Production | Christian Ferry | Producer |
| Costume & Make-Up | John O'Gorman | Makeup Artist |
| Costume & Make-Up | Tony Sforzini | Makeup Artist |
| Costume & Make-Up | Elsa Fennell | Costume Supervisor |
| Sound | Chris Greenham | Sound Editor |
| Crew | Darby Kennedy | Stunt Coordinator |
| Camera | Skeets Kelly | Camera Operator |
| Camera | Chic Waterson | Camera Operator |
| Production | René Dupont | Production Manager |
| Sound | Jerry Goldsmith | Original Music Composer |
| Camera | Douglas Slocombe | Director of Photography |
| Camera | Mike Fox | Focus Puller |
| Costume & Make-Up | Pat McDermott | Hairdresser |
| Art | Tony Curtis | Assistant Art Director |
| Camera | Skeets Kelly | Aerial Camera |
| Directing | Jack Causey | Assistant Director |
| Directing | Derek Cracknell | Assistant Director |
| Sound | Richard Best Jr. | Assistant Sound Editor |
| Sound | John Cox | Sound |
| Sound | Claude Hitchcock | Sound |
| Sound | Bob Jones | Sound |
| Costume & Make-Up | Elsa Fennell | Wardrobe Supervisor |
| Crew | Maurice Ayers | Special Effects |
| Crew | Ron Ballanger | Special Effects |
| Crew | Karl Baumgartner | Special Effects |
| Editing | Elizabeth Thoyts | Assistant Editor |
| Directing | Helen Whitson | Continuity |
