Dr. Benjamin Stone is een jonge dokter die op weg is naar L.A. om plastisch chirurg te worden in Beverly Hills. Om uit de file te blijven verlaat hij de snelweg, maar hij raakt de weg kwijt en ramt met zijn auto tegen een hek in het dorpje Grady. Hij krijgt een taakstraf in het lokale ziekenhuis, en hij wil zo snel mogelijk uit het dorp, weg van de hillbillies. Maar de inwoners mogen hem graag, en willen dat hij hun huisarts wordt. En hijzelf wordt verliefd op de mooie Lou.
Nee, helaas is Doc Hollywood nog niet beschikbaar op Netflix in Nederland.
| Directing | Michael Caton-Jones | Director |
| Production | Marc Merson | Executive Producer |
| Writing | Peter S. Seaman | Screenplay |
| Camera | Michael Chapman | Director of Photography |
| Writing | Jeffrey Price | Screenplay |
| Writing | Daniel Pyne | Screenplay |
| Production | Susan Solt | Producer |
| Production | Deborah D. Johnson | Producer |
| Editing | Priscilla Nedd-Friendly | Editor |
| Art | Eva Anna Andry | Art Direction |
| Art | Daniel R. Bentley | Assistant Property Master |
| Crew | Claudia Gilligan Ivanjack | Scenic Artist |
| Directing | J. Stephen Buck | First Assistant Director |
| Art | Mike Schenk | Property Master |
| Art | Jason Bedig | Leadman |
| Camera | Sidney Ray Baldwin | Still Photographer |
| Camera | Michael Genne | Camera Operator |
| Sound | Ken King | Production Sound Mixer |
| Sound | Adam Milo Smalley | Music Editor |
| Sound | Jay Dranch | Sound Editor |
| Sound | Ann Ducommun | Assistant Sound Editor |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Costume & Make-Up | Bron Roylance | Makeup Artist |
| Sound | Andy Rovins | Boom Operator |
| Sound | Cliff Latimer | ADR Editor |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Sound | Ed Callahan | Sound Editor |
| Directing | Lynne Twentyman | Script Supervisor |
| Art | Mort Zwicker | Construction Coordinator |
| Camera | Jamie Barber | First Assistant Camera |
| Costume & Make-Up | Mark Bridges | Assistant Costume Designer |
| Sound | Richard Portman | Sound Re-Recording Mixer |
| Camera | Sandy Williams | Key Grip |
| Costume & Make-Up | Allen Payne | Additional Hairstylist |
| Sound | Martin Maryska | Sound Editor |
| Sound | John Duvall | Foley Editor |
| Lighting | Richard Quinlan | Chief Lighting Technician |
| Crew | Charles Croughwell | Stunt Coordinator |
| Sound | Melissa Lytle | Assistant Sound Editor |
| Sound | Mark Smith | Sound Re-Recording Mixer |
| Production | Steph Benseman | Location Manager |
| Editing | Donah Bassett | Negative Cutter |
| Costume & Make-Up | Rick Provenzano | Hairstylist |
| Sound | Richard King | Supervising Sound Editor |
| Sound | Christopher Flick | Foley Editor |
| Production | Pavel Cerny | Location Manager |
| Sound | Christine Danelski | Foley Editor |
| Sound | Craig Weintraub | Assistant Sound Editor |
| Camera | Charles W. Wayt | Dolly Grip |
| Sound | Albert Gasser | Sound Editor |
| Editing | Ray Martin | Color Timer |
| Directing | Lucille OuYang | Second Second Assistant Director |
| Production | Marion Dougherty | Casting |
| Production | Robert P. Cohen | Unit Production Manager |
| Production | Neil B. Shulman | Associate Producer |
| Sound | Carter Burwell | Original Music Composer |
| Production | Owens Hill | Casting |
| Writing | Laurian Leggett | Adaptation |
| Art | Lawrence Miller | Production Design |
| Writing | Neil B. Shulman | Book |
| Costume & Make-Up | Lisa Meyers | Hairstylist |
| Costume & Make-Up | Hallie D'Amore | Makeup Artist |
| Art | Dale Allen Pelton | Art Direction |
| Art | Cloudia Rebar | Set Decoration |
| Costume & Make-Up | Richard Hornung | Costume Design |
