Zakenman Alan Clay heeft alles verloren door de crisis, waardoor hij de hoop op een succesvolle carrière in Amerika heeft opgegeven. Hij besluit naar Saoedi-Arabië te vertrekken om daar alsnog iets van zijn leven te maken en zo het schoolgeld van zijn dochter te kunnen betalen.
Nee, helaas is A Hologram for the King nog niet beschikbaar op Netflix in Nederland.
| Writing | Tom Tykwer | Screenplay |
| Directing | Tom Tykwer | Director |
| Production | Gary Goetzman | Producer |
| Editing | Alexander Berner | Editor |
| Sound | Johnny Klimek | Original Music Composer |
| Art | Uli Hanisch | Production Design |
| Production | Stefan Arndt | Producer |
| Costume & Make-Up | Pierre-Yves Gayraud | Costume Design |
| Production | Avy Kaufman | Casting |
| Production | Uwe Schott | Producer |
| Production | Gaby Kester | Casting |
| Production | Michelle Guish | Casting |
| Camera | Frank Griebe | Director of Photography |
| Writing | Dave Eggers | Novel |
| Production | Arcadiy Golubovich | Producer |
| Production | Tim O'Hair | Producer |
| Sound | Tom Tykwer | Original Music Composer |
| Art | Abdellah Baadil | Assistant Art Director |
| Camera | Christian Almesberger | Camera Operator |
| Camera | Tom Trambow | Still Photographer |
| Costume & Make-Up | Elisabeth Martirena | Assistant Costume Designer |
| Sound | Matthias Lempert | Sound Re-Recording Mixer |
| Art | Marco Trentini | Art Direction |
| Camera | Amine Boudour | Camera Operator |
| Camera | Frédéric Batier | Still Photographer |
| Visual Effects | Robert Pinnow | Visual Effects Supervisor |
| Production | Noureddine Aberdine | Casting |
| Lighting | Dietmar Haupt | Rigging Gaffer |
| Visual Effects | Conrad Tambour | Animation |
| Lighting | Helmut Prein | Gaffer |
| Costume & Make-Up | Jan Kempkens-Odemski | Makeup Artist |
| Sound | Markus Stemler | Sound Effects Editor |
| Camera | Jan Hinrich Hoffmann | Underwater Camera |
| Costume & Make-Up | Lisa Spengler | Set Costumer |
| Art | Abdellah Baadil | Art Direction |
| Art | Niklas Schmidt | Art Department Coordinator |
| Costume & Make-Up | Heike Merker | Makeup Department Head |
| Crew | Aladin Hasic | Second Unit Cinematographer |
| Visual Effects | Benjamin Swiczinsky | Animation |
| Visual Effects | Johannes Schiehsl | Animation |
| Sound | Carsten Richter | Foley |
| Sound | Frank Kruse | Supervising Sound Editor |
| Production | Mounir Saguia | Casting |
| Art | Claudio Magrini | Construction Coordinator |
| Camera | Sifeddine El Amine | Still Photographer |
| Production | Alan Scott Neal | Casting Associate |
| Editing | Manuel Scholz | First Assistant Editor |
| Art | Daniel Chour | Art Direction |
| Art | Redouane Nasserdine | Art Department Coordinator |
| Costume & Make-Up | Bettina Seifert | Costume Supervisor |
| Crew | Sven Hübner | Armorer |
| Visual Effects | Nina Knott | Visual Effects Producer |
| Visual Effects | Rene Grasser | Visual Effects Producer |
| Camera | Marcus Pohlus | Steadicam Operator |
| Costume & Make-Up | Daniel Parker | Makeup Designer |
| Sound | Steve Little | ADR & Dubbing |
| Costume & Make-Up | Oriol Nogues | Assistant Costume Designer |
| Visual Effects | Dominik Trimborn | Visual Effects Supervisor |
| Art | Kai Koch | Supervising Art Director |
| Camera | Lotfi El Gorda | First Assistant Camera |
| Costume & Make-Up | Heike Merker | Hair Department Head |
| Crew | David Salamon | CG Supervisor |
| Visual Effects | Robert Aldag | Visual Effects Coordinator |
| Crew | Christopher Chaber | Visual Effects Editor |
| Art | Laura Bach | Set Designer |
