Een Amerikaanse journalist wordt op pad gestuurd om verslag te doen van een congres over de toekomst van Duitsland na WOII. Hij maakt van de gelegenheid gebruik om op zoek te gaan naar een verloren liefde en raakt vervolgens betrokken bij een moordzaak.
Nee, helaas is The Good German nog niet beschikbaar op Netflix in Nederland.
| Writing | Joseph Kanon | Novel |
| Camera | Steven Soderbergh | Director of Photography |
| Editing | Steven Soderbergh | Editor |
| Directing | Steven Soderbergh | Director |
| Writing | Paul Attanasio | Screenplay |
| Production | Debra Zane | Casting |
| Art | Steve Borgese | Greensman |
| Costume & Make-Up | Lynda Foote | Costume Supervisor |
| Crew | Micah Roehr | Carpenter |
| Lighting | Jose F. Barrios | Rigging Grip |
| Lighting | Kent Baker | Rigging Grip |
| Production | Tannis Vallely | Casting Associate |
| Costume & Make-Up | Heba Thorisdottir | Makeup Artist |
| Lighting | Joe Hill | Rigging Grip |
| Crew | Kevin Hannigan | Special Effects Coordinator |
| Camera | Melinda Sue Gordon | Still Photographer |
| Production | Jeremy Rich | Casting Associate |
| Costume & Make-Up | Jason M. Moore | Set Costumer |
| Art | Scott Bobbitt | Leadman |
| Visual Effects | Melissa Brockman | Visual Effects Producer |
| Camera | Chris Lombardi | Camera Operator |
| Costume & Make-Up | Fríða Aradóttir | Key Hair Stylist |
| Costume & Make-Up | Marina Hart | Key Hair Stylist |
| Crew | Gregory Lynch Jr. | Carpenter |
| Lighting | James Plannette | Lighting Technician |
| Art | Philip Messina | Production Design |
| Crew | Lynn Givens | Choreographer |
| Art | Kristen Toscano Messina | Set Decoration |
| Sound | Larry Blake | Sound Re-Recording Mixer |
| Editing | David Kirchner | First Assistant Editor |
| Art | Doug J. Meerdink | Art Direction |
| Camera | Steven Meizler | First Assistant Camera |
| Lighting | Jose Danner | Rigging Grip |
| Art | Wylie Griffin | Art Department Coordinator |
| Visual Effects | Thomas J. Smith | Visual Effects Supervisor |
| Editing | Gregg Schaublin | Digital Intermediate |
| Art | Chris Snyder | Construction Coordinator |
| Costume & Make-Up | Shandra Beri | Set Costumer |
| Sound | Bill Bernstein | Music Editor |
| Crew | Laura Dunlop | Choreographer |
| Costume & Make-Up | Emanuel Millar | Hairstylist |
| Costume & Make-Up | Julie Hewett | Makeup Department Head |
| Costume & Make-Up | Louise Frogley | Costume Design |
| Visual Effects | Heather Elisa Hill | Visual Effects Coordinator |
| Costume & Make-Up | Waldo Sanchez | Hair Department Head |
| Costume & Make-Up | Michelle Vittone | Makeup Artist |
| Lighting | R. Michael De Chellis | Rigging Gaffer |
| Sound | Larry Blake | Sound Designer |
| Sound | Dawn Fintor | Foley Artist |
| Sound | David Betancourt | Foley Mixer |
| Directing | Gregory Jacobs | First Assistant Director |
| Sound | Alicia Stevenson | Foley Artist |
| Directing | Trey Batchelor | Second Assistant Director |
| Sound | Randall L. Johnson | Boom Operator |
| Sound | Kimaree Long | Dialogue Editor |
| Sound | Paul Ledford | Production Sound Mixer |
| Art | Robin L. Miller | Property Master |
| Sound | Thomas Newman | Original Music Composer |
| Production | Ben Waisbren | Executive Producer |
| Production | Gregory Jacobs | Producer |
| Production | Ben Cosgrove | Producer |
| Production | Frederic W. Brost | Executive Producer |
| Directing | Jody Spilkoman | Second Second Assistant Director |
| Directing | Basti Van Der Woude | Additional Second Assistant Director |
| Crew | Joni Avery | Stunts |
| Crew | Ryan Piers Williams | Post Production Assistant |
| Crew | Mickey Giacomazzi | Stunts |
| Crew | Gene Hartline | Stunts |
