Glenn Holland (Dreyfuss) is een musicus en componist. Hij gaat muziekles geven op een school, om in zijn vrije tijd aan zijn droom te kunnen werken, een klassiek meesterwerk componeren. Terwijl hij met veel vreugde zijn liefde voor de muziek aan zijn leerlingen overbrengt, gaan de jaren voorbij. De goede band met zijn studenten staat echter in schril contrast met de band die Glenn heeft met zijn dove zoon.
Nee, helaas is Mr. Holland's Opus nog niet beschikbaar op Netflix in Nederland.
| Production | Michael Nolin | Producer |
| Production | Robert W. Cort | Producer |
| Sound | Michael Kamen | Original Music Composer |
| Camera | Oliver Wood | Director of Photography |
| Production | Ted Field | Producer |
| Directing | Stephen Herek | Director |
| Directing | Adrienne Hamalian-Mangine | Script Supervisor |
| Production | Valerie Mickaelian Kucera | Production Coordinator |
| Production | William Teitler | Unit Production Manager |
| Art | Jan K. Bergstrom | Set Decoration |
| Sound | Sharon Boyle | Music Supervisor |
| Production | Sharon Bialy | Casting |
| Production | Scott Kroopf | Executive Producer |
| Production | Judith James | Co-Producer |
| Production | Patrick Sheane Duncan | Executive Producer |
| Costume & Make-Up | Susan V. Kalinowski | Hairstylist |
| Sound | Tim Chau | Supervising Sound Editor |
| Crew | Steve Boyum | Stunt Coordinator |
| Art | David Nichols | Production Design |
| Costume & Make-Up | Aggie Guerard Rodgers | Costume Design |
| Costume & Make-Up | Mary L. Pyanowski | Hairstylist |
| Camera | Gemma La Mana | Still Photographer |
| Costume & Make-Up | Gerald Quist | Makeup Artist |
| Production | William Teitler | Co-Producer |
| Costume & Make-Up | Ken Chase | Makeup Artist |
| Editing | Trudy Ship | Editor |
| Costume & Make-Up | Martin 'Vinnie' Hagood | Makeup Artist |
| Camera | William D. Barber | Camera Operator |
| Sound | Richard C. Franklin | Supervising Sound Editor |
| Production | Jeffrey Downer | Production Supervisor |
| Art | Dina Lipton | Art Direction |
| Costume & Make-Up | Werner Sherer | Key Hair Stylist |
| Camera | David Luckenbach | Steadicam Operator |
| Art | Alan Manzer | Set Designer |
| Camera | Bob Muñoz | Key Grip |
| Sound | Chris Jargo | ADR Editor |
| Sound | Donald J. Malouf | Sound Editor |
| Sound | Thomas Whiting | Supervising ADR Editor |
| Camera | Nick Papanickolas | Dolly Grip |
| Costume & Make-Up | Linda Henrikson | Costume Supervisor |
| Art | Brian Markey | Construction Coordinator |
| Lighting | Michael Laws | Best Boy Electric |
| Sound | Christopher Brooks | Supervising Music Editor |
| Sound | Albert Gasser | Sound Editor |
| Sound | David Kern | Sound Editor |
| Editing | Tara Timpone | First Assistant Editor |
| Production | Joanna Guzzetta | Location Manager |
| Crew | Bruce McDonald | Choreographer |
| Directing | Jeffrey Wetzel | First Assistant Director |
| Art | Alan Locke | Set Designer |
| Art | Greg McMickle | Property Master |
| Sound | Earl Sampson | Boom Operator |
| Lighting | James B. Crawford | Chief Lighting Technician |
| Sound | Nils C. Jensen | Sound Editor |
| Crew | Bob Riggs | Special Effects Coordinator |
| Camera | Gene Kearney | Dolly Grip |
| Sound | Stephen McLaughlin | Scoring Mixer |
| Crew | Stephen McLaughlin | Score Engineer |
| Writing | Patrick Sheane Duncan | Writer |
