Glenn Holland (Dreyfuss) is een musicus en componist. Hij gaat muziekles geven op een school, om in zijn vrije tijd aan zijn droom te kunnen werken, een klassiek meesterwerk componeren. Terwijl hij met veel vreugde zijn liefde voor de muziek aan zijn leerlingen overbrengt, gaan de jaren voorbij. De goede band met zijn studenten staat echter in schril contrast met de band die Glenn heeft met zijn dove zoon.
Nee, helaas is Mr. Holland's Opus nog niet beschikbaar op Netflix in Nederland.
| Directing | Stephen Herek | Director |
| Production | Robert W. Cort | Producer |
| Production | Ted Field | Producer |
| Production | Michael Nolin | Producer |
| Sound | Michael Kamen | Original Music Composer |
| Camera | Oliver Wood | Director of Photography |
| Art | David Nichols | Production Design |
| Costume & Make-Up | Ken Chase | Makeup Artist |
| Production | Jeffrey Downer | Production Supervisor |
| Sound | Tim Chau | Supervising Sound Editor |
| Sound | Sharon Boyle | Music Supervisor |
| Directing | Adrienne Hamalian-Mangine | Script Supervisor |
| Production | Valerie Mickaelian Kucera | Production Coordinator |
| Crew | Steve Boyum | Stunt Coordinator |
| Costume & Make-Up | Aggie Guerard Rodgers | Costume Design |
| Editing | Trudy Ship | Editor |
| Art | Jan K. Bergstrom | Set Decoration |
| Production | Sharon Bialy | Casting |
| Art | Dina Lipton | Art Direction |
| Costume & Make-Up | Werner Sherer | Key Hair Stylist |
| Costume & Make-Up | Gerald Quist | Makeup Artist |
| Costume & Make-Up | Mary L. Pyanowski | Hairstylist |
| Costume & Make-Up | Susan V. Kalinowski | Hairstylist |
| Costume & Make-Up | Martin 'Vinnie' Hagood | Makeup Artist |
| Camera | Gemma La Mana | Still Photographer |
| Camera | David Luckenbach | Steadicam Operator |
| Camera | William D. Barber | Camera Operator |
| Production | William Teitler | Unit Production Manager |
| Production | William Teitler | Co-Producer |
| Production | Judith James | Co-Producer |
| Production | Patrick Sheane Duncan | Executive Producer |
| Production | Scott Kroopf | Executive Producer |
| Sound | Richard C. Franklin | Supervising Sound Editor |
| Directing | Jeffrey Wetzel | First Assistant Director |
| Art | Alan Locke | Set Designer |
| Art | Alan Manzer | Set Designer |
| Art | Brian Markey | Construction Coordinator |
| Art | Greg McMickle | Property Master |
| Sound | Albert Gasser | Sound Editor |
| Sound | Chris Jargo | ADR Editor |
| Sound | Nils C. Jensen | Sound Editor |
| Sound | David Kern | Sound Editor |
| Sound | Donald J. Malouf | Sound Editor |
| Sound | Earl Sampson | Boom Operator |
| Sound | Thomas Whiting | Supervising ADR Editor |
| Crew | Bob Riggs | Special Effects Coordinator |
| Lighting | James B. Crawford | Chief Lighting Technician |
| Camera | Gene Kearney | Dolly Grip |
| Lighting | Michael Laws | Best Boy Electric |
| Camera | Bob Munoz | Key Grip |
| Camera | Nick Papanickolas | Dolly Grip |
| Costume & Make-Up | Linda Henrikson | Costume Supervisor |
| Editing | Tara Timpone | First Assistant Editor |
| Production | Joanna Guzzetta | Location Manager |
| Sound | Christopher Brooks | Supervising Music Editor |
| Crew | Bruce McDonald | Choreographer |
| Crew | Stephen McLaughlin | Score Engineer |
| Sound | Stephen McLaughlin | Scoring Mixer |
| Writing | Patrick Sheane Duncan | Writer |
