Elephant laat een 'gewone' schooldag op een Amerikaanse high school zien. Deze dag is gevuld met schoolwerk, football, roddelen en gezelligheid. Voor elke student die we ontmoeten, is de high school een andere ervaring: stimulerend, leuk, traumatisch, eenzaam en hard. Stimulerend en leuk omdat ze hun vrienden weer ontmoeten en traumatisch en hard omdat de jongeren gevolgd worden in de uren voor een dramatisch bloedbad.
Nee, helaas is Elephant nog niet beschikbaar op Netflix in Nederland.
| Camera | Harris Savides | Director of Photography |
| Production | Dany Wolf | Producer |
| Production | Laura Albert | Associate Producer |
| Art | Benjamin Hayden | Art Direction |
| Production | Danny Stoltz | Casting |
| Production | Bill Robinson | Executive Producer |
| Editing | Gus Van Sant | Editor |
| Sound | Felix Andrew | Sound Mixer |
| Sound | Leslie Shatz | Sound Designer |
| Crew | Jor Van Kline | Special Effects Coordinator |
| Visual Effects | Collin Fowler | Visual Effects Coordinator |
| Writing | Gus Van Sant | Screenplay |
| Production | Diane Keaton | Executive Producer |
| Costume & Make-Up | Marychris Mass | Costume Designer |
| Production | Jay Hernandez | Associate Producer |
| Production | Mali Finn | Casting |
| Directing | Gus Van Sant | Director |
| Art | Philip Blackburn | Set Dresser |
| Art | Teresa J. Tamiyasu | Set Dresser |
| Costume & Make-Up | Tamy Cropper | Set Costumer |
| Production | Jen Wall | Production Supervisor |
| Production | Dany Wolf | Unit Production Manager |
| Directing | Sally Sue Beisel | Second Assistant Director |
| Directing | Kathy Krause | Second Second Assistant Director |
| Crew | Thomas M. Ficke | Stunt Coordinator |
| Lighting | Bruce 'Sarge' Fleskes | Gaffer |
| Camera | Mike Hanauska | Grip |
| Camera | Matías Mesa | Steadicam Operator |
| Camera | Shawn Sundby | Grip |
| Directing | Dany Wolf | First Assistant Director |
| Crew | Greg Spence | Post Production Supervisor |
| Camera | Christopher Blauvelt | First Assistant Camera |
| Camera | Scott Patrick Green | Still Photographer |
| Camera | Eric Alan Edwards | Additional Photography |
| Camera | Brent Lawson | Best Boy Grip |
| Camera | Brian C. Lawson | Dolly Grip |
| Camera | Bruce Lawson | Key Grip |
| Crew | Stephen MacDougall | Loader |
| Lighting | Steve Pape | Electrician |
| Lighting | Steve Purcell | Electrician |
| Camera | Hector Rodriguez | Second Assistant Camera |
| Lighting | Chris Steele | Electrician |
| Lighting | Scott Walters | Best Boy Electric |
| Visual Effects | James Walton | 24 Frame Playback |
| Production | Sally Gates | Extras Casting |
| Costume & Make-Up | Marsha Barlett | Costumer |
| Costume & Make-Up | Leslie Gilbertson | Costumer |
| Costume & Make-Up | Marychris Mass | Wardrobe Supervisor |
| Crew | Charles Cooley | Special Effects Assistant |
| Sound | David A. Cohen | Dialogue Editor |
| Sound | Neil Riha | Boom Operator |
| Sound | Tanya Smith | Sound Assistant |
| Sound | Concha Solano | Sound Assistant |
| Editing | Peter Appleton | First Assistant Editor |
| Editing | John Dowdell | Colorist |
| Editing | Kiersten Harter | First Assistant Editor |
| Editing | Mato | Color Timer |
| Production | Roger D. Faires | Location Manager |
| Production | Stephen Finders | Location Assistant |
| Crew | Ken Erck | Scenic Artist |
| Art | Sean Fong | Props |
| Art | Greg McMickle | Props |
| Art | Robert Melchior | Leadman |
| Art | John Pearson-Denning | Property Master |
