Het is 2003, Cale is aangesteld als nieuwe directrice van CHAANK, een controversiële wapenfabriek. Al gauw ontdekt ze dat één van de werknemers, Jack Dante, in het geheim werkt aan een moordmachine. Als er uiteindelijk een collega versnippert terug gevonden wordt, zet ze alles op alles om Dante tegen te houden...
Nee, helaas is Death Machine nog niet beschikbaar op Netflix in Nederland.
| Writing | Stephen Norrington | Writer |
| Directing | Stephen Norrington | Director |
| Production | Beth Charkham | Casting |
| Production | Dominic Anciano | Producer |
| Sound | Crispin Merrell | Music |
| Costume & Make-Up | Stephanie Collie | Costume Design |
| Art | Sue Whitaker | Art Direction |
| Art | Chris Edwards | Production Design |
| Editing | Clive Noakes | Color Grading |
| Editing | Jason Wheeler | Negative Cutter |
| Costume & Make-Up | Lisa Boni | Makeup Artist |
| Camera | Roger Bonnici | Second Unit Director of Photography |
| Editing | Paul Endacott | Editor |
| Directing | Kieron Phipps | First Assistant Director |
| Art | Tim Youngman | Property Master |
| Costume & Make-Up | Chris Cunningham | Tattoo Designer |
| Editing | Sylvia Wheeler | Negative Cutter |
| Visual Effects | Peter Hutchinson | Special Effects Supervisor |
| Costume & Make-Up | Alan Hedgcock | Makeup Effects Designer |
| Art | Richard Van Den Bergh | Set Dresser |
| Editing | John Sellars | Colorist |
| Crew | Graham Riddell | Animatronics Designer |
| Costume & Make-Up | Dave Elsey | Special Effects Makeup Artist |
| Crew | Graham Aikman | Pyrotechnician |
| Production | Jim Beach | Executive Producer |
| Directing | Oscar Beuselinck | Second Assistant Director |
| Sound | Peter Lacey | ADR Mixer |
| Sound | Michael A. Carter | Sound Re-Recording Mixer |
| Sound | Patrick M. Griffith | Supervising Sound Editor |
| Sound | Jenny Lee Wright | Foley Artist |
| Production | Anna Lisa Seccombe | Assistant Production Coordinator |
| Sound | Kevin Tayler | Sound Re-Recording Mixer |
| Camera | Tony Haynes | Clapper Loader |
| Sound | Otto Snel | Sound Re-Recording Mixer |
| Sound | Chris Kelly | Foley Editor |
| Camera | Lisa Lloyd | Clapper Loader |
| Production | David Kerney | Production Accountant |
| Sound | Colin Codner | Boom Operator |
| Sound | Pauline Griffiths | Foley Artist |
| Sound | Rudi Buckle | Production Sound Mixer |
| Crew | Stephen Hutchinson | Special Effects Technician |
| Camera | Jasper Fforde | Focus Puller |
| Camera | Ron Turowski | Assistant Camera |
| Sound | Nainita Desai | Sound Designer |
| Sound | Mike Wood | Sound Editor |
| Production | Joyce Turner | Production Coordinator |
| Visual Effects | Sally Goldberg | Animation |
| Camera | John Ward | Steadicam Operator |
| Crew | Stuart St. Paul | Stunt Coordinator |
| Directing | Elizabeth West | Script Supervisor |
| Camera | John de Borman | Camera Operator |
| Camera | Michael Metcalfe | Camera Operator |
| Camera | John de Borman | Director of Photography |
| Sound | Mark Allen | Sound Designer |
| Sound | Crispin Merrell | Original Music Composer |
| Crew | Jonathan Cohen | Stunts |
